Citation: Kw. Grundy, QUASI-STATE CENSORSHIP IN SOUTH-AFRICA, THE PERFORMING ARTS COUNCILS AND POLITICIZED THEATER, The Journal of arts management, law, and society, 24(3), 1994, pp. 241-257
Citation: R. Chess, MY HOLOCAUST, MY IMAGINATION, REFLECTIONS ON VISITING THE UNITED-STATES-HOLOCAUST-MEMORIAL-MUSEUM, The Journal of arts management, law, and society, 24(3), 1994, pp. 259-270
Citation: N. Prevots, POOR DANCERS ALMANAC - MANAGING LIFE AND WORK IN THE PERFORMING ARTS - WHITE,DR, FRIEDMAN,L, LEVINSON,TT, The Journal of arts management, law, and society, 24(3), 1994, pp. 271-272
Citation: Am. Galligan, INTERNATIONAL ARTS POLICY PERSPECTIVES - INTRODUCTION, The Journal of arts management, law, and society, 24(2), 1994, pp. 91-92
Citation: M. Heikkinen et P. Karhunen, THE FOCUS AND FUNCTIONS OF PUBLIC SUPPORT FOR ARTISTS IN FINLAND, The Journal of arts management, law, and society, 24(2), 1994, pp. 93-109
Citation: M. Bakke, CENTRALIZED DECENTRALIZATION IN NORWEGIAN CULTURAL POLICY, The Journal of arts management, law, and society, 24(2), 1994, pp. 111-127
Citation: P. Weinstock, TOWARD A SOCIOECONOMIC CULTURAL POLICY IN JERUSALEM - A CASE-STUDY, The Journal of arts management, law, and society, 24(2), 1994, pp. 129-145
Citation: V. Kirchberg, PREFERENCES AND POLICY - CONSUMING ART AND CULTURE IN BALTIMORE AND HAMBURG, The Journal of arts management, law, and society, 24(2), 1994, pp. 146-162
Citation: J. Vandertas, ASSESSMENT AND PARTICIPATION IN ART + SOCIOLOGY AND CULTURE OF TASTE, The Journal of arts management, law, and society, 24(2), 1994, pp. 163-173
Citation: Ew. Cameron, SPENGLER LIST - SCREENWRITING, THE WILDERNESS, AND THE CIVILIZED DEATH OF THE ARTS, The Journal of arts management, law, and society, 24(2), 1994, pp. 174-184
Citation: Jk. Urice, THE CONFERENCE ON SOCIAL-THEORY, POLITICS AND THE ARTS - INTRODUCTION, The Journal of arts management, law, and society, 24(1), 1994, pp. 3-6
Citation: Mv. Felton, HISTORICAL FUNDING PATTERNS IN SYMPHONY ORCHESTRAS, DANCE, AND OPERA COMPANIES, 1972-1992, The Journal of arts management, law, and society, 24(1), 1994, pp. 8-31
Citation: Jw. Zeigler, STRIVING FOR POSITIVE PASSIVITY, IDEAS FOR A FUTURE NEA, The Journal of arts management, law, and society, 24(1), 1994, pp. 67-78
Citation: Ai. Radice, PAYING THE PIPER - CAUSES AND CONSEQUENCES OF ART PATRONAGE - BALFE,JH, The Journal of arts management, law, and society, 24(1), 1994, pp. 79-81
Citation: Aj. Radich, THE ECONOMICS OF ART AND CULTURE - AN AMERICAN PERSPECTIVE - HEILBRUN,J, GRAY,CM, The Journal of arts management, law, and society, 24(1), 1994, pp. 81-82
Citation: J. Levine, ARTS FUNDING - A REPORT ON FOUNDATION AND CORPORATE GRANTMAKING TRENDS - WEBER,N, RENZ,L, The Journal of arts management, law, and society, 24(1), 1994, pp. 82-84
Citation: Ht. Schneider, WHO BENEFITS FROM THE NONPROFIT SECTOR - CLOTFELTER,CT, The Journal of arts management, law, and society, 24(1), 1994, pp. 84-85
Citation: S. Ridgeway, DIFFERENT VOICES - A SOCIAL CULTURAL AND HISTORICAL FRAMEWORK FOR CHANGE IN THE AMERICAN ART-MUSEUM - TUCKER,M, The Journal of arts management, law, and society, 24(1), 1994, pp. 85-87
Citation: H. Kelley et Ka. Betsalel, THE POLITICS OF CULTURE AND THE MUSEUM - AN INTRODUCTION, The Journal of arts management, law, and society, 23(4), 1994, pp. 275-276
Citation: Vl. Zolberg, ART-MUSEUMS AND CULTURAL POLICIES - CHALLENGES OF PRIVATIZATION, NEW PUBLICS, AND NEW ARTS, The Journal of arts management, law, and society, 23(4), 1994, pp. 277-290