Citation: T. Mcgeary, GENDERING OPERA - ITALIAN OPERA AS THE FEMININE OTHER IN BRITAIN, 1700-42( HOMOSEXUALITY ), The Journal of musicological research, 14(1-2), 1994, pp. 17-34
Citation: Ml. Miller, THE RIDGELYS OF HAMPTON - NEW PERSPECTIVES ON MUSICAL LIFE IN EARLY-19TH-CENTURY BALTIMORE, The Journal of musicological research, 14(1-2), 1994, pp. 35-54
Citation: C. Cai, HENSEL,FANNY 'SONGS FOR PIANOFORTE' OF 1836-37 - STYLISTIC INTERACTION WITH MENDELSSOHN,FELIX, The Journal of musicological research, 14(1-2), 1994, pp. 55-76
Citation: Mc. Francis, LETTERS FROM A LIFE - SELECTED LETTERS AND DIARIES OF BRITTEN,BENJAMIN, 1913-1976 - MITCHELL,D, REED,P, EDITORS, The Journal of musicological research, 14(1-2), 1994, pp. 84-88
Citation: C. Clark, UNSUNG VOICES - OPERA AND MUSICAL NARRATIVE IN THE 19TH-CENTURY - ABBATE,C, The Journal of musicological research, 14(1-2), 1994, pp. 89-93
Citation: P. Urquhart, A CORRESPONDENCE OF RENAISSANCE MUSICIANS - BLACKBURN,BJ, LOWINSKY,EE, MILLER,CA, The Journal of musicological research, 14(1-2), 1994, pp. 93-97
Citation: K. Vanorden, MUSIC IN RENAISSANCE MAGIC - TOWARD A HISTORIOGRAPHY OF OTHERS - TOMLINSON,G, The Journal of musicological research, 14(1-2), 1994, pp. 113-122
Citation: Dd. Greaves, THE EUCLIDEAN DIVISION OF THE CANON - GREEK AND LATIN SOURCES - BARBERA,A, The Journal of musicological research, 14(1-2), 1994, pp. 126-128
Citation: W. Kindermann, SACHS,HANS 'COBBLERS SONG', 'TRISTAN', AND THE BITTER CRY OF THE RESIGNED MAN + WAGNER,R., The Journal of musicological research, 13(3-4), 1993, pp. 161-184
Citation: R. Komow, THE STRUCTURE OF WAGNER ASSEMBLY-OF-THE-MASTERSINGERS-GUILD + DIE 'MEISTERSINGER VON NURNBERG', The Journal of musicological research, 13(3-4), 1993, pp. 185-206
Citation: R. Wallace, RESPONSE TO VITERCIK, STRUCTURE AND EXPRESSION IN BEETHOVEN 'OP.132', The Journal of musicological research, 13(3-4), 1993, pp. 255-256