Citation: M. Blumberg, DOMESTIC PLACE AS CONTESTATORY SPACE - THE KITCHEN AS CATALYST AND CRUCIBLE, NTQ. New theatre quarterly, 14(55), 1998, pp. 195-201
Citation: S. Spier, 'TIGHT ROARING CIRCLE' - ORGANIZING THE ORGANIZATION OF BODIES IN SPACE (A 1997 ARTANGEL INSTALLATION AT THE ROUNDHOUSE IN LONDON), NTQ. New theatre quarterly, 14(55), 1998, pp. 202-209
Citation: V. Gardner, NO FLIRTING WITH PHILISTINISM - SHAKESPEAREAN PRODUCTION AT MISS HORNIMAN-GAIETY-THEATER, NTQ. New theatre quarterly, 14(55), 1998, pp. 220-233
Citation: J. Varley, PANIGRAHI,SANJUKTA - DANCER FOR THE GODS (CELEBRATING THE LIFE AND WORK OF THE GREAT ODISSI DANCER), NTQ. New theatre quarterly, 14(55), 1998, pp. 249-273
Citation: J. Clarke, MARKET PLEDGE AND GENDER BARGAIN - COMMERCIAL RELATIONS IN THE FRENCHFARCE 1450-1550 - COLLINGWOOD,S, NTQ. New theatre quarterly, 14(55), 1998, pp. 291-292
Citation: R. Merkin, THE POLITICS OF ALTERNATIVE THEATER IN BRITAIN, 1968-1990 - THE CASE OF 784 (SCOTLAND) - DICENZO,M, NTQ. New theatre quarterly, 14(55), 1998, pp. 294-295
Citation: A. Scullion, CLOSET STAGES - BAILLIE,JOANNA AND THE THEATER THEORY OF BRITISH ROMANTIC WOMEN-WRITERS - BURROUGHS,CB, NTQ. New theatre quarterly, 14(55), 1998, pp. 295-296
Citation: R. Shaughnessy, POLITICS IN PERFORMANCE - THE PRODUCTION WORK OF BOND,EDWARD, 1978-1990 - STUART,I, NTQ. New theatre quarterly, 14(55), 1998, pp. 295-295
Citation: J. Deeney, STAGING MASCULINITY - MALE IDENTITY IN CONTEMPORARY AMERICAN DRAMA - MCDONOUGH,CJ, NTQ. New theatre quarterly, 14(55), 1998, pp. 296-296
Citation: C. Lidbury, INDIVIDUALITY AND EXPRESSION - THE AESTHETICS OF THE NEW GERMAN DANCE, 1901-1936 - HOWE,DS, NTQ. New theatre quarterly, 14(55), 1998, pp. 296-296