Citation: B. Nietschmann, AUTHENTIC, STATE AND VIRTUAL GEOGRAPHY IN FILM + HOW A FILM ABOUT A PLACE IS RARELY SHOT THERE, Wide angle, 15(4), 1993, pp. 5-12
Citation: B. Laurel, ART AND ACTIVISM IN VR - BASED ON A TALK GIVEN AT THE SAN-FRANCISCO-ART-INSTITUTES VIRTUAL-REALITY-SYMPOSIUM, AUGUST 1991, Wide angle, 15(4), 1993, pp. 13-21
Citation: Bc. Bishop, MACHU-PUCHARI - PLACES AND PEOPLES ON PAGES AND SCREENS( THE ROLE OF 'NATIONAL GEOGRAPHIC' IN BRINGING NEPAL TO YOUR DOOR ), Wide angle, 15(4), 1993, pp. 31
Citation: W. Schmidt, NOT JUST ANOTHER PRETTY PLACE - SOME REFLECTIONS( TOURISTS AND THEIR WILLINGNESS TO EXPERIENCE A SPACE ), Wide angle, 15(4), 1993, pp. 35-40
Citation: M. Naimark, PRESENCE AT THE INTERFACE OR SENSE OF PLACE ESSENCE OF PLACE + RESULTS OF A QUESTIONNAIRE PRESENTED TO 2 GROUPS, ONE AT A 'CYBERARTS' CONFERENCE IN PASADENA, CALIFORNIA, THE OTHER AT A COLLOQUIUM IN PARIS, Wide angle, 15(4), 1993, pp. 50-61
Citation: Pf. Starrs, THE WAYS OF WESTERN - MOR(T)ALITY AND LANDSCAPE IN MCCARTHY,CORMAC NOVELS AND LEONE,SERGIO FILMS, Wide angle, 15(4), 1993, pp. 63
Citation: Fp. Tomasulo, THE ARCHITECTONICS OF ALIENATION - ANTONIONI EDIFICE COMPLEX( METAPHORICAL AND DIALECTIC USE OF BUILDINGS IN FILM ), Wide angle, 15(3), 1993, pp. 3-20
Citation: T. Shary, PRESENT PERSONAL TRUTHS - THE ALTERNATIVE PHENOMENOLOGY OF VIDEO IN 'IVE HEARD THE MERMAIDS SINGING', Wide angle, 15(3), 1993, pp. 37-55
Citation: T. Williams, SHURTLEFF,CLARENCE,E. PRESENTS LONDON,JACK, 1919-1921 + EARLY FILM ADAPTATIONS OF THE NOVELS, Wide angle, 15(3), 1993, pp. 57-72
Citation: J. Distefano, HOW DO I LOOK - QUEER FILM AND VIDEO - MAYNE,J, DELAURETIS,T, FUNG,R,MERCER,K, PATTON,C, MARSHALL,S,, Wide angle, 15(2), 1993, pp. 51-56