Citation: R. Graziani, SMITHSON,ROBERT - AN AESTHETIC FOREMAN IN THE MINING-INDUSTRY, PART 2(ENVIRONMENTAL SCULPTURE, LAND ART), Art criticism, 13(1), 1998, pp. 5-21
Citation: C. Regester, THE READING OF A STILL - THE EVOCATION OF DEATH IN DANDRIDGE,DOROTHY PHOTOGRAPHS (BLACK-AMERICAN CINEMA), Art criticism, 13(1), 1998, pp. 41-47
Citation: H. Mauzerall, WHATS THE MATTER WITH MATTER - PROBLEMS IN THE CRITICISM OF GREENBERG, FRIED, AND KRAUSS (MODERN-ART), Art criticism, 13(1), 1998, pp. 81-96
Citation: Am. Golub, TOWARDS A NEWER CRITIQUE, THE MISSING LINK - THE INFLUENCE OF ELIOT,T.S. ULTRA-CONSERVATIVE CRITICISM IN GREENBERG,CLEMENT EARLY RHETORIC AND THEMES, Art criticism, 12(1), 1997, pp. 5-37
Citation: Rm. Bisanz, HERMENEUTICS AND ART - FROM SCHLEIERMACHER TO DERRIDA - ON THE TRAIL OF TRUE MEANING OF THE WORK, Art criticism, 12(1), 1997, pp. 66-77
Citation: A. Brzyskilong, RETRACING MODERNIST ORIGINS - CONCEPTUAL PARALLELS IN THE AESTHETIC THOUGHT OF BAUDELAIRE,CHARLES AND HEGEL,G.W.F, Art criticism, 12(1), 1997, pp. 95-111