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Results: 26-50/119
Authors:
FOSTER G
TRINH TM
Citation: G. Foster et Tm. Trinh, A 'TALE OF LOVE' - A DIALOGUE WITH MINH-HA,TRINH,T.( FILM VIDEO ARTIST INTERVIEW ), Film criticism, 21(3), 1997, pp. 89-114
Authors:
DEUTELBAUM M
Citation: M. Deutelbaum, FILM ARCHITECTURE - SET DESIGNS FROM 'METROPOLIS' TO 'BLADE RUNNER' -NEUMANN,D, Film criticism, 21(3), 1997, pp. 115-119
Authors:
HART P
Citation: P. Hart, MEXICAN CINEMA - PARANAGUA,PA, Film criticism, 21(3), 1997, pp. 120-122
Authors:
HORTON A
Citation: A. Horton, BETWEEN SPIELBERG AND TARKOVSKY - SEARCHING FOR A CINEMATIC MIDDLE GROUND, Film criticism, 21(2), 1997, pp. 2-7
Authors:
WIDDIS E
Citation: E. Widdis, AN UNMAPPABLE SYSTEM - THE COLLAPSE OF PUBLIC SPACE IN LATE-SOVIET FILM, Film criticism, 21(2), 1997, pp. 8-23
Authors:
IORDANOVA D
Citation: D. Iordanova, WOMEN IN NEW BALKAN CINEMA - SURVIVING ON THE MARGINS, Film criticism, 21(2), 1997, pp. 24-39
Authors:
DAKOVIC N
Citation: N. Dakovic, MOTHER, MYTH, AND CINEMA - RECENT YUGOSLAV CINEMA, Film criticism, 21(2), 1997, pp. 40-49
Authors:
PORTUGES C
Citation: C. Portuges, HUNGARIANS IN HOLLYWOOD, Film criticism, 21(2), 1997, pp. 50-58
Authors:
PERLMUTTER R
PERLMUTTER A
Citation: R. Perlmutter et A. Perlmutter, A TESTAMENT TO KIESLOWSKI,KRZYSZTOF, Film criticism, 21(2), 1997, pp. 59-61
Authors:
DIXON WW
Citation: Ww. Dixon, CINEMAS OF THE BLACK DIASPORA - DIVERSITY, DEPENDENCE AND OPPOSITIONALITY - MARTIN,MT, Film criticism, 21(2), 1997, pp. 62-63
Authors:
DIXON WW
Citation: Ww. Dixon, FILM AND VIDEO ON THE INTERNET - THE TOP 500 SITES - DEIVERT,B, HARRIES,D, Film criticism, 21(2), 1997, pp. 63-65
Authors:
DEUTELBAUM M
Citation: M. Deutelbaum, SETS IN MOTION - ART DIRECTION AND FILM NARRATIVE, BY AFFRON,C., AFFRON,M.J. (VOL 21, PG 91, 1996), Film criticism, 21(2), 1997, pp. 65-65
Authors:
SENIOR WA
Citation: Wa. Senior, 'BLADE RUNNER' AND CYBERPUNK VISIONS OF HUMANITY, Film criticism, 21(1), 1996, pp. 1-12
Authors:
MITCHELL T
Citation: T. Mitchell, BERLUSCONI, ITALIAN TELEVISION AND RECENT ITALIAN CINEMA - RE-VIEWINGTHE 'ICICLE THIEF', Film criticism, 21(1), 1996, pp. 13-33
Authors:
HALL J
Citation: J. Hall, A LITTLE TROUBLE WITH PERSPECTIVE, ART AND AUTHORSHIP IN LANG,FRITZ 'SCARLET STREET', Film criticism, 21(1), 1996, pp. 34-47
Authors:
MCFARLANE B
Citation: B. Mcfarlane, PULP FICTIONS, THE BRITISH B-FILM AND THE FIELD OF CULTURAL PRODUCTION, Film criticism, 21(1), 1996, pp. 48-70
Authors:
QUINN L
Citation: L. Quinn, A POLITICAL COMPANION TO AMERICAN FILM - CROWDUS,G, Film criticism, 21(1), 1996, pp. 71-75
Authors:
HART P
Citation: P. Hart, BLOOD CINEMA, THE RECONSTRUCTION OF NATIONAL IDENTITY IN SPAIN - KINDER,M, Film criticism, 21(1), 1996, pp. 75-81
Authors:
ORR C
Citation: C. Orr, ELECTRONIC EROS, BODIES AND DESIRE IN THE POSTINDUSTRIAL AGE - SPRINGER,C, Film criticism, 21(1), 1996, pp. 82-85
Authors:
BLACKWELL S
Citation: S. Blackwell, POST-THEORY, RECONSTRUCTING FILM STUDIES - BORDWELL,D, CARROLL,N, Film criticism, 21(1), 1996, pp. 86-91
Authors:
DEUTELBAUM M
Citation: M. Deutelbaum, SETS IN MOTION, ART DIRECTION AND FILM NARRATIVE - AFFRON,C, AFFRON,MJ, Film criticism, 21(1), 1996, pp. 91-95
Authors:
ORR C
Citation: C. Orr, SEX IN THE HEAD, VISIONS OF FEMININITY AND FILM IN LAWRENCE,D.H. - WILLIAMS,LR, Film criticism, 21(1), 1996, pp. 95-99
Authors:
BOHNE L
VELLA M
Citation: L. Bohne et M. Vella, THE WESTERN - INTRODUCTION, Film criticism, 20(3), 1996, pp. 1-3
Authors:
MICHAELS L
Citation: L. Michaels, GOLDSWORTHY,JAMES - IN-MEMORIAM, Film criticism, 20(3), 1996, pp. 3-3
Authors:
INGRASSIA C
Citation: C. Ingrassia, IM-NOT-KICKING-IM-TALKING - DISCURSIVE ECONOMIES IN THE WESTERN, Film criticism, 20(3), 1996, pp. 4-14