Citation: Lp. Monye, THE INDIVIDUAL AND HIS MASKS IN LE 'TAMBO UR' BY GRASS,GUNTER AND KUNDERA,MILAN LA 'PLAISANTERIE', CLA journal, 41(2), 1997, pp. 213-220
Citation: D. Dorsey, OF DREAMS DEFERRED, DEAR OR ALIVE - AFRICAN PERSPECTIVES ON AFRICAN-AMERICAN WRITERS - OJOADE,F, CLA journal, 41(2), 1997, pp. 229-241
Citation: Eq. Tignor, RECOVERED WRITERS RECOVERED TEXTS - RACE, CLASS, AND GENDER IN BLACK WOMENS LITERATURE - HUBBARD,D, CLA journal, 41(2), 1997, pp. 242-246
Citation: O. Zongo, CARTOGRAPHIES OF POWER IN COLONIAL AFRICAN LITERATURE - OYONO,FERDINAND THE 'OLD MAN AND THE MEDAL', CLA journal, 41(1), 1997, pp. 24-43
Citation: A. Mensah, NEGRITUDE AND LITERARY-CRITICISM - THE HISTORY AND THEORY OF NEGRO-AFRICAN LITERATURE IN FRENCH - JACK,BE, CLA journal, 41(1), 1997, pp. 117-121
Citation: S. Souris, MULTIPERSPECTIVAL CONSENSUS - WALKER,ALICE 'POSSESSING THE SECRET OF JOY', THE MULTIPLE NARRATOR NOVEL, AND THE PRACTICE OF FEMALE CIRCUMCISION, CLA journal, 40(4), 1997, pp. 405-431
Citation: Sb. Fowler, MARKING THE BODY, DEMARCATING THE BODY-POLITIC - ISSUES OF AGENCY ANDIDENTITY IN 'LOUISA PICQUET' AND 'DESSA ROSE', CLA journal, 40(4), 1997, pp. 467-478
Citation: L. Caton, DOING THE RIGHT THING WITH 'MOLL FLANDERS' - A REASONABLE DIFFERENCE BETWEEN THE PICARA AND THE PENITENT, CLA journal, 40(4), 1997, pp. 508-516