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Results: 101-125/180
Authors:
ADAMS GC
Citation: Gc. Adams, SHAKESPEARE PROFESSIONAL CAREER - THOMSON,P, Essays in theatre, 13(2), 1995, pp. 193-195
Authors:
BRYDEN R
Citation: R. Bryden, THE OLD-VIC THEATER - A HISTORY - ROWELL,G, Essays in theatre, 13(2), 1995, pp. 195-197
Authors:
CAUSEY M
Citation: M. Causey, THEATER AT THE MARGINS, TEXT AND THE POST-STRUCTURED STAGE - MACDONALD,E, Essays in theatre, 13(2), 1995, pp. 197-199
Authors:
DOWNIE J
Citation: J. Downie, THEATER UNDER DECONSTRUCTION, A QUESTION OF APPROACH - CONSTANTINIDIS,SE, Essays in theatre, 13(2), 1995, pp. 199-203
Authors:
DOWNIE J
Citation: J. Downie, DIRECTING POSTMODERN THEATER, SHAPING SIGNIFICATION IN PERFORMANCE - WHITMORE,J, Essays in theatre, 13(2), 1995, pp. 199-203
Authors:
FISHER JW
Citation: Jw. Fisher, THE THEATER INDUSTRY IN 19TH-CENTURY FRANCE - HEMMINGS,FWJ, Essays in theatre, 13(2), 1995, pp. 203-206
Authors:
FISHER JW
Citation: Jw. Fisher, THEATER AND STATE IN FRANCE 1760-1905 - HEMMINGS,FWJ, Essays in theatre, 13(2), 1995, pp. 203-206
Authors:
GAUDET P
Citation: P. Gaudet, HOSPITABLE PERFORMANCES, DRAMATIC GENRE AND CULTURAL-PRACTICES IN EARLY-MODERN ENGLAND - PALMER,DW, Essays in theatre, 13(2), 1995, pp. 206-209
Authors:
KNOWLES RP
Citation: Rp. Knowles, THE STAGE AND SOCIAL STRUGGLE IN EARLY-MODERN ENGLAND - HOWARD,JE, Essays in theatre, 13(2), 1995, pp. 209-211
Authors:
MAHONY CH
Citation: Ch. Mahony, SELECTED PLAYS OF MACNEICE,LOUIS - HEUSER,A, MCDONALD,P, Essays in theatre, 13(2), 1995, pp. 211-213
Authors:
SMITH JP
Citation: Jp. Smith, SHAW,BERNARD, THE DRAMA OBSERVED, VOL 1, 1880-1895, VOL 2, 1895-1897,VOL 3, 1897-1911, VOL 4, 1911-1950 - DUKORE,BF, Essays in theatre, 13(2), 1995, pp. 214-217
Authors:
STOEBER C
Citation: C. Stoeber, PINTER,HAROLD AND THE LANGUAGE OF CULTURAL POWER - SILVERSTEIN,M, Essays in theatre, 13(2), 1995, pp. 218-220
Authors:
GAUDET P
Citation: P. Gaudet, A LITTLE-NIGHT-MUSIC, INTERTEXTUALITY AND STATUS IN THE NOCTURNAL EXCHANGE OF JESSICA AND LORENZO + SHAKESPEARE THE 'MERCHANT OF VENICE', Essays in theatre, 13(1), 1994, pp. 3-14
Authors:
TY E
Citation: E. Ty, WELCOME-TO-DREAMLAND, POWER, GENDER, AND POSTCOLONIAL POLITICS IN 'MISS SAIGON', Essays in theatre, 13(1), 1994, pp. 15-27
Authors:
RABEY DI
Citation: Di. Rabey, THE BITE OF EXILED LOVE, ABJECTIVE PROTAGONISTS IN SOME CONTEMPORARY ANGLO-IRISH DRAMAS, Essays in theatre, 13(1), 1994, pp. 29-43
Authors:
GOMEZ M
Citation: M. Gomez, COMING-TOGETHER IN LIFT-OFF-93, INTERCULTURAL THEATER IN TORONTO AND CANADIAN MULTICULTURALISM, Essays in theatre, 13(1), 1994, pp. 45-59
Authors:
CAUSEY M
Citation: M. Causey, TELEVISUAL PERFORMANCE, OPENNESS TO THE MYSTERY, Essays in theatre, 13(1), 1994, pp. 61-71
Authors:
BENNETT S
Citation: S. Bennett, PERFORMING WOMEN - FEMALE CHARACTERS, MALE PLAYWRIGHTS, AND THE MODERN STAGE - CIMA,GG, Essays in theatre, 13(1), 1994, pp. 73-75
Authors:
COMENSOLI V
Citation: V. Comensoli, THEATER AND GOVERNMENT UNDER THE EARLY STUARTS - MULRYNE,JR, SHREWING,M, Essays in theatre, 13(1), 1994, pp. 75-77
Authors:
EGERVARI T
Citation: T. Egervari, REREADING MOLIERE - MISE-EN-SCENE FROM ANTOINE TO VITEZ - CARMODY,J, Essays in theatre, 13(1), 1994, pp. 77-79
Authors:
GILBERT R
Citation: R. Gilbert, PRESENCE AND DESIRE - ESSAYS ON GENDER, SEXUALITY, PERFORMANCE - CRITICAL PERSPECTIVES ON WOMEN AND GENDER - DOLAN,J, Essays in theatre, 13(1), 1994, pp. 79-83
Authors:
GILBERT R
Citation: R. Gilbert, UNMARKED - THE POLITICS OF PERFORMANCE - PHELAN,P, Essays in theatre, 13(1), 1994, pp. 79-83
Authors:
HAMMER SB
Citation: Sb. Hammer, GERMAN AND DUTCH THEATER, 1600-1848 - BRANDT,GW, HOGENDOORN,W, Essays in theatre, 13(1), 1994, pp. 84-85
Authors:
HOWARD S
Citation: S. Howard, DANCE AS TEXT - IDEOLOGIES OF THE BAROQUE BODY - FRANKO,M, Essays in theatre, 13(1), 1994, pp. 85-87
Authors:
LEVENSON JL
Citation: Jl. Levenson, FOREIGN SHAKESPEARE - CONTEMPORARY PERFORMANCE - KENNEDY,D, Essays in theatre, 13(1), 1994, pp. 87-91