Citation: R. Horta, THE CRITICAL DISTANCE + WILL TECHNOLOGICAL DEVELOPMENTS POSE A THREATTO CHOREOGRAPHY, Dance theatre journal, 13(3), 1997, pp. 14-15
Citation: A. Daly, FINDING THE LOGIC OF DIFFERENCE -DIFFERENT SERIES AT NEW-YORK JOYCE-THEATER, JANUARY 7-24( A SAMPLING OF NEW DANCE PRESENTED AT THIS YEARS ALTOGETHER), Dance theatre journal, 13(3), 1997, pp. 18-21
Citation: A. Nugent, 2 TALL WOMEN + APPRECIATING THE DIFFERENT CHOREOGRAPHIES OF THARP,TWYLA AND BUTCHER,ROSEMARY, Dance theatre journal, 13(3), 1997, pp. 22-23
Citation: J. Percival, DESIGN FOR PERFORMANCE - FROM DIAGHILEV TO THE PET-SHOP-BOYS - DOCHERTY,P, WHITE,T, Dance theatre journal, 13(3), 1997, pp. 44-45
Citation: G. Poesio, THE BALLET OF THE ENLIGHTENMENT - THE ESTABLISHMENT OF THE BALLET-DACTION IN FRANCE, 1770-1793 - GUEST,I, Dance theatre journal, 13(3), 1997, pp. 46-46
Citation: D. Bull, FIT TO DANCE - THE REPORT OF THE NATIONAL-INQUIRY-INTO-DANCERS-HEALTH-AND-INJURY - BRINSON,P, DICK,F, Dance theatre journal, 13(3), 1997, pp. 47-47