Citation: F. Hodsoll, AMERICA COMMITMENT TO CULTURE - GOVERNMENT AND THE ARTS - MULCAHY,KV,WYSZOMIRSKI,MJ, The Journal of arts management, law, and society, 25(3), 1995, pp. 253-256
Citation: J. Marontate, TECHNICAL INNOVATION AND MODERNIST IDEOLOGIES, COMMERCIAL AND ARTISTIC CONJUNCTIONS IN THE APPROPRIATION OF NEW PAINTING MEDIA, The Journal of arts management, law, and society, 25(2), 1995, pp. 93-108
Citation: Gs. Kenyon, MARKET-ECONOMY DISCOURSE IN NONPROFIT HIGH-STATUS ART WORLDS, The Journal of arts management, law, and society, 25(2), 1995, pp. 109-124
Citation: Ej. Freeman et N. Bania, A DIFFERENT TEMPO, AFRICAN-AMERICAN ATTENDANCE AT PERFORMANCES OF THECLEVELAND-ORCHESTRA, The Journal of arts management, law, and society, 25(2), 1995, pp. 127-139
Citation: Rv. Waller, MINIMUM EMPLOYMENT GUARANTEES IN MUSICAL-THEATER ORCHESTRAS - LABOR-RELATIONS ON BROADWAY AND AT THE JOHN-F-KENNEDY-CENTER-FOR-THE-PERFORMING-ARTS, The Journal of arts management, law, and society, 25(2), 1995, pp. 141-156
Citation: J. Bassin, THE MINIMUM BASIC AGREEMENT OF THE DRAMATISTS GUILD, A HISTORY OF INADEQUATE PROTECTION, The Journal of arts management, law, and society, 25(2), 1995, pp. 157-171
Citation: Rm. Chandler, MANY VOICES, MANY OPPORTUNITIES, CULTURAL-PLURALISM AND AMERICAN ARTSPOLICY - PRICE,CA, The Journal of arts management, law, and society, 25(2), 1995, pp. 173-175
Citation: Vl. Zolberg, MUSEUM CULTURE AND THE THREAT TO NATIONAL IDENTITY IN THE AGE OF THE GATT, The Journal of arts management, law, and society, 25(1), 1995, pp. 5-16
Citation: I. Irwinzarecka, TOPOGRAPHY OF TERROR IN BERLIN - IS REMEMBRANCE OF FORGETTING POSSIBLE, The Journal of arts management, law, and society, 25(1), 1995, pp. 17-26
Citation: R. Weiss, THE LONG PROCESS OF GETTING TO THE NEAREST EDGE OF THE WORLD - ART AND CUBA NOW'( AN ESSAY ON THE EXHIBIT THE 'NEAREST EDGE OF THE WORLD ), The Journal of arts management, law, and society, 25(1), 1995, pp. 39-56
Citation: Am. Galligan, THE RHODE-ISLAND AIRPORT CLOUD MACHINE, THE CONTINUING CONTROVERSY OVER STATE-SUPPORTED ART IN PUBLIC PLACES, The Journal of arts management, law, and society, 25(1), 1995, pp. 57-68
Citation: Jw. Monroe, ANGKOR-WAT, A CASE-STUDY IN THE LEGAL-PROBLEMS OF INTERNATIONAL CULTURAL RESOURCE-MANAGEMENT, The Journal of arts management, law, and society, 24(4), 1995, pp. 277-286
Citation: Hj. Mestel, CANADIAN TAX POLICY AND GIFTS OF CULTURAL PROPERTY - A POSITIVE ANALYSIS, The Journal of arts management, law, and society, 24(4), 1995, pp. 287-303
Citation: I. Morizet, THE ROLE OF THE ARTS IN INTERNATIONAL CULTURAL-EXCHANGE FROM THE PERSPECTIVE OF THE JAPAN-UNITED-STATES-FRIENDSHIP-COMMISSION, The Journal of arts management, law, and society, 24(4), 1995, pp. 304-323
Citation: E. Lehman, RECRUITMENT PRACTICES IN AMERICAN AND BRITISH SYMPHONY ORCHESTRAS, CONTRASTS AND CONSEQUENCES, The Journal of arts management, law, and society, 24(4), 1995, pp. 325-343
Citation: Jw. Zeigler, THE TINY ENDOWMENT, RADICAL DIFFERENCES IN PUBLIC AND PRIVATE SECTORS, The Journal of arts management, law, and society, 24(4), 1995, pp. 345-352
Citation: W. Chappell, PRESENTING, TOURING AND THE STATE ARTS AGENCIES - KATZ,J, The Journal of arts management, law, and society, 24(4), 1995, pp. 354-355
Citation: J. Vancamp, CREATING WORKS-OF-ART FROM WORKS-OF-ART, THE PROBLEM OF DERIVATIVE WORKS, The Journal of arts management, law, and society, 24(3), 1994, pp. 209-222
Citation: K. Bruin, REMBRANDT ON TOUR + ORGANIZING THE EXHIBITION 'REMBRANDT, THE MASTER AND HIS WORKSHOP', The Journal of arts management, law, and society, 24(3), 1994, pp. 223-239