Citation: E. Barber, IN TRIBUTE TO THE WORK OF ORNSTEIN,DORIS - 1930-1992 (EMINENT HARPSICHORDIST, TEACHER, AND MUSIC EDUCATOR), Bach, 29(1), 1998, pp. 7-7
Citation: Js. Bach, BACH,J.S. 'SUITE 4 A VIOLONCELLO SOLO SENZA BASSO' (BWV-1010) - MANUSCRIPT COPY IN THE HAND OF BACH,ANNA,MAGDALENA, Bach, 29(1), 1998, pp. 38-46
Citation: Js. Bach et O. Dornstein, BACH,J.S. 'SUITE 4 A VIOLONCELLO SOLO SENZA BASSO' (BWV-1010) - ORNSTEIN,DORIS HARPSICHORD TRANSCRIPTION OF BWV-1010, Bach, 29(1), 1998, pp. 47-76
Citation: HANDBOOK TO BACH SACRED CANTATA TEXTS - AN INTERLINEAR TRANSLATION WITH REFERENCE GUIDE TO BIBLICAL QUOTATIONS AND ALLUSIONS - UNGER,MP, Bach, 27(2), 1996, pp. 84-85
Citation: M. Linton, THE DUAL CHIASTIC DESIGN OF THE 'C-MAJOR PRELUDE, BWV 870' (THE 'WELLTEMPERED CLAVIER, BOOK II') + BACH,JOHANN,SEBASTIAN, Bach, 27(1), 1996, pp. 31-56
Citation: Dl. Smithers, THE ORIGINAL CIRCUMSTANCES IN THE PERFORMANCE OF BACH LEIPZIG CHURCH CANTATAS, 'WEGEN SEINER SONN-UND FESTTAGIGEN AMTS-VERRICHTUNGEN' (VOL 26, PG 36, 1995), Bach, 27(1), 1996, pp. 89-89
Citation: R. Emans, STYLISTIC ANALYSIS AND TEXT PHILOLOGY IN THE SERVICE OF INNER CHRONOLOGY INVOLVING STYLISTIC ANALYSES OF SELECTED ARIAS BY BACH,JOHANN,SEBASTIAN, Bach, 26(1-2), 1995, pp. 1-14
Citation: Dl. Smithers, THE ORIGINAL CIRCUMSTANCES IN THE PERFORMANCE OF BACH LEIPZIG CHURCH CANTATAS, 'WEGEN SEINER SONN- UND FESTTAGIGEN AMTS-VERRICHTUNGEN', Bach, 26(1-2), 1995, pp. 28-47
Citation: T. Harmon, THE MUHLHAUSEN ORGAN REVISITED - PRECIOUS CLUES TO BACH PREFERENCE INORGAN DESIGN AND REGISTRATION, Bach, 26(1-2), 1995, pp. 57-69