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Results: 1-25/149
Authors:
AMATICAMPERI A
Citation: A. Amaticamperi, POETIC FORM IN THE EARLY MADRIGAL RECONSIDERED, The Journal of musicological research, 17(3-4), 1998, pp. 163-193
Authors:
MCGRANN JW
Citation: Jw. Mcgrann, OF SAINTS, NAME DAYS, AND TURKS - SOME BACKGROUND ON HAYDN MASSES WRITTEN FOR PRINCE NIKOLAUS-II-ESTERHAZY, The Journal of musicological research, 17(3-4), 1998, pp. 195-210
Authors:
BOMBERGER ED
Citation: Ed. Bomberger, MARX,ADOLPH,BERNHARD ON COMPOSITION TRAINING FOR WOMEN, The Journal of musicological research, 17(3-4), 1998, pp. 211-226
Authors:
KNEPLER G
Citation: G. Knepler, THE 2ND VIENNESE-SCHOOL IN THE CONTEXT OF AUSTRIAN INTELLECTUAL HISTORY - AN ESSAY-MEMOIR, The Journal of musicological research, 17(3-4), 1998, pp. 227-237
Authors:
KNEPLER G
Citation: G. Knepler, EISLER,HANNS AND INTERVENTIVE THOUGHT, The Journal of musicological research, 17(3-4), 1998, pp. 239-260
Authors:
SWACK J
Citation: J. Swack, THE RELIGIOUS DESIGNS OF BACH,J.S. BRANDENBURG CONCERTOS - MARISSEN,M, The Journal of musicological research, 17(3-4), 1998, pp. 261-269
Authors:
SWACK J
Citation: J. Swack, BACH,J.S. AND THE GERMAN MOTET - MELAMED,DR, The Journal of musicological research, 17(3-4), 1998, pp. 261-269
Authors:
SWACK J
Citation: J. Swack, BACH PERSPECTIVES, VOL 1 - STINSON,R, The Journal of musicological research, 17(3-4), 1998, pp. 261-269
Authors:
BECK EM
Citation: Em. Beck, OTHER ENTERTAINMENT - ROREM,N, The Journal of musicological research, 17(3-4), 1998, pp. 269-274
Authors:
RODGER G
Citation: G. Rodger, EN TRAVESTI - WOMEN, GENDER, SUBVERSION, OPERA - BLACKMER,C, SMITH,PJ, The Journal of musicological research, 17(3-4), 1998, pp. 275-281
Authors:
RODGER G
Citation: G. Rodger, OPERA IN THE FLESH - SEXUALITY IN OPERATIC PERFORMANCE - ABEL,S, The Journal of musicological research, 17(3-4), 1998, pp. 275-281
Authors:
HADLOCK H
Citation: H. Hadlock, THE MECHANICAL SONG - WOMEN, VOICE, AND THE ARTIFICIAL IN 19TH-CENTURY FRENCH NARRATIVE - FRANK,FM, The Journal of musicological research, 17(3-4), 1998, pp. 282-294
Authors:
HADLOCK H
Citation: H. Hadlock, OPERA - DESIRE, DISEASE, DEATH - HUTCHEON,L, HUTCHEON,M, The Journal of musicological research, 17(3-4), 1998, pp. 282-294
Authors:
HADLOCK H
Citation: H. Hadlock, OPERA THROUGH OTHER EYES - LEVIN,D, The Journal of musicological research, 17(3-4), 1998, pp. 282-294
Authors:
ECHARD W
Citation: W. Echard, PERFORMING RITES - ON THE VALUE OF POPULAR-MUSIC - FRITH,S, The Journal of musicological research, 17(3-4), 1998, pp. 295-301
Authors:
HARSH E
Citation: E. Harsh, THE CRITICAL EDITING OF MUSIC - HISTORY, METHOD, AND PRACTICE - GRIER,J, The Journal of musicological research, 17(3-4), 1998, pp. 301-308
Authors:
GORDON B
Citation: B. Gordon, ROCK SHE WROTE - MCDONNELL,E, POWERS,A, The Journal of musicological research, 17(3-4), 1998, pp. 309-322
Authors:
GORDON B
Citation: B. Gordon, SHE BOP - THE DEFINITIVE HISTORY OF WOMEN IN ROCK, POP PLUS SOUL - OBRIAN,L, The Journal of musicological research, 17(3-4), 1998, pp. 309-322
Authors:
GORDON B
Citation: B. Gordon, THE SEX REVOLTS - GENDER, REBELLION AND ROCK-N-ROLL - REYNOLDS,S, PRESS,J, The Journal of musicological research, 17(3-4), 1998, pp. 309-322
Authors:
GORDON B
Citation: B. Gordon, GIRLS - GIRLS - GIRLS - ESSAYS ON WOMEN AND MUSIC - COOPER,S, The Journal of musicological research, 17(3-4), 1998, pp. 309-322
Authors:
CUNNINGHAM CE
Citation: Ce. Cunningham, THE INTERACTION OF CULTURAL PERFORMANCES, TOURISM, AND ETHNICITY - ANINTRODUCTION, The Journal of musicological research, 17(2), 1998, pp. 81-85
Authors:
SARKISSIAN M
Citation: M. Sarkissian, TRADITION, TOURISM, AND THE CULTURAL SHOW - MALAYSIA DIVERSITY ON DISPLAY, The Journal of musicological research, 17(2), 1998, pp. 87-112
Authors:
LAU F
Citation: F. Lau, PACKAGING IDENTITY THROUGH SOUND - TOURIST PERFORMANCES IN CONTEMPORARY CHINA, The Journal of musicological research, 17(2), 1998, pp. 113-134
Authors:
REES H
Citation: H. Rees, AUTHENTICITY AND THE FOREIGN AUDIENCE FOR TRADITIONAL-MUSIC IN SOUTHWEST CHINA, The Journal of musicological research, 17(2), 1998, pp. 135-161
Authors:
MACY L
Citation: L. Macy, THE DUE DECORUM KEPT - ELIZABETHAN TRANSLATION AND THE MADRIGALS ENGLISHED OF YONGE,NICHOLAS AND WATSON,THOMAS (ENGLISH-TRANSLATIONS AND MUSIC FROM THE 'MUSICA TRANSALPINA' OF 1588 AND THE 'ITALIAN MADRIGALS ENGLISHED' OF 1590), The Journal of musicological research, 17(1), 1998, pp. 1-21