Citation: Ct. Thiel, THE ARCHITECTURAL-WORKS-COPYRIGHT-PROTECTION GESTURE OF 1990, OR HEY,THAT-LOOKS-LIKE-MY-BUILDING -WORKS-COPYRIGHT-PROTECTION-ACT, COPYRIGHT-LAW, INTELLECTUAL-PROPERTY( ARCHITECTURAL), The Journal of arts management, law, and society, 27(2), 1997, pp. 85-99
Citation: Tj. Spiess, HEIGH-HO, HEIGH-HO -LAW - A SYNCHRONIZATION LICENSE GRANTED TO USE MUSICAL COMPOSITIONS ON FILM AND ON TELEVISION DOES NOT INCLUDE VIDEOCASSETTES( COPYRIGHT), The Journal of arts management, law, and society, 27(2), 1997, pp. 101-115
Citation: Gc. White et Ll. Duncan, THE ARTS FOR ARTS SAKE -LAW, PUBLIC-DOMAIN( COPYRIGHT), The Journal of arts management, law, and society, 27(2), 1997, pp. 119-122
Citation: Ra. Cargo, CHANGING FIDUCIARY RESPONSIBILITIES FOR NONPROFIT BOARDS -LAW, CHARITABLE-ORGANIZATIONS( CORPORATION), The Journal of arts management, law, and society, 27(2), 1997, pp. 123-138
Citation: Tp. Kimbis, SURVIVING THE STORM - HOW THE NATIONAL-ENDOWMENT-FOR-THE-ARTS RESTRUCTURED ITSELF TO SERVE A NEW CONSTITUENCY, The Journal of arts management, law, and society, 27(2), 1997, pp. 139-158
Citation: T. Takemoto, PERFORMATIVITY AND DIFFERENCE - THE POLITICS OF ILLNESS AND COLLABORATION, The Journal of arts management, law, and society, 27(1), 1997, pp. 7-22
Citation: Ea. Brown, INSIDE-OUT - CATHARSIS IN THE ART OF PITTMAN,LARI AND SMITH,KIKI, The Journal of arts management, law, and society, 27(1), 1997, pp. 23-35
Citation: Bb. Wheeler, THE PERFORMANCE OF DISTANCE AND THE ART OF CATHARSIS - PERFORMANCE ART, ARTISTS, AND AUDIENCE RESPONSE, The Journal of arts management, law, and society, 27(1), 1997, pp. 37-49
Citation: Cl. Harrington, TIME TO PIDDLE - DEATH-ROW INCARCERATION, CRAFTSWORK, AND THE MEANINGOF TIME, The Journal of arts management, law, and society, 27(1), 1997, pp. 51-71
Citation: Vb. Morris, INTERNATIONAL PERSPECTIVES ON SOCIAL AND POLICY ISSUES - INTRODUCTION, The Journal of arts management, law, and society, 26(4), 1997, pp. 251-252
Citation: B. Gainer, MARKETING ARTS EDUCATION - PARENTAL ATTITUDES TOWARD ARTS EDUCATION FOR CHILDREN, The Journal of arts management, law, and society, 26(4), 1997, pp. 253-268
Citation: J. Radbourne, CREATIVE NATION - A POLICY FOR LEADERS OR FOLLOWERS - AN EVALUATION OF AUSTRALIA 1994 CULTURAL POLICY STATEMENT, The Journal of arts management, law, and society, 26(4), 1997, pp. 271-283
Citation: J. Meyrick, ACCOUNTING FOR THE ARTS OF THE 90S - THE GROWTH OF PERFORMING ARTS ADMINISTRATION IN AUSTRALIA, 1975-1995, The Journal of arts management, law, and society, 26(4), 1997, pp. 285-307
Citation: D. Chong, CULTURE POLICY AND MANAGEMENT IN THR UNITED-KINGDOM - PROCEEDINGS OF AN INTERNATIONAL-SYMPOSIUM - BENNETT,O, The Journal of arts management, law, and society, 26(4), 1997, pp. 315-318
Citation: Mj. Wyszomirski, POLITICAL-CULTURE AND CULTURAL POLICY - INTRODUCTION, The Journal of arts management, law, and society, 26(3), 1996, pp. 163-165
Citation: A. Zimmer et S. Toepler, CULTURAL POLICIES AND THE WELFARE-STATE - THE CASES OF SWEDEN, GERMANY, AND THE UNITED-STATES, The Journal of arts management, law, and society, 26(3), 1996, pp. 167-193
Citation: I. Benami, GOVERNMENT INVOLVEMENT IN THE ARTS IN ISRAEL - SOME STRUCTURAL AND POLICY CHARACTERISTICS, The Journal of arts management, law, and society, 26(3), 1996, pp. 195-219
Citation: T. Filicko, IN WHAT SPIRIT DO AMERICANS CULTIVATE THE ARTS - A REVIEW OF SURVEY QUESTIONS ON THE ARTS, The Journal of arts management, law, and society, 26(3), 1996, pp. 221-246
Citation: Mj. Wyszomirski, WHERE DO WE GO FROM HERE, THE FUTURE OF SUPPORT FOR THE ARTS-AND-HUMANITIES, The Journal of arts management, law, and society, 26(2), 1996, pp. 75-77
Citation: J. Kreidler, LEVERAGE LOST, THE NONPROFIT ARTS IN THE POST-FORD-ERA, The Journal of arts management, law, and society, 26(2), 1996, pp. 79-100
Citation: Lk. Stevens, THE EARNINGS SHIFT, THE NEW BOTTOM LINE PARADIGM FOR THE ARTS INDUSTRY IN A MARKET-DRIVEN ERA, The Journal of arts management, law, and society, 26(2), 1996, pp. 101-113
Citation: F. Hodsoll, PUBLIC FUNDING FOR THE ARTS, PAST, PRESENT, AND FUTURE, The Journal of arts management, law, and society, 26(2), 1996, pp. 115-124