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Results: 1-25/94
Authors:
DAVERIO J
Citation: J. Daverio, SCHUMANN OSSIANIC MANNER, 19th century music, 21(3), 1998, pp. 247-273
Authors:
APPLEGATE C
Citation: C. Applegate, HOW GERMAN IS IT - NATIONALISM AND THE IDEA OF SERIOUS MUSIC IN THE EARLY 19TH-CENTURY, 19th century music, 21(3), 1998, pp. 274-296
Authors:
KRIMS A
Citation: A. Krims, DISCIPLINING DECONSTRUCTION (FOR MUSIC ANALYSIS), 19th century music, 21(3), 1998, pp. 297-324
Authors:
SOLOMON M
Citation: M. Solomon, SCHUBERT UNFINISHED SYMPHONY, 19th century music, 21(2), 1997, pp. 111-133
Authors:
KRAMER R
Citation: R. Kramer, THE HEDGEHOG - OF FRAGMENTS FINISHED AND UNFINISHED (SCHLEGEL,FRIEDRICH, SCHUBERT,FRANZ), 19th century music, 21(2), 1997, pp. 134-148
Authors:
BRETT P
Citation: P. Brett, PIANO 4-HANDS - SCHUBERT AND THE PERFORMANCE OF GAY MALE DESIRE, 19th century music, 21(2), 1997, pp. 149-176
Authors:
YOUENS S
Citation: S. Youens, OF DWARFS, PERVERSION, AND PATRIOTISM - SCHUBERT DER 'ZWERG', D.771, 19th century music, 21(2), 1997, pp. 177-207
Authors:
KINDERMAN W
Citation: W. Kinderman, WANDERING ARCHETYPES IN SCHUBERT INSTRUMENTAL MUSIC (ROMANTICISM, INFLUENCES), 19th century music, 21(2), 1997, pp. 208-222
Authors:
FEURZEIG L
Citation: L. Feurzeig, HEROINES IN PERVERSITY - SCHMITH,MARIE, ANIMAL MAGNETISM, AND THE SCHUBERT CIRCLE (ROMANTICISM, MESMERISM), 19th century music, 21(2), 1997, pp. 223-241
Authors:
KURTH R
Citation: R. Kurth, MUSIC AND POETRY, A WILDERNESS OF DOUBLES - HEINE, NIETZSCHE, SCHUBERT, DERRIDA, 19th century music, 21(1), 1997, pp. 3-37
Authors:
GREY TS
Citation: Ts. Grey, TABLEAUX-VIVANTS - LANDSCAPE, HISTORY PAINTING, AND THE VISUAL IMAGINATION IN MENDELSSOHN ORCHESTRAL MUSIC, 19th century music, 21(1), 1997, pp. 38-76
Authors:
METZER D
Citation: D. Metzer, WE-BOYS - CHILDHOOD IN THE MUSIC OF IVES,CHARLES, 19th century music, 21(1), 1997, pp. 77-95
Authors:
HAWKSHAW P
Citation: P. Hawkshaw, THE BRUCKNER PROBLEM REVISITED (MUSIC SCORE MANUSCRIPTS), 19th century music, 21(1), 1997, pp. 96-107
Authors:
KORSTVEDT BM
Citation: Bm. Korstvedt, THE BRUCKNER PROBLEM REVISITED (A REPLY) ('FOURTH SYMPHONY', MUSICAL SCORE EDITIONS), 19th century music, 21(1), 1997, pp. 108-109
Authors:
MCCRELESS P
Citation: P. Mccreless, A CANDIDATE FOR THE CANON - A NEW LOOK AT SCHUBERT 'FANTASIE IN C MAJOR FOR VIOLIN AND PIANO', 19th century music, 20(3), 1997, pp. 205-230
Authors:
POOLE ME
Citation: Me. Poole, CHARPENTIER,GUSTAVE AND THE CONSERVATOIRE-POPULAIRE-DE-MIMI-PINSON + FRENCH WOMENS MUSICAL INSTRUCTION, 19th century music, 20(3), 1997, pp. 231-252
Authors:
KIELIANGILBERT M
Citation: M. Kieliangilbert, INVOKING MOTIVES AND IMMEDIACY - FOILS AND CONTEXTS FOR VANDENTOORN,PIETER,C. 'MUSIC, POLITICS, AND THE ACADEMY', 19th century music, 20(3), 1997, pp. 253-278
Authors:
HEPOKOSKI J
KRAMER L
Citation: J. Hepokoski et L. Kramer, SNAPSHOT .2. - A 20TH ANNIVERSARY RETROSPECTIVE( '19TH CENTURY MUSIC'ARTICLE EXCERPTS ), 19th century music, 20(3), 1997, pp. 279-290
Authors:
SMART MA
Citation: Ma. Smart, LISTENING IN PARIS - A CULTURAL HISTORY - JOHNSON,JH, 19th century music, 20(3), 1997, pp. 291-297
Authors:
MCCLATCHIE S
Citation: S. Mcclatchie, THE 1889 VERSION OF MAHLER '1ST SYMPHONY' - A NEW MANUSCRIPT SCORE, 19th century music, 20(2), 1996, pp. 99-124
Authors:
BUHLER J
Citation: J. Buhler, BREAKTHROUGH AS CRITIQUE OF FORM - THE FINALE OF MAHLER '1ST SYMPHONY', 19th century music, 20(2), 1996, pp. 125-143
Authors:
MICZNIK V
Citation: V. Micznik, THE FAREWELL STORY OF MAHLER '9TH SYMPHONY', 19th century music, 20(2), 1996, pp. 144-166
Authors:
MCCOLL S
Citation: S. Mccoll, KALBECK,MAX AND MAHLER,GUSTAV + MUSICAL REVIEWS, CRITICISM, SYMPHONIES, 19th century music, 20(2), 1996, pp. 167-184
Authors:
KRAMER R
Citation: R. Kramer, AGAINST RECYCLING + SCHUBERT, HEINE, SONG CYCLES, 19th century music, 20(2), 1996, pp. 185-189
Citation: SNAPSHOTS -CENTURY MUSIC RESEARCH .1. A 20TH-ANNIVERSARY RETROSPECTIVE( 19TH), 19th century music, 20(2), 1996, pp. 190-201