AAAAAA
Results: 76-94/94
Authors:
LOCKE RP
Citation: Rp. Locke, MUSIC LOVERS, PATRONS, AND THE SACRALIZATION OF CULTURE IN AMERICA, 19th century music, 17(2), 1993, pp. 149-173
Authors:
HIGGINS P
Citation: P. Higgins, WOMEN IN MUSIC, FEMINIST CRITICISM, AND GUERRILLA MUSICOLOGY - REFLECTIONS ON RECENT POLEMICS, 19th century music, 17(2), 1993, pp. 174-192
Authors:
PARKER R
Citation: R. Parker, BIZET,GEORGES 'CARMEN' - MCCLARY,S, 19th century music, 17(2), 1993, pp. 193-197
Authors:
ROSENWALD L
Citation: L. Rosenwald, MUSIC AND TEXT - CRITICAL INQUIRIES - SCHER,SP, 19th century music, 17(2), 1993, pp. 197-206
Authors:
KRAMER L
Citation: L. Kramer, SCHUBERT, MUSIC, SEXUALITY, CULTURE + INTRODUCTORY EDITORIAL, 19th century music, 17(1), 1993, pp. 3-4
Authors:
STEBLIN R
Citation: R. Steblin, THE 'PEACOCKS TALE' - SCHUBERT SEXUALITY RECONSIDERED( HOMOSEXUALITY ), 19th century music, 17(1), 1993, pp. 5-33
Authors:
SOLOMON M
Citation: M. Solomon, SCHUBERT - SOME CONSEQUENCES OF NOSTALGIA( HOMOSEXUALITY AND THE COMPOSER ), 19th century music, 17(1), 1993, pp. 34-46
Authors:
MUXFELDT K
Citation: K. Muxfeldt, POLITICAL CRIMES AND LIBERTY, OR WHY WOULD SCHUBERT EAT A PEACOCK + CELLINI AND HOMOSEXUALITY, 19th century music, 17(1), 1993, pp. 47-64
Authors:
GRAMIT D
Citation: D. Gramit, CONSTRUCTING A VICTORIAN SCHUBERT - MUSIC, BIOGRAPHY, AND CULTURAL-VALUES, 19th century music, 17(1), 1993, pp. 65-78
Authors:
AGAWU K
Citation: K. Agawu, SCHUBERT SEXUALITY - A PRESCRIPTION FOR ANALYSIS( HOMOSEXUALITY AND HIS MUSIC ), 19th century music, 17(1), 1993, pp. 79-82
Authors:
MCCLARY S
Citation: S. Mcclary, MUSIC AND SEXUALITY - ON THE STEBLIN SOLOMON DEBATE, 19th century music, 17(1), 1993, pp. 83-88
Authors:
WEBSTER J
Citation: J. Webster, MUSIC, PATHOLOGY, SEXUALITY, BEETHOVEN, SCHUBERT, 19th century music, 17(1), 1993, pp. 89-93
Authors:
WINTER RS
Citation: Rs. Winter, WHOSE SCHUBERT + SEXUALITY AND HIS MUSIC, 19th century music, 17(1), 1993, pp. 94-101
Authors:
TREITLER L
Citation: L. Treitler, MUSIC-CRITICISM AND ANALYSIS, 19th century music, 17(1), 1993, pp. 103-104
Authors:
MARSTON N
Citation: N. Marston, IM-LEGENDENTON, SCHUMANN UNSUNG VOICE, 19th century music, 16(3), 1993, pp. 227-241
Authors:
RABINOWITZ PJ
Citation: Pj. Rabinowitz, WITH OUR OWN DOMINANT PASSIONS, GOTTSCHALK, GENDER, AND THE POWER OF LISTENING, 19th century music, 16(3), 1993, pp. 242-252
Authors:
OLIN E
Citation: E. Olin, THE CONCERTS-DE-LOPERA 1895-97, NEW MUSIC AT THE MONUMENT GARNIER, 19th century music, 16(3), 1993, pp. 253-266
Authors:
MACDONALD H
Citation: H. Macdonald, BERLIOZ 'MESSE SOLENNELLE', 19th century music, 16(3), 1993, pp. 267-285
Authors:
TARUSKIN R
Citation: R. Taruskin, BACK TO WHOM, NEOCLASSICISM AS IDEOLOGY, 19th century music, 16(3), 1993, pp. 286-302