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Results: 1-25/119
Authors:
NOBLE J
Citation: J. Noble, 'BOUND' AND INVESTED - LESBIAN DESIRE AND HOLLYWOOD ETHNOGRAPHY (FILMBY WACHOWSKI,ANDY), Film criticism, 22(3), 1998, pp. 1-21
Authors:
OLEARY B
Citation: B. Oleary, NEW CRITICAL METHODS AND THE FILMS OF THE FIRST AVANT-GARDE - 'SYMPHONIE DIAGONALE' AND 'ENTRACTE' (EGGELING,VIKING AND CLAIR,RENE), Film criticism, 22(3), 1998, pp. 22-37
Authors:
COATES P
Citation: P. Coates, LE 'MEPRIS' - WOMEN, STATUES, GODS (FILM BY GODARD,JEAN,LUC WHICH TAKES A TONGUE-IN-CHEEK LOOK AT EUROPEAM MOVIE MAKING), Film criticism, 22(3), 1998, pp. 38-50
Authors:
WELSCH T
Citation: T. Welsch, WILDER TIMES - THE LIFE OF WILDER,BILLY - LALLY,K, Film criticism, 22(3), 1998, pp. 51-55
Authors:
RUBERTO LE
Citation: Le. Ruberto, DESANTIS,GIUSEPPE AND POSTWAR ITALIAN CINEMA - VITTI,A, Film criticism, 22(3), 1998, pp. 56-59
Citation: THE REBECCA-PROJECT (CD-ROM), Film criticism, 22(3), 1998, pp. 60-64
Authors:
IORDANOVA D
Citation: D. Iordanova, WORLD CINEMA - HUNGARY - BURNS,B, Film criticism, 22(3), 1998, pp. 64-66
Authors:
GELLEY O
Citation: O. Gelley, NARRATION AND THE EMBODIMENT OF POWER IN 'SCHINDLERS LIST', Film criticism, 22(2), 1998, pp. 2-26
Authors:
MORRIS CD
Citation: Cd. Morris, THE ALLEGORY OF SEEING IN HITCHCOCK SILENT-FILMS, Film criticism, 22(2), 1998, pp. 27-50
Authors:
PERLMUTTER R
Citation: R. Perlmutter, TESTAMENT OF THE FATHER - KIESLOWSKI THE 'DECALOGUE', Film criticism, 22(2), 1998, pp. 51-65
Authors:
HARRISON T
Citation: T. Harrison, THE ARCHITECTURE OF VISION - WRITINGS AND INTERVIEWS ON CINEMA - ANTONIONI,M, Film criticism, 22(2), 1998, pp. 66-71
Authors:
HART P
Citation: P. Hart, DESIRE UNLIMITED - THE CINEMA OF ALMODOVAR,PEDRO - SMITH,PJ, Film criticism, 22(2), 1998, pp. 71-74
Authors:
HART P
Citation: P. Hart, HISPANIC HOLLYWOOD - THE LATINS IN MOTION-PICTURES - HADLEYGARCIA,G, Film criticism, 22(2), 1998, pp. 74-78
Authors:
QUINN L
Citation: L. Quinn, POSTNEGRITUDE VISUAL AND LITERARY CULTURE - REID,MA, Film criticism, 22(2), 1998, pp. 78-81
Authors:
BLACKWELL S
Citation: S. Blackwell, THEORIZING THE MOVING IMAGE - CARROLL,N, Film criticism, 22(2), 1998, pp. 81-86
Authors:
ORR C
Citation: C. Orr, INTRODUCTION + FILM GENRES, Film criticism, 22(1), 1997, pp. 2-4
Authors:
STAIGER J
Citation: J. Staiger, HYBRID OR INBRED - THE PURITY HYPOTHESIS AND HOLLYWOOD GENRE HISTORY, Film criticism, 22(1), 1997, pp. 5-20
Authors:
ORR C
Citation: C. Orr, GENRE THEORY IN THE CONTEXT OF THE NOIR AND POST-NOIR FILM, Film criticism, 22(1), 1997, pp. 21-37
Authors:
METZ W
Citation: W. Metz, TOWARD A POSTSTRUCTURAL INFLUENCE IN FILM GENRE STUDY - INTERTEXTUALITY AND THE 'SHINING', Film criticism, 22(1), 1997, pp. 38-61
Authors:
WELSCH T
Citation: T. Welsch, YOKED TOGETHER BY VIOLENCE - 'PRIZZIS HONOR' AS A GENERIC HYBRID, Film criticism, 22(1), 1997, pp. 62-73
Authors:
LEUTHOLD S
Citation: S. Leuthold, NATIVE-AMERICAN DOCUMENTARY - AN EMERGING GENRE, Film criticism, 22(1), 1997, pp. 74-89
Authors:
VEREVIS C
Citation: C. Verevis, RE-VIEWING REMAKES + FILM SEQUELS, Film criticism, 21(3), 1997, pp. 1-19
Authors:
DELEYTO C
Citation: C. Deleyto, THE MARGINS OF PLEASURE - FEMALE MONSTROSITY AND MALE PARANOIA IN 'BASIC INSTINCT', Film criticism, 21(3), 1997, pp. 20-42
Authors:
METZ W
Citation: W. Metz, KEEP-THE-COFFEE-HOT,-HUGO -NOIR - NUCLEAR TRAUMA IN LANG THE 'BIG HEAT'( AMERICAN FILM), Film criticism, 21(3), 1997, pp. 43-65
Authors:
CHAMPAGNE J
Citation: J. Champagne, DANCING QUEEN - FEMINIST AND GAY MALE SPECTATORSHIP IN 3 RECENT FILMSFROM AUSTRALIA, Film criticism, 21(3), 1997, pp. 66-88