Citation: V. Karbusicky, A NEW KIND OF MUSIC ANALYSIS - KUTHEN,H.W . STUDY ON MOZART, SCHILLERAND BEETHOVEN 'SYMPHONY NO.9', Hudebni veda, 30(4), 1993, pp. 359-368
Citation: J. Gabrielova, MUSIC IN WESTERN-CIVILIZATION - PHASES AN D LANDMARKS FROM THE MIDDLE-AGES TO THE PRESENT - GERMAN - EGGEBRECHT,HH, Hudebni veda, 30(4), 1993, pp. 390-393
Citation: J. Gabrielova, THE FREIBURGER-UNIVERSITAT UNDER NATIONAL -SOCIALISM - GERMAN - JOHN,E, MARTIN,B, MUCK,M, OTT,H, Hudebni veda, 30(4), 1993, pp. 393-394
Citation: A MUSIC-FESTIVAL COMMEMORATING DVORAK CEN TENNIAL HELD IN SPILLVILLE,IOWA, UNITED-STATES, AUGUST 1993, Hudebni veda, 30(4), 1993, pp. 404-404
Citation: M. Kuna, PURGES OF PROMINENT INTELLECTUALS IN CZEC HOSLOVAKIA, THE CASE OF THECOMPOSER JIRAK,KAREL,BOLESLAV, Hudebni veda, 30(3), 1993, pp. 195
Citation: J. Kotek, THE DEVELOPMENT OF CZECH POPULAR-MUSIC DU RING THE INTERWAR PERIOD, WITH RESPECT TO NEW TECHNOLOGICAL AND ADMINISTRATIVE CONDITIONS, Hudebni veda, 30(3), 1993, pp. 249-269
Citation: J. Jiranek, OCCIDENTAL MUSIC - DEVELOPMENTS AND LANDM ARKS FROM THE MIDDLE-AGES TO THE PRESENT - GERMAN - EGGEBRECHT,HH, Hudebni veda, 30(3), 1993, pp. 287-291
Citation: V. Karbusicky, THE DREAM ABOUT HUMANE IMPOTENCE OF A DIC TATOR, ULLMANN,VIKTOR CHAMBER OPERA DER 'KAISER VON ATLANTIS ODER DIE TOD-VERWEIGERUNG', Hudebni veda, 30(2), 1993, pp. 99-108
Citation: Hw. Kuthen, MOZART, SCHILLER, BEETHOVEN, MOZARTEAN MO DEL FOR THE 'FREUDENHYMNE' AND THE FUSION OF SYMBOLS IN THE FINALE OF THE 9TH-SYMPHONY, Hudebni veda, 30(2), 1993, pp. 109-128
Citation: O. Pukl, A MESSAGE FROM THE PERIOD OF THE SO-CALLE D NORMALIZATION IN CZECHOSLOVAKIA (THE 1970S) + CONTEMPORARY CZECH MUSIC, TUCAPSKY,ANTONIN 'MISSIO J.A. COMENII AD POPULUM' AND KABELAC,MILOSLAV 'E FONTIBUS BOHEMICIS', Hudebni veda, 30(2), 1993, pp. 145-156