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Results: 1-25/180
Authors:
GARNER SB
Citation: Sb. Garner, REWRITING EUROPE - 'PENTECOST' AND THE CROSSROADS OF MIGRATION, Essays in theatre, 16(1), 1997, pp. 3-14
Authors:
BURNETT L
Citation: L. Burnett, CLARKE,MARGARET 'GERTRUDE AND OPHELIA' - WRITING REVISIONIST CULTURE,WRITING A FEMINIST NEW POETICS, Essays in theatre, 16(1), 1997, pp. 15-32
Authors:
KNOWLES RP
Citation: Rp. Knowles, FOCUS, FAITHFULNESS, SHAKESPEARE, AND THE 'SHREW' - DIRECTING AS TRANSLATION AS RESISTANCE, Essays in theatre, 16(1), 1997, pp. 33-52
Authors:
GAUNTLETT M
Citation: M. Gauntlett, THE INTERESTS OF THE THEATER - GREENBLATT,STEPHEN ON SHAKESPEARE STAGE, Essays in theatre, 16(1), 1997, pp. 53-66
Authors:
HADFIELD D
Citation: D. Hadfield, THE ROLE POWER PLAYS IN WALKER,GEORGE,F. DETECTIVE TRILOGY, Essays in theatre, 16(1), 1997, pp. 67-83
Authors:
WATER MVD
Citation: Mvd. Water, 'MISTER TWISTER' OR 'GOODBYE AMERICA' - THE INTERDEPENDENCE OF MEANINGS AND MATERIAL CONDITIONS, Essays in theatre, 16(1), 1997, pp. 85-93
Authors:
DAVIS TC
Citation: Tc. Davis, MELODRAMA - THE CULTURAL EMERGENCE OF A GENRE - HAYS,M, NIKOLOPOULOU,A, Essays in theatre, 16(1), 1997, pp. 95-98
Authors:
MCGUIRE PC
Citation: Pc. Mcguire, SHAKESPEARE IN PERFORMANCE - 'KING JOHN' - COUSIN,G, Essays in theatre, 16(1), 1997, pp. 98-103
Authors:
MCGUIRE PC
Citation: Pc. Mcguire, SHAKESPEARE IN PERFORMANCE - 'HENRY IV PART TWO' - HODGDON,B, Essays in theatre, 16(1), 1997, pp. 98-103
Authors:
GOLDIE T
Citation: T. Goldie, COMPANION TO THEATER IN AUSTRALIA - PARSONS,P, Essays in theatre, 16(1), 1997, pp. 103-105
Authors:
GROSS RF
Citation: Rf. Gross, IN CONTACT WITH THE GODS - DIRECTORS TALK THEATER - DELGADO,MM, HERITAGE,P, Essays in theatre, 16(1), 1997, pp. 105-107
Authors:
DURBACH E
Citation: E. Durbach, IBSEN DRAMA - RIGHT ACTION AND TRAGIC JOY - THEOHARIS,TC, Essays in theatre, 16(1), 1997, pp. 107-109
Authors:
BAKERWHITE R
Citation: R. Bakerwhite, THE DEATH OF CHARACTER - PERSPECTIVES ON THEATER AFTER MODERNISM - FUCHS,E, Essays in theatre, 16(1), 1997, pp. 109-111
Authors:
NUNN R
Citation: R. Nunn, ANALYZING PERFORMANCE - A CRITICAL READER - CAMPBELL,P, Essays in theatre, 16(1), 1997, pp. 111-114
Authors:
ELTIS S
Citation: S. Eltis, WILDE,OSCAR - MYTHS, MIRACLES AND IMITATIONS - STOKES,J, Essays in theatre, 16(1), 1997, pp. 114-117
Authors:
ELTIS S
Citation: S. Eltis, WILDE - 'SALOME' - TYDEMAN,W, PRICE,S, Essays in theatre, 16(1), 1997, pp. 114-117
Authors:
ACHESON KO
Citation: Ko. Acheson, RENAISSANCE DRAMA BY WOMEN - TEXTS AND DOCUMENTS - CERASANO,SP, WYNNEDAVIES,M, Essays in theatre, 16(1), 1997, pp. 117-121
Authors:
ELLIS J
Citation: J. Ellis, SHAKESPEARES QUEER CHILDREN - SEXUAL POLITICS AND CONTEMPORARY CULTURE - CHEDGZOY,K, Essays in theatre, 16(1), 1997, pp. 121-123
Authors:
HOLMES MM
Citation: Mm. Holmes, ANXIOUS MASCULINITY IN EARLY-MODERN ENGLAND - BREITENBERG,M, Essays in theatre, 16(1), 1997, pp. 123-125
Authors:
HELLWIG T
Citation: T. Hellwig, SHADOWS OF EMPIRE - COLONIAL DISCOURSE AND JAVANESE TALES - SEARS,LJ, Essays in theatre, 16(1), 1997, pp. 125-127
Authors:
BAYCHENG S
Citation: S. Baycheng, PINOCCHIO PROGENY - PUPPETS, MARIONETTES, AUTOMATONS, AND ROBOTS IN MODERNIST AND AVANT-GARDE DRAMA - SEGEL,HB, Essays in theatre, 16(1), 1997, pp. 127-130
Authors:
SPONSLER C
Citation: C. Sponsler, BROOKLYNS GIGLIO AND THE NEGOTIATION OF ETHNICITY, Essays in theatre, 15(2), 1997, pp. 137-150
Authors:
PERKINS D
Citation: D. Perkins, SHIFTING LOYALTIES - THE INDIGENOUS AND INDIGENISATION IN CANADIAN HISTORICAL DRAMA OF CULTURAL-CONTACTS, Essays in theatre, 15(2), 1997, pp. 151-162
Authors:
TOMC S
Citation: S. Tomc, MAMET,DAVID 'OLEANNA' AND THE WAY OF THE FLESH, Essays in theatre, 15(2), 1997, pp. 163-175
Authors:
SILVERSTEIN M
Citation: M. Silverstein, MY SKIN USED TO WRAP ME UP - STAGING THE BODY IN A 'MOUTHFUL OF BIRDS', Essays in theatre, 15(2), 1997, pp. 177-190