Citation: Cm. Johnson et We. Fredrickson, THE EFFECT OF AURAL COMMENTARY, WRITTEN COMMENTS, AND BEHAVIORAL SELF-ASSESSMENT ON CONDUCTOR INTENSITY, Journal of band research, 30(2), 1995, pp. 27-38
Citation: G. Anderson, ANALYSIS - MUSICAL METAMORPHOSES IN HINDEMITH MARCH FROM 'SYMPHONIC METAMORPHOSIS OF THEMES BY CARL MARIA VON WEBER', Journal of band research, 30(1), 1994, pp. 1-10
Citation: Jl. Byo et Kr. Austin, COMPARISON OF EXPERT AND NOVICE CONDUCTORS - AN APPROACH TO THE ANALYSIS OF NONVERBAL BEHAVIORS, Journal of band research, 30(1), 1994, pp. 11-34
Citation: Jc. Mitchell, WINDRAM,JAMES,CAUSLEY MILITARY BAND SETTINGS OF HOLST,GUSTAV 'CHORAL HYMNS FROM THE RIQ VEDA', Journal of band research, 30(1), 1994, pp. 69-77
Citation: Ra. Duke, BRINGING THE ART OF REHEARSING INTO FOCUS - THE REHEARSAL FRAME AS A MODEL FOR PRESCRIPTIVE ANALYSIS OF REHEARSAL CONDUCTING, Journal of band research, 30(1), 1994, pp. 78-95
Citation: Fp. Williams, THE AMERICAN-BAND-OF-PROVIDENCE (1902) AND CLARKES-BAND-OF-PROVIDENCE(1903) - THE RECORDINGS( DISCOGRAPHY ), Journal of band research, 30(1), 1994, pp. 96-106
Citation: Wj. Gresham, WEILL,KURT 'THREEPENNY OPERA' AND 'LITTLE THREEPENNY MUSIC', COMPARISONS AND OBSERVATIONS, Journal of band research, 29(2), 1994, pp. 14-27
Citation: M. Fonder, A BIBLIOGRAPHY OF DOCTORAL DISSERTATIONS PERTAINING TO THE WIND-BAND,1979 THROUGH 1992, Journal of band research, 29(2), 1994, pp. 28-92
Citation: D. Gregory, PREFERENCES OF MIDDLE SCHOOL AND UNDERGRADUATE INSTRUMENTALISTS FOR ACOUSTIC AND SYNTHESIZED TRANSCRIPTIONS, Journal of band research, 29(2), 1994, pp. 97-105
Citation: Ce. Kinzer, THE EXCELSIOR-BRASS-BAND OF NEW-ORLEANS 1879-1889, A DECADE IN THE DEVELOPMENT OF A VERNACULAR ARCHETYPE, Journal of band research, 29(1), 1993, pp. 14-24
Citation: Tj. Tacke, A STUDY OF THE TECHNICAL DIFFICULTY OF THE REPERTOIRE OF 7 SMALL LIBERAL-ARTS COLLEGE WIND ENSEMBLES (VOL 27, PG 63, YR 92), Journal of band research, 29(1), 1993, pp. 73-74