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Results: 1-25/50
Authors:
MONSEAU S
Citation: S. Monseau, THE RETIREMENT OF BARBER,ELINORE, FOUNDER AND EDITOR OF 'BACH' JOURNAL 1970-1998, Bach, 29(1), 1998, pp. 5-6
Authors:
BARBER E
Citation: E. Barber, IN TRIBUTE TO THE WORK OF ORNSTEIN,DORIS - 1930-1992 (EMINENT HARPSICHORDIST, TEACHER, AND MUSIC EDUCATOR), Bach, 29(1), 1998, pp. 7-7
Authors:
ORNSTEIN D
Citation: D. Ornstein, ON PREPARING A PERFORMING EDITION OF HANDEL CANTATA - 'MI PALPITA IL COR', Bach, 29(1), 1998, pp. 8-16
Authors:
HANDEL GF
ORNSTEIN D
Citation: Gf. Handel et D. Ornstein, 'MI PALPITA IL COR' BY HANDEL,G.F. - EDITED BY ORNSTEIN,DORIS, Bach, 29(1), 1998, pp. 17-37
Authors:
BACH JS
Citation: Js. Bach, BACH,J.S. 'SUITE 4 A VIOLONCELLO SOLO SENZA BASSO' (BWV-1010) - MANUSCRIPT COPY IN THE HAND OF BACH,ANNA,MAGDALENA, Bach, 29(1), 1998, pp. 38-46
Authors:
BACH JS
DORNSTEIN O
Citation: Js. Bach et O. Dornstein, BACH,J.S. 'SUITE 4 A VIOLONCELLO SOLO SENZA BASSO' (BWV-1010) - ORNSTEIN,DORIS HARPSICHORD TRANSCRIPTION OF BWV-1010, Bach, 29(1), 1998, pp. 47-76
Authors:
ORNSTEIN D
Citation: D. Ornstein, MARAIS,MARIN (1656-1728) - SELECTED WORKS AS ARRANGED FOR HARPSICHORDBY ORNSTEIN,DORIS, Bach, 29(1), 1998, pp. 77-77
Authors:
MARAIS M
ORNSTEIN D
Citation: M. Marais et D. Ornstein, MARAIS,MARIN 'FETE CHAMPETRE TAMBOURIN', ARRANGED BY ORNSTEIN,DORIS, Bach, 29(1), 1998, pp. 78-82
Authors:
SMITHERS DL
Citation: Dl. Smithers, ANOMALIES OF TONART AND STIMMTON IN THE FIRST VERSION OF BACHS 'MAGNIFICAT' (BWV-243A), Bach, 27(2), 1996, pp. 1-59
Authors:
GLEASON H
Citation: H. Gleason, A 17TH-CENTURY ORGAN INSTRUCTION BOOK (GERMAN MUSIC TEACHING), Bach, 27(2), 1996, pp. 60-83
Citation: HANDBOOK TO BACH SACRED CANTATA TEXTS - AN INTERLINEAR TRANSLATION WITH REFERENCE GUIDE TO BIBLICAL QUOTATIONS AND ALLUSIONS - UNGER,MP, Bach, 27(2), 1996, pp. 84-85
Citation: PERFORMING BACH KEYBOARD MUSIC - KOCHEVITSKY,GA, Bach, 27(2), 1996, pp. 84-84
Authors:
CRIST SA
Citation: Sa. Crist, BACH, THEOLOGY, AND HARMONY - A NEW LOOK AT THE ARIAS, Bach, 27(1), 1996, pp. 1-30
Authors:
LINTON M
Citation: M. Linton, THE DUAL CHIASTIC DESIGN OF THE 'C-MAJOR PRELUDE, BWV 870' (THE 'WELLTEMPERED CLAVIER, BOOK II') + BACH,JOHANN,SEBASTIAN, Bach, 27(1), 1996, pp. 31-56
Authors:
AMBROSE J
Citation: J. Ambrose, MADNESS AND MUSIC - HANDEL PORPHYRIC PATRON, GEORGE-III, Bach, 27(1), 1996, pp. 57-65
Authors:
BARBER E
Citation: E. Barber, 'PARVULA CORONA MUSICALIS' BY KRENEK,ERNST - THE COMPOSERS AUTOGRAPH MANUSCRIPT AND EXPLANATIONS, Bach, 27(1), 1996, pp. 66-73
Authors:
KRENEK E
Citation: E. Krenek, AUTOGRAPH OF KRENEK,ERNST MANUSCRIPT OF 'PARVULA CORONA MUSICALIS' (1950), Bach, 27(1), 1996, pp. 74-85
Authors:
SMITHERS DL
Citation: Dl. Smithers, THE ORIGINAL CIRCUMSTANCES IN THE PERFORMANCE OF BACH LEIPZIG CHURCH CANTATAS, 'WEGEN SEINER SONN-UND FESTTAGIGEN AMTS-VERRICHTUNGEN' (VOL 26, PG 36, 1995), Bach, 27(1), 1996, pp. 89-89
Authors:
EMANS R
Citation: R. Emans, STYLISTIC ANALYSIS AND TEXT PHILOLOGY IN THE SERVICE OF INNER CHRONOLOGY INVOLVING STYLISTIC ANALYSES OF SELECTED ARIAS BY BACH,JOHANN,SEBASTIAN, Bach, 26(1-2), 1995, pp. 1-14
Authors:
SMITHERS DL
Citation: Dl. Smithers, THE ORIGINAL CIRCUMSTANCES IN THE PERFORMANCE OF BACH LEIPZIG CHURCH CANTATAS, 'WEGEN SEINER SONN- UND FESTTAGIGEN AMTS-VERRICHTUNGEN', Bach, 26(1-2), 1995, pp. 28-47
Authors:
SCHENKMANN W
Citation: W. Schenkmann, BACH AND THE BEER-FIDDLERS -LANCE COUNTRY MUSICIANS IN BACH,J.S. ERA(FREE), Bach, 26(1-2), 1995, pp. 48-56
Authors:
HARMON T
Citation: T. Harmon, THE MUHLHAUSEN ORGAN REVISITED - PRECIOUS CLUES TO BACH PREFERENCE INORGAN DESIGN AND REGISTRATION, Bach, 26(1-2), 1995, pp. 57-69
Authors:
NOEHREN R
Citation: R. Noehren, NOTES ON BACH AND THE ORGAN OF HIS TIME, Bach, 26(1-2), 1995, pp. 70-83
Authors:
BROWN EF
Citation: Ef. Brown, 'ZARATHUSTRA', REFLECTION OF THE BAROQUE OVERTURE, Bach, 26(1-2), 1995, pp. 84-90
Authors:
COLLINS D
Citation: D. Collins, MUSICAL TERMINOLOGY IN THE CANONIC WORKS OF BACH - AN HISTORICAL CONTEXT, Bach, 26(1-2), 1995, pp. 91-101