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Results: 26-50/89
Authors:
BUSBEA LD
Citation: Ld. Busbea, PLEASE SEAT YOUR-SELF, A WINNICOTTIAN READING OF THE FURNITURE-OBJECTS OF BURTON,SCOTT, Art criticism, 11(2), 1996, pp. 20-37
Authors:
GEDO MM
Citation: Mm. Gedo, PUBLIC ART PRIVATE ICONOGRAPHY - BROWN,ROGER TRANSFORMATION OF THE MYTH OF DAEDALUS AND ICARUS, Art criticism, 11(2), 1996, pp. 38-53
Authors:
FERB L
Citation: L. Ferb, DIALECTIC NEGATION AND THE UNPRESENTABLE OBJECT OF NIHILISM IN THE PAINTING OF POLKE,SIGMAR, Art criticism, 11(2), 1996, pp. 54-70
Authors:
MOROWITZ L
Citation: L. Morowitz, ANONYMITY, ARTISTIC BROTHERHOODS AND THE ART-MARKET IN THE FIN-DE-SIECLE, Art criticism, 11(2), 1996, pp. 71-79
Authors:
KING EA
Citation: Ea. King, THE POSTMODERN, AVANT-GARDE ENIGMA - WHO AND WHAT IS KILLING ART, Art criticism, 11(2), 1996, pp. 80-91
Authors:
JAFFEE B
Citation: B. Jaffee, IN THE NAME OF PEIRCE - ART CRITICISM AND THE OCTOBER CIRCLE, Art criticism, 11(2), 1996, pp. 92-114
Authors:
GRAUER VA
Citation: Va. Grauer, MONDRIAN AND THE DIALECTIC OF ESSENCE -CRITICISM( MODERNISM, POSTMODERNIST ART), Art criticism, 11(1), 1996, pp. 1-26
Authors:
JONES P
Citation: P. Jones, BACON AND BATAILLE -CENTURY ART-CRITICISM( 20TH), Art criticism, 11(1), 1996, pp. 27-54
Authors:
HUHN T
MARSH G
Citation: T. Huhn et G. Marsh, A HISTORY OF NEW ABSTRACT PAINTING - TOWARD A THEORY OF DOMESTIC ABSTRACTION, Art criticism, 11(1), 1996, pp. 55-61
Authors:
MCEVILLEY T
Citation: T. Mcevilley, THE TOMB OF THE ZOMBIE -CRITICISM AND POSTMODERNISM( CONTEMPORARY ART), Art criticism, 11(1), 1996, pp. 62-69
Authors:
MORGAN RC
Citation: Rc. Morgan, THE END OF THE (ART) WORLD -THEORY( CULTURE, POSTMODERNISM, CULTURAL), Art criticism, 11(1), 1996, pp. 70-76
Authors:
KING JR
Citation: Jr. King, AESTHETIC AWARENESS IN THE WORK OF WEST,REBECCA, Art criticism, 11(1), 1996, pp. 77-89
Authors:
KUSPIT D
Citation: D. Kuspit, AUTHORS COMMENTS ON THE CULT OF THE AVANT-GARDE ARTIST -ARTS( PSYCHOLOGY, PSYCHOANALYSIS, FINE), Art criticism, 11(1), 1996, pp. 90-100
Authors:
KNAFO D
Citation: D. Knafo, DISCUSSION - THE CULT OF THE AVANT-GARDE ARTIST BY KUSPIT,DONALD, Art criticism, 11(1), 1996, pp. 101-104
Authors:
WADLINGTON W
Citation: W. Wadlington, THE CULT OF THE AVANT-GARDE ARTIST - KUSPIT,D, Art criticism, 11(1), 1996, pp. 105-110
Authors:
PEGLAU M
Citation: M. Peglau, FACTURE, PAINTING, AND BRYSON,NORMAN, Art criticism, 10(2), 1995, pp. 1-31
Authors:
LAUGHLIN T
Citation: T. Laughlin, KRASNER,LEE AND THE DECORATIVE IMPULSE IN MODERN-ART, Art criticism, 10(2), 1995, pp. 32-54
Authors:
NEHER R
Citation: R. Neher, AS STUPID AS A PAINTER, POLLOCK,JACKSON AND THE POLITICS OF SELF, Art criticism, 10(2), 1995, pp. 55-68
Authors:
ZHOU P
FEI XB
Citation: P. Zhou et Xb. Fei, THE MAKING OF MODERNIST ART IN CHINA, Art criticism, 10(2), 1995, pp. 69-81
Authors:
KUZMA S
Citation: S. Kuzma, MYTH-MAKING AND MYTH-BREAKING, MULTIPLE MEANINGS IN CHIN,MEL 'REVIVALFIELD', Art criticism, 10(2), 1995, pp. 82-93
Authors:
FARRELL A
Citation: A. Farrell, CHICAGO,JUDY, EXPLOITATION OR ART, Art criticism, 10(2), 1995, pp. 94-106
Authors:
DAILEY M
Citation: M. Dailey, A MAN AND HIS GOLDEN ARM, Art criticism, 10(2), 1995, pp. 107-108
Authors:
FERB L
Citation: L. Ferb, SMITH,KIKI, Art criticism, 10(2), 1995, pp. 108-109
Authors:
MCCORMICK J
Citation: J. Mccormick, PURGATORIO, Art criticism, 10(2), 1995, pp. 109-110
Authors:
MCKENNA D
Citation: D. Mckenna, BUDAPEST, Art criticism, 10(2), 1995, pp. 110-111