Citation: Bf. Dukore, RESPONSIBILITY TO ANOTHER, GREENE,GRAHAM SCREEN VERSION OF SHAW,BERNARD 'SAINT JOAN', Theatre history studies, 16, 1996, pp. 3-13
Citation: Mn. Blood, THEATER IN SETTLEMENT HOUSES, HULL-HOUSE PLAYERS, NEIGHBORHOOD PLAYHOUSE, AND KARAMU-THEATER, Theatre history studies, 16, 1996, pp. 45-69
Citation: S. Abel, THE DEATH OF QUEENS, THE 'LISBON TRAVIATA' CONTROVERSY AND GAY MALE REPRESENTATION IN MAINSTREAM THEATER, Theatre history studies, 16, 1996, pp. 91-104
Citation: L. Clemons, AN IDENTITY WITH HONORABLE INTENT, TOLLER,ERNST AUTOBIOGRAPHICAL (RE)CONSTRUCTIONS, Theatre history studies, 16, 1996, pp. 105-116
Citation: D. Krasner, THE MIRROR UP TO NATURE, MODERNIST AESTHETICS AND RACIAL AUTHENTICITYIN AFRICAN-AMERICAN THEATER, 1895-1900, Theatre history studies, 16, 1996, pp. 117-140
Citation: Mj. Mcdermott et Sj. Blackstone, WHITE-SLAVERY PLAYS OF THE 1910S, FEAR OF VICTIMIZATION AND THE SOCIAL-CONTROL OF SEXUALITY, Theatre history studies, 16, 1996, pp. 141-156
Citation: L. Clemons, KAISER,GEORG AND THE CRITICS, A PROFILE OF EXPRESSIONISMS LEADING PLAYWRIGHT - WILLEKE,AB, Theatre history studies, 16, 1996, pp. 177-179
Citation: J. Dickey, TREADWELL,SOPHIE VERSUS BARRYMORE,JOHN, PLAYWRIGHTS, PLAGIARISM AND POWER IN THE BROADWAY THEATER OF THE 1920S, Theatre history studies, 15, 1995, pp. 67-86