Citation: Js. Griffith, TRAVELING THE HIGH WAY HOME, STANLEY,RALPH AND THE WORLD OF TRADITIONAL BLUEGRASS MUSIC - WRIGHT,J, Western folklore, 54(3), 1995, pp. 243-244
Citation: G. Padilla, NORTHWARD BOUND, THE MEXICAN IMMIGRANT EXPERIENCE IN BALLAD AND SONG - HERRERASOBEK,M, Western folklore, 54(3), 1995, pp. 247-249
Citation: B. Toelken, THE NAZIFICATION OF AN ACADEMIC DISCIPLINE, FOLKLORE IN THE THIRD-REICH - DOW,JR, LIXFELD,H, Western folklore, 54(3), 1995, pp. 250-251
Citation: B. Ellis, KOCH,KURT,E. AND THE CIVITAS-DIABOLI - GERMANIC FOLK-HEALING AS SATANIC RITUAL ABUSE OF CHILDREN, Western folklore, 54(2), 1995, pp. 77-94
Citation: Ri. Fretz, ANSWERING IN SONG - LISTENER RESPONSES IN YISHIMA PERFORMANCES( CHOKWE STORYTELLING AND MUSIC OF ZAIRE ), Western folklore, 54(2), 1995, pp. 95-112
Citation: Rw. Anderson, VENGEFUL ANCESTORS AND ANIMAL SPIRITS - PERSONAL NARRATIVES OF THE SUPERNATURAL IN A JAPANESE NEW RELIGION, Western folklore, 54(2), 1995, pp. 113-140
Citation: Cl. Perdue, WHAT-MADE-LITTLE-SISTER-DIE - FOLKSONG MUSIC OF THE AMERICAN SOUTH - THE CORE AESTHETIC AND PERSONAL CULTURE OF A TRADITIONAL SINGER, Western folklore, 54(2), 1995, pp. 141-163
Citation: Ll. Danielson, THE CROOKED STOVEPIPE - ATHAPASCAN FIDDLE MUSIC AND SQUARE-DANCING INNORTHEAST ALASKA AND NORTHWEST CANADA - MISHLER,C, Western folklore, 54(2), 1995, pp. 166-167
Citation: Fe. Goldstein, THE SECULARIZATION OF RELIGIOUS ETHNOGRAPHY AND NARRATIVE COMPETENCE IN A DISCOURSE OF FAITH, Western folklore, 54(1), 1995, pp. 23-36
Citation: Dj. Gelo, RECALLING THE PAST IN CREATING THE PRESENT, TOPOGRAPHIC REFERENCES INCOMANCHE NARRATIVE, Western folklore, 53(4), 1994, pp. 295-312
Citation: Ba. Bogart, MAPPING THE INVISIBLE LANDSCAPE - FOLKLORE, WRITING, AND THE SENSE OFPLACE - RYDEN,KC, Western folklore, 53(4), 1994, pp. 325-326