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Results: 51-75/94
Authors:
KNITTEL KM
Citation: Km. Knittel, EIN HYPERMODERNER-DIRIGENT, MAHLER AND ANTI-SEMITISM IN FIN-DE-SIECLEVIENNA, 19th century music, 18(3), 1995, pp. 257-276
Authors:
MCCRELESS P
Citation: P. Mccreless, WAGNER DAS 'RHEINGOLD' - DARCY,W, 19th century music, 18(3), 1995, pp. 277-290
Authors:
BROWN M
Citation: M. Brown, 19TH-CENTURY MUSIC AND THE GERMAN ROMANTIC IDEOLOGY - DAVERIO,J, 19th century music, 18(3), 1995, pp. 290-303
Authors:
PEDERSON S
Citation: S. Pederson, MARX,A.B., BERLIN CONCERT LIFE, AND GERMAN NATIONAL IDENTITY, 19th century music, 18(2), 1994, pp. 87-107
Authors:
JOHNSON J
Citation: J. Johnson, THE STATUS OF THE SUBJECT IN MAHLER 'NINTH SYMPHONY', 19th century music, 18(2), 1994, pp. 108-120
Authors:
MINER M
Citation: M. Miner, PHANTOMS OF GENIUS - WOMEN AND THE FANTASTIC IN THE OPERA-HOUSE MYSTERY, 19th century music, 18(2), 1994, pp. 121-135
Authors:
BERGERON K
Citation: K. Bergeron, THE ECHO, THE CRY, THE DEATH OF LOVERS + DEBUSSY, BAUDELAIRE, POETRY AND MUSIC, 19th century music, 18(2), 1994, pp. 136-151
Authors:
WHITESELL L
Citation: L. Whitesell, MEN WITH A PAST - MUSIC AND THE ANXIETY OF INFLUENCE( HOMOSEXUALITY AND GENDER ), 19th century music, 18(2), 1994, pp. 152-167
Authors:
HUEBNER S
Citation: S. Huebner, URBANIZATION OF THE OPERA - PARIS AND 19TH-CENTURY MUSICAL-THEATER - GERMAN - GERHARD,A, 19th century music, 18(2), 1994, pp. 168-174
Authors:
CHERLIN M
Citation: M. Cherlin, THE EARLY WORKS OF SCHOENBERG,ARNOLD, 1893-1908 - FRISCH,W, 19th century music, 18(2), 1994, pp. 174-185
Authors:
FRISCH W
Citation: W. Frisch, BRAHMS, LISZT, WAGNER + INTRODUCTION, 19th century music, 18(1), 1994, pp. 1-2
Authors:
DOMLING W
Citation: W. Domling, REUNITING THE ARTS - NOTES ON THE HISTORY OF AN IDEA, 19th century music, 18(1), 1994, pp. 3-9
Authors:
SCHUBERT G
Citation: G. Schubert, THEMES AND DOUBLE THEMES - THE PROBLEM OF THE SYMPHONIC IN BRAHMS, 19th century music, 18(1), 1994, pp. 10-23
Authors:
KRUMMACHER F
Citation: F. Krummacher, RECEPTION AND ANALYSIS - ON THE BRAHMS 'QUARTETS OP.51, NOS. 1 AND 2', 19th century music, 18(1), 1994, pp. 24-45
Authors:
ALTENBURG D
Citation: D. Altenburg, LISZT,FRANZ AND THE LEGACY OF THE CLASSICAL ERA, 19th century music, 18(1), 1994, pp. 46-63
Authors:
DANUSER H
Citation: H. Danuser, MUSICAL MANIFESTATIONS OF THE END IN WAGNER AND IN POST-WAGNERIAN WELTANSCHAUUNGSMUSIK, 19th century music, 18(1), 1994, pp. 64-82
Authors:
LOCKE RP
Citation: Rp. Locke, GOUNOD 'FAUST', 19th century music, 18(1), 1994, pp. 83-84
Authors:
KERMAN J
Citation: J. Kerman, CLOSE READINGS OF THE HEARD KIND -QUARTETS( BEETHOVEN STRING), 19th century music, 17(3), 1994, pp. 209-219
Authors:
GREENWALD HM
Citation: Hm. Greenwald, VERDI PATRIARCH AND PUCCINI MATRIARCH - UGH-THE-LOOKING-GLASS-AND-WHAT-PUCCINI-FOUND-THERE, 19th century music, 17(3), 1994, pp. 220-236
Authors:
SMITH PH
Citation: Ph. Smith, LIQUIDATION, AUGMENTATION, AND BRAHMS RECAPITULATORY OVERLAPS + SONATA FORM, 19th century music, 17(3), 1994, pp. 237-261
Authors:
EALY GT
Citation: Gt. Ealy, OF EAR-TRUMPETS AND A RESONANCE PLATE - EARLY HEARING-AIDS AND BEETHOVEN HEARING PERCEPTION, 19th century music, 17(3), 1994, pp. 262-273
Authors:
KOPELSON K
Citation: K. Kopelson, THE QUEENS THROAT - OPERA, HOMOSEXUALITY, AND THE MYSTERY OF DESIRE -KOESTENBAUM,W, 19th century music, 17(3), 1994, pp. 274-285
Authors:
BOWERS J
Citation: J. Bowers, THE INSTRUMENT AND BODY - CONCERTIZING WOMAN AND MIDDLE-CLASS CULTURE- GERMAN - HOFFMANN,F, 19th century music, 17(3), 1994, pp. 285-293
Authors:
NOTLEY M
Citation: M. Notley, BRAHMS AS LIBERAL - GENRE, STYLE, AND POLITICS IN LATE-19TH-CENTURY VIENNA, 19th century music, 17(2), 1993, pp. 107-123
Authors:
EVERIST M
Citation: M. Everist, MEYERBEER,GIACOMO, THE THEATER-ROYAL-DE-ODEON, AND MUSIC DRAMA IN RESTORATION PARIS, 19th century music, 17(2), 1993, pp. 124-148