Citation: M. Rossabi, EUROPE AND THE FOREIGNERS - THE MONGOLS IN THE JUDGMENT OF THE WEST FROM THE 13TH-CENTURY TO THE 15TH-CENTURY - GERMAN - SCHMIEDER,F, T'oung pao, 81(1-3), 1995, pp. 170-171
Citation: A. Dudink, THE 'GESCHICHTE DER HOCHST BEMERKENSWERTEN DINGE UND SITTEN IM CHINESISCHEN KONIGREICH' OF GONZALEZDEMENDOZA,JUAN - A CONTRIBUTION ON THE CULTURAL HISTORY OF CHINA UNDER THE MING-DYNASTY - GERMAN - GRIESSLER,M, T'oung pao, 81(1-3), 1995, pp. 171-192
Citation: Jp. Dieny, A SKETCH OF A POETRY OF CLOUDS + REMARKS ON ROHRER,MARIA DAS 'MOTIV DER WOLKE IN DER DICHTUNG TAO YUANMINGS', T'oung pao, 80(4-5), 1994, pp. 377-399
Citation: A. Dudink, BUDDHIST REFUTATIONS OF CHRISTIANITY IN 17TH-CENTURY CHINA - TEXTS BYYU,SHUNXI (-1621), ZHUHONG (1535-1615), YUANWU (1566-1642), TONGRONG (1593-1679), XINGYUAN (1611-1662), ZHIXU (1599-1655) - GERMAN - KERN,I, T'oung pao, 80(4-5), 1994, pp. 400-420
Citation: N. Standaert, SINGING OF THE SOURCE - NATURE AND GOD IN THE POETRY OF THE CHINESE PAINTER WU-LI - CHAVES,J, T'oung pao, 80(4-5), 1994, pp. 421-422
Citation: S. Dabringhaus, THE QIANLONG EMPEROR (1711-1799) AS POET - NOTES ON HIS LITERARY WORKS - GERMAN - GIMM,M, T'oung pao, 80(4-5), 1994, pp. 427-429
Citation: Wl. Idema, 11 CHINESE OPERA TEXTS OF MODERN TIMES, TOGETHER WITH 2 PLAYS OF THE WESTERN MANNER - GERMAN - FORKE,A, T'oung pao, 80(4-5), 1994, pp. 432-433
Citation: Bj. Terhaar, DOMESTICATED DEITIES AND AUSPICIOUS EMBLEMS - THE ICONOGRAPHY OF EVERYDAY LIFE IN VILLAGE CHINA - PO,SN, JOHNSON,D, T'oung pao, 80(4-5), 1994, pp. 433-438