Citation: R. Landy, ESTABLISHING A MODEL OF COMMUNICATION BETWEEN ARTISTS AND CREATIVE ARTS THERAPISTS, The Arts in psychotherapy, 25(5), 1998, pp. 299-302
Citation: S. Levaladgem, CREATING A THERAPEUTIC PLAYFUL DIALOGUE WITH A PATIENT SUFFERING FROMPARKINSONS-DISEASE, The Arts in psychotherapy, 25(4), 1998, pp. 237-243
Citation: R. Levwiesel, USE OF DRAWING TECHNIQUE TO ENCOURAGE VERBALIZATION IN ADULT SURVIVOROF SEXUAL ABUSE, The Arts in psychotherapy, 25(4), 1998, pp. 257-262
Citation: Cld. Dechumaceiro, POETRY AND PROSE SYNTHESES - AN UPDATE OF NEUROPSYCHOLOGICAL ASSUMPTIONS, The Arts in psychotherapy, 25(4), 1998, pp. 277-279
Citation: Jj. Moreno, MUSIC-THERAPY RESEARCH AND PRACTICE IN MEDICINE - FROM OUT OF THE SILENCE - ALDRIDGE,D, The Arts in psychotherapy, 25(4), 1998, pp. 283-284
Citation: S. Stern, THE CLINICIAN GUIDE TO GETTING BETTER BIT(E) BY BIT(E) - A SURVIVAL KIT FOR SUFFERERS OF BULIMIA-NERVOSA AND BINGE-EATING DISORDERS - SCHMIDT,U, TREASURE,J, The Arts in psychotherapy, 25(4), 1998, pp. 285-286
Citation: Ce. Tooley, CREATIVITY AND MADNESS - PSYCHOLOGICAL STUDIES OF ART AND ARTISTS - PANTER,BM, PANTER,ML, VIRSHUP,E, VIRSHUP,B, The Arts in psychotherapy, 25(4), 1998, pp. 287-288
Citation: C. Schmais et P. Diazsalazar, BERN - A METHOD FOR ANALYZING DANCE MOVEMENT THERAPY GROUPS/, The Arts in psychotherapy, 25(3), 1998, pp. 159-165
Citation: Dr. Wiener, LIVING WITHIN DARKNESS - PSYCHIATRIC SURVIVORS AND THE PROTECTION OF MYTHICAL LANGUAGE, The Arts in psychotherapy, 25(3), 1998, pp. 167-181
Citation: Da. Henderson et St. Gladding, THE CREATIVE ARTS IN COUNSELING - A MULTICULTURAL PERSPECTIVE, The Arts in psychotherapy, 25(3), 1998, pp. 183-187
Citation: J. Hoshino et al., A COMPARATIVE-ANALYSIS OF PRE-ELECTROCONVULSIVE AND POST-ELECTROCONVULSIVE THERAPY DRAWINGS, The Arts in psychotherapy, 25(3), 1998, pp. 189-194