AAAAAA
Results: 51-75/119
Authors:
DUNNE M
Citation: M. Dunne, DIALOGIZING THE FORMULA WESTERN - 'HEARTS OF THE WEST'( ZIEFF 1975 FILM ), Film criticism, 20(3), 1996, pp. 15-23
Authors:
FOSTER GA
Citation: Ga. Foster, CROSSDRESSING AND DISRUPTIONS OF IDENTITY IN THE 'DALTON GIRLS' + LEBORG 1957 FEMINIST WESTERN, Film criticism, 20(3), 1996, pp. 24-33
Authors:
MILLER G
Citation: G. Miller, THE DEATH OF THE WESTERN HERO - RITT,MARTIN 'HUD' AND 'HOMBRE', Film criticism, 20(3), 1996, pp. 34-51
Authors:
REED T
Citation: T. Reed, THE 6-GUN SIMULACRUM - NEW METAPHORS FOR AN OLD GENRE( THE WESTERN ), Film criticism, 20(3), 1996, pp. 52-70
Authors:
LEHMAN P
Citation: P. Lehman, REVELATIONS ABOUT PORNOGRAPHY, Film criticism, 20(1-2), 1996, pp. 3-16
Authors:
REID MA
Citation: Ma. Reid, THE BRAND-X OF POSTNEGRITUDE FRONTIER, Film criticism, 20(1-2), 1996, pp. 17-25
Authors:
EVERETT A
Citation: A. Everett, THE OTHER PLEASURES, THE NARRATIVE FUNCTION OF RACE IN THE CINEMA, Film criticism, 20(1-2), 1996, pp. 26-38
Authors:
HARRIES DM
Citation: Dm. Harries, THE SEMI-SEMIOTICS OF FILM, Film criticism, 20(1-2), 1996, pp. 39-54
THE DIGITAL DOMAIN, SOME PRELIMINARY NOTES ON IMAGE MESH AND MANIPULATION IN HYPERREAL CINEMA VIDEO/
Authors:
DIXON WW
Citation: Ww. Dixon, THE DIGITAL DOMAIN, SOME PRELIMINARY NOTES ON IMAGE MESH AND MANIPULATION IN HYPERREAL CINEMA VIDEO/, Film criticism, 20(1-2), 1996, pp. 55-66
Authors:
NEBESIO BY
Citation: By. Nebesio, THE THEORETICAL PAST OF CINEMA, INTRODUCING UKRAINIAN FILM THEORY OF THE 1920S, Film criticism, 20(1-2), 1996, pp. 67-77
Authors:
LANDY M
Citation: M. Landy, THE SEXUALITY OF HISTORY IN CONTEMPORARY BRITISH CINEMA, Film criticism, 20(1-2), 1996, pp. 78-87
Authors:
BAKER M
Citation: M. Baker, TRUMMERFILME, POSTWAR GERMAN CINEMA, 1946-1948, Film criticism, 20(1-2), 1996, pp. 88-101
Authors:
GHOSH B
SARKAR B
Citation: B. Ghosh et B. Sarkar, THE CINEMA OF DISPLACEMENT, TOWARDS A POLITICALLY MOTIVATED POETICS, Film criticism, 20(1-2), 1996, pp. 102-113
Authors:
GEUENS JP
Citation: Jp. Geuens, PORNOGRAPHY AND THE HOLOCAUST, THE LAST TRANSGRESSION, Film criticism, 20(1-2), 1996, pp. 114-130
Authors:
DIXON WW
Citation: Ww. Dixon, THE PRACTICE OF THEORY, THE THEORY OF PRACTICE, THE POSTCOLONIAL CINEMA OF BLACKWOOD,MAUREEN AND THE SANKOFA-COLLECTIVE, Film criticism, 20(1-2), 1996, pp. 131-143
Authors:
SHARY T
Citation: T. Shary, VIDEO AS ACCESSIBLE ARTIFACT AND ARTIFICIAL ACCESS, THE EARLY FILMS OF EGOYAN,ATOM, Film criticism, 19(3), 1995, pp. 2-29
Authors:
WILLIAMS B
Citation: B. Williams, PEEP-SHOW WINDOWS ON THE ECONOMIC MIRACLE, VANACKEREN,ROBERT TRANSGRESSIVE MELODRAMAS, Film criticism, 19(3), 1995, pp. 30-43
Authors:
LINVILLE SE
Citation: Se. Linville, HOLLAND,AGNIESZKA 'EUROPA, EUROPA', DECONSTRUCTIVE HUMOR IN A HOLOCAUST FILM, Film criticism, 19(3), 1995, pp. 44-53
Authors:
ORR C
Citation: C. Orr, PASOLINI 'ACCATTONE', OR NATURALISM AND ITS DISCONTENTS, Film criticism, 19(3), 1995, pp. 54-66
Authors:
QUART L
Citation: L. Quart, A SLICE OF DELIRIUM, SCORSESE 'TAXI DRIVER' REVISITED, Film criticism, 19(3), 1995, pp. 67-71
Authors:
HINTON L
Citation: L. Hinton, A WOMANS VIEW - THE 'VERTIGO' FRAME-UP, Film criticism, 19(2), 1995, pp. 2-22
Authors:
PALETZ GM
PALETZ DL
Citation: Gm. Paletz et Dl. Paletz, LEIGH,MIKE 'NAKED' TRUTH, Film criticism, 19(2), 1995, pp. 23-39
Authors:
DELEYTO C
Citation: C. Deleyto, THE NARRATOR AND THE NARRATIVE - THE EVOLUTION OF ALLEN,WOODY FILM COMEDIES, Film criticism, 19(2), 1995, pp. 40-54
Authors:
SORENSEN J
Citation: J. Sorensen, 'LEF', EISENSTEIN, AND THE POLITICS OF FORM, Film criticism, 19(2), 1995, pp. 55-74
Authors:
GANGULY S
Citation: S. Ganguly, NO MOKSHA - ARCADIA LOST IN RAY,SATYAJIT 'DAYS AND NIGHTS IN THE FOREST', Film criticism, 19(2), 1995, pp. 75-85