Citation: K. Neuenfeldt, GRASS-ROOTS, ROCK(S), AND REGGAE - MUSIC AND MAYHEM AT THE PORT-MORESBY SHOW, The Contemporary Pacific, 10(2), 1998, pp. 317-343
Citation: D. Gewertz et F. Errington, SLEIGHTS OF HAND AND THE CONSTRUCTION OF DESIRE IN A PAPUA-NEW-GUINEAMODERNITY, The Contemporary Pacific, 10(2), 1998, pp. 345-368
Citation: A. Bensa et E. Wittersheim, NATIONALISM AND INTERDEPENDENCE - THE POLITICAL-THOUGHT OF TJIBAOU,JEAN,MARIE, The Contemporary Pacific, 10(2), 1998, pp. 369-390
Citation: A. Mawyer, FROM PHOTONS TO ELECTRONS - THE FILM GUIDE MOVING IMAGES OF THE PACIFIC ISLANDS, The Contemporary Pacific, 10(2), 1998, pp. 457-465
Citation: Mt. Huber, THE COVENANT MAKERS - ISLANDER MISSIONARIES IN THE PACIFIC - MUNRO,D,THORNLEY,A, The Contemporary Pacific, 10(2), 1998, pp. 475-477
Citation: P. Sharrad, HOMELAND - SPECIAL FOCUS - NEW WRITING FROM NEW-ZEALAND - STEWART,F, WHAITIRI,R, SULLIVAN,R, The Contemporary Pacific, 10(2), 1998, pp. 488-490
Citation: Ve. Neall, TAVURVUR-I-PUONGO - STUDENTS ACCOUNTS OF THE 1994 ERUPTIONS IN EAST NEW-BRITAIN - NEUMANN,K, The Contemporary Pacific, 10(2), 1998, pp. 494-496
Citation: Rpc. Brown, DO MIGRANTS REMITTANCES DECLINE OVER TIME - EVIDENCE FROM TONGANS ANDWESTERN SAMOANS IN AUSTRALIA, The Contemporary Pacific, 10(1), 1998, pp. 107-151