Citation: P. Happe, THEATRICALITY IN DEVILS, SINNEKENS, AND THE VICE (MYSTERY, MORALITY-PLAYS, ALLEGORICAL FIGURES), Cahiers Elisabethains, (53), 1998, pp. 1-12
Citation: J. Fitzpatrick, SPENSER NATIONALISTIC IMAGES OF BEAUTY - THE IDEAL AND THE OTHER IN RELATION TO PROTESTANT ENGLAND AND CATHOLIC IRELAND IN THE 'FAERIE QUEENE', BOOK 1, Cahiers Elisabethains, (53), 1998, pp. 13-26
Citation: G. Walker, COURTLY LETTERS IN THE AGE OF HENRY-VIII - LITERARY CULTURE AND THE ARTS OF DECEIT - LERER,S, Cahiers Elisabethains, (53), 1998, pp. 109-110
Citation: T. Hoenselaars, THE SHAPES OF REVENGE - VICTIMIZATION, VENGEANCE, AND VINDICTIVENESS IN SHAKESPEARE - KEYISHIAN,H, Cahiers Elisabethains, (53), 1998, pp. 116-118
Citation: T. Hoenselaars, 3 RENAISSANCE TRAVEL PLAYS - THE 'TRAVELS OF THE THREE ENGLISH BROTHERS', THE 'SEA VOYAGE', THE 'ANTIPODES' - PARR,A, Cahiers Elisabethains, (53), 1998, pp. 118-119
Citation: Jp. Maquerlot, COMMENT ON STOTT,ANDREWREVIEW OF AUTHORS 'SHAKESPEARE AND THE MANNERIST TRADITION', Cahiers Elisabethains, (53), 1998, pp. 127-128
Citation: S. Morrison, LOLLARDY IN THE 15TH-CENTURY - THE EVIDENCE FROM SOME ORTHODOX TEXTS (HERESY IN ENGLAND), Cahiers Elisabethains, (52), 1997, pp. 1-24
Citation: A. Hiscock, EROTIC SOVEREIGNTY - CRISIS OF DESIRE AND FAITH IN THE 'WINTERS TALE'AND 'HENRY VIII' (SHAKESPEARE), Cahiers Elisabethains, (52), 1997, pp. 53-62
Citation: J. Auty, WALKING UPRIGHT - THE OAK AND THE HEWEL IN MARVELL 'UPON APPLETON HOUSE, TO MY LORD FAIRFAX', Cahiers Elisabethains, (52), 1997, pp. 63