Citation: S. Gilmore, MINORITIES AND DISTRIBUTIONAL EQUITY AT THE NATIONAL-ENDOWMENT-FOR-THE-ARTS, The Journal of arts management, law, and society, 23(2), 1993, pp. 137-173
Citation: J. Laughton, PUBLIC-POLICY AND THE AESTHETIC INTEREST - CRITICAL ESSAYS ON DEFINING CULTURAL AND EDUCATIONAL-RELATIONS - SMITH,RA, BERMAN,R, The Journal of arts management, law, and society, 23(2), 1993, pp. 174-176
Citation: M. Richardson, PRESIDENTS-COMMITTEE-ON-THE-ARTS-AND-HUMANITIES REPORT TO THE PRESIDENT DECEMBER 1992 + PREFACE, INTRODUCTION, BACKGROUND, EVOLUTION OF THECOMMITTEE, RECENT ACTIVITIES AND RECOMMENDATIONS, The Journal of arts management, law, and society, 23(1), 1993, pp. 5-13
Citation: Ra. Sayles, CULTURAL-DEVELOPMENT IN AN IMMIGRANT COMMUNITY, ARTS EDUCATION THROUGH THE SETTLEMENT-MOVEMENT, The Journal of arts management, law, and society, 23(1), 1993, pp. 15-24
Citation: B. Whittaker, THE ARTS OF SOCIAL-CHANGE, ARTISTIC, PHILOSOPHICAL, AND MANAGERIAL ISSUES, The Journal of arts management, law, and society, 23(1), 1993, pp. 25-35
Citation: J. Levine, ART SERVICES FOR THE MARGINAL, THE SURVIVAL OF THEATER FOR THE FORGOTTEN, The Journal of arts management, law, and society, 23(1), 1993, pp. 37-50
Citation: J. Skiles, ANATOMY OF A STRATEGIC ALLIANCE, THE DOOR AND THE CREATIVE-WOMENS-COLLECTIVE, The Journal of arts management, law, and society, 23(1), 1993, pp. 51-68
Citation: J. Heilbrun, MANAGING A MUSEUMS COLLECTION + ADAPTED FROM THE ECONOMICS OF ART ANDCULTURE, The Journal of arts management, law, and society, 23(1), 1993, pp. 69-76
Citation: T. Birch, THE NONPROFIT LOBBYING GUIDE - ADVOCATING YOUR CAUSE AND GETTING RESULTS - SMUCKER,B, The Journal of arts management, law, and society, 23(1), 1993, pp. 77-79
Citation: O. Chamberlain, EXPANDING THE AUDIENCE FOR THE PERFORMING ARTS - ANDREASEN,AR, The Journal of arts management, law, and society, 23(1), 1993, pp. 79-80
Citation: Kg. Congdon, THE CRAFTSPERSON SPEAKS - ARTISTS IN VARIED MEDIA DISCUSS THEIR CRAFTS - JEFFRI,J, The Journal of arts management, law, and society, 23(1), 1993, pp. 80-82
Citation: Ej. Freeman, RACE, ETHNICITY AND PARTICIPATION IN THE ARTS - PATTERNS OF PARTICIPATION BY HISPANICS, WHITES, AND AFRICAN-AMERICANS IN SELECTED ACTIVITIES FROM THE 1982 AND 1985 SURVEYS-OF-PUBLIC-PARTICIPATION-IN-THE-ARTS -DIMAGGIO,P, OSTROWER,F, The Journal of arts management, law, and society, 23(1), 1993, pp. 82-83
Citation: Jsm. Willette et M. Leach, BETWEEN CHOICE AND CONTEXT, CURATING IN A POSTMODERN AGE, The Journal of arts management, law, and society, 22(4), 1993, pp. 310-320
Citation: C. Gehrig, A FOUNDATION PERSPECTIVE ON JUDGMENT MAKING AND THE ARTS, The Journal of arts management, law, and society, 22(4), 1993, pp. 335-340
Citation: M. Rueschemeyer, ETHNIC PLACE AND ARTISTIC CREATION, DILEMMAS OF SEPHARDIC ARTISTS IN ISRAEL, The Journal of arts management, law, and society, 22(4), 1993, pp. 341-354
Citation: Sm. Dobbs, EXCELLENCE AND EQUITY, EDUCATION AND THE PUBLIC DIMENSION OF MUSEUMS - AMERICAN-ASSOCIATION-OF-MUSEUMS, The Journal of arts management, law, and society, 22(4), 1993, pp. 355-357
Citation: Ja. Oconnor, THE PUBLIC ART PROCESS IN GAINESVILLE, FLORIDA - A CASE-HISTORY OR HOW A MODEL PROCESS WENT SOUR, The Journal of arts management, law, and society, 22(3), 1992, pp. 195-210
Citation: C. Dreeszen, INTERSECTIONS-PROJECT, COMMUNITY ARTS AND EDUCATION COLLABORATIONS, The Journal of arts management, law, and society, 22(3), 1992, pp. 211-239
Citation: Hh. Chartrand, CHRISTIANITY, COPYRIGHT, AND CENSORSHIP IN ENGLISH-SPEAKING CULTURES, The Journal of arts management, law, and society, 22(3), 1992, pp. 253-271