Citation: Ja. Bradham, POLEMICS BEHIND THE LAUGHTER -CENTURY COMEDIENNE - THE CAUSES OF CLIVE,CATHERINE( THE GREAT 18TH), Theatre history studies, 14, 1994, pp. 95-106
Citation: Sj. Blackstone, BYERS,ALEXANDER -MANUSCRIPT-COMPANY WHICH WAS OWNED BY HIM - PLAY PIRATE EXTRAORDINAIRE( THE OPERATION OF THE CHICAGO), Theatre history studies, 14, 1994, pp. 107-113
Citation: Jt. Peterson, PRIDE AND PREJUDICE - THE DEMISE OF THE ETHOPIAN-ART-THEATER( BLACK REPERTORY COMPANY FROM CHICAGO IN THE EARLY 1920S ), Theatre history studies, 14, 1994, pp. 141-149
Citation: Ct. Ault, TESSIN NOTES ON BAROQUE THEATER AT VILLA-CONTARINI, 1688 - ANNOTATED AND EXPANDED FROM THE ORIGINAL TEXT, Theatre history studies, 14, 1994, pp. 151-164
Citation: C. Ashby, THEATRICAL ADVENTURE ON THE MISSISSIPPI + REPORT ON AN EARLY SHOWBOATPERFORMANCE AROUND 1835, Theatre history studies, 14, 1994, pp. 165-168
Citation: Fh. Londre, THE EVA-RUTTKAI-THEATER-MUSEUM + LOCATED IN BUDAPEST IN THE ACTRESS FORMER SUMMER HOUSE, Theatre history studies, 14, 1994, pp. 169-172
Citation: K. Neely, THE AMERICAN STAGE - SOCIAL AND ECONOMIC-ISSUES FROM THE COLONIAL PERIOD TO THE PRESENT - ENGLE,R, MILLER,T, Theatre history studies, 14, 1994, pp. 192-195
Citation: Dj. Watermeier, LOOKING AT SHAKESPEARE - A VISUAL HISTORY OF 20TH-CENTURY PERFORMANCE- KENNEDY,D, Theatre history studies, 14, 1994, pp. 198-200