Citation: A. Franks, BALLROOM DANCING IS DEAD - LONG LIVE BALLROOM DANCING( THE RENAISSANCE OF THE MOST POPULAR PARTICIPANT SPORT IN BRITAIN ), Dance theatre journal, 1996, pp. 21-24
Citation: P. Lucas, CREATING A WORLD OF THEIR OWN -96( LINEHAN,CHARLES AND ULTRAMARINE (COOPER,IAN AND HAMMOND,PAUL) COLLABORATE ON A NEW COMMISSION FOR BLITZ), Dance theatre journal, 1996, pp. 28-31
Citation: S. Crow, BALLET FLOATS FREE IN CYBERSPACE + TRYING TO DISPEL THE FOG OF CONVENTION AND PREJUDICE THAT SURROUNDS BALLET AND SEE IT FOR WHAT IT IS ANDWHAT IT MIGHT BE, Dance theatre journal, 1996, pp. 32-34
Citation: S. Wray et C. Bruce, CONFRONTING THE BOSS -DANCE-COMPANYS ARTISTIC-DIRECTOR, BRUCE,CHRISTOPHER( AN INTERVIEW WITH RAMBERT), Dance theatre journal, 13(2), 1996, pp. 8-9
Citation: B. Laskin, NURTURING NEW DANCE -DIRECTOR OF CANADA LE GROUPE-DE-LA-PLACE-ROYALE,IS THE MAN WHO LEADS LABS( BONEHAM,PETER, ARTISTIC), Dance theatre journal, 13(2), 1996, pp. 40-43
Citation: D. Krohn, ORIGINS AND EVOLUTION + PILATES,JOE METHOD OF BODY CONDITIONING AND THE EAST WEST CONNECTION/, Dance theatre journal, 13(2), 1996, pp. 47-49