Citation: R. Pecman, VETTERL,KAREL (1898-1979) AS A MUSIC HISTORIAN AND MUSICOLOGIST (CONTEMPORARY CZECH MUSIC), Hudebni veda, 35(3), 1998, pp. 225-231
Citation: A. Meyer, KIEN,PETER LIBRETTO OF ULLMANN,VIKTOR OPERA 'KAISER VON ATLANTIS' - ATEXT FULL OF ALLUSIONS, Hudebni veda, 35(3), 1998, pp. 232-239
Citation: E. Vlcinovacendova, CZECH MUSICIANS AND BULGARIAN MUSIC CULTURE FROM THE MID-19TH-CENTURYTO THE 1920S, Hudebni veda, 35(3), 1998, pp. 240-263
Citation: J. Gabrielova, A CONFERENCE ON MEYERBEER,GIACOMO MUSIC HELD IN PRAGUE, THE CZECH-REPUBLIC, FEBRUARY 1998, Hudebni veda, 35(3), 1998, pp. 277-278
Citation: R. Pecman, SACRED MUSIC OF BACH,CARL,PHILIPP,EMANUEL AND THE DISSEMINATION OF HIS MUSIC IN EASTERN-EUROPE DURING THE 18TH-CENTURY AND 19TH-CENTURY, A MUSICOLOGICAL SYMPOSIUM HELD IN GERMANY AND POLAND, MARCH 1998, Hudebni veda, 35(3), 1998, pp. 278-281
Citation: M. Kuna, PERCEIVING MUSIC TEMPO OR JUST OF SOUND IMPULSES - FRANEK,MAREK AND MATES,JIRI HARSH CRITICISM OF KUNA AND BLAHA BOOK 'CAS A HUDBA', Hudebni veda, 35(3), 1998, pp. 282-288
Citation: L. Peduzzi, LEGENDS AND REALITY OF THE THERESIENSTADT CONCENTRATION-CAMP - AMATEUR SUBJECTIVISM VERSUS OBJECTIVE HISTORICAL SCHOLARSHIP, Hudebni veda, 35(3), 1998, pp. 288-292
Citation: R. Pecman, JANACEK WORKS - A CATALOG OF MUSIC AND WRITINGS OF JANACEK,LEOS - SIMEONE,N, TYRRELL,J, NEMCOVA,A, STRAKOVA,T, Hudebni veda, 35(3), 1998, pp. 296-298
Citation: R. Pecman, BACH,CARL,PHILIPP,EMANUEL - MUSIC FOR EUROPE - PROCEEDINGS OF THE INTERNATIONAL-SYMPOSIUM HELD IN FRANKFURT ODER ON MARCH 8-12, 1994 - GERMAN - OTTENBERG,HG/, Hudebni veda, 35(3), 1998, pp. 301-303
Citation: R. Pecman, PIANISTIC PARALLELS - THE INTERPLAY OF BASIC STYLES OF PIANO PERFORMANCE - CZECH - CZUBERKA,B, Hudebni veda, 35(3), 1998, pp. 306-307
Citation: R. Pecman, PIANISTIC PARALLELS - THE INTERPLAY OF BASIC STYLES OF PIANO PERFORMANCE - GERMAN - CZUBERKA,B, Hudebni veda, 35(3), 1998, pp. 306-307