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Results: 1-25/136
Authors:
COLLINS N
Citation: N. Collins, A TURN IN THE SHRUBBERY - MUSIC, TECHNOLOGY AND WORDS (COMPOSERS WORKING WITH NEW TECHNOLOGIES ARE FLOODED WITH INFORMATION AS WE APPROACH THE BEGINNING OF THE NEW MILLENNIUM), Leonardo music journal, 7, 1997, pp. 1-2
Authors:
MENEZES F
Citation: F. Menezes, TO BE AND NOT TO BE - ASPECTS OF THE INTERACTION BETWEEN INSTRUMENTALAND ELECTRONIC COMPOSITIONAL METHODS, Leonardo music journal, 7, 1997, pp. 3-10
EXPERIENCES IN DIGITAL TERRAIN - USING DIGITAL ELEVATION MODELS FOR MUSIC AND INTERACTIVE MULTIMEDIA
Authors:
THIBAULT B
GRESHAMLANCASTER S
Citation: B. Thibault et S. Greshamlancaster, EXPERIENCES IN DIGITAL TERRAIN - USING DIGITAL ELEVATION MODELS FOR MUSIC AND INTERACTIVE MULTIMEDIA, Leonardo music journal, 7, 1997, pp. 11-15
Authors:
HOLMHUDSON K
Citation: K. Holmhudson, QUOTATION AND CONTEXT - SAMPLING AND OSWALD,JOHN PLUNDERPHONICS, Leonardo music journal, 7, 1997, pp. 17-25
Authors:
DEGAZIO B
Citation: B. Degazio, THE EVOLUTION OF MUSICAL ORGANISMS (THE MUSICAL-ORGANISM-EVOLVER SOFTWARE PROGRAM WHICH EMPLOYS GENETIC ALGORITHMS), Leonardo music journal, 7, 1997, pp. 27-33
Authors:
ROSENBOOM D
Citation: D. Rosenboom, PROPOSITIONAL MUSIC - ON EMERGENT PROPERTIES IN MORPHOGENESIS AND THEEVOLUTION OF MUSIC, PART 2 - IMPONDERABLE FORMS AND COMPOSITIONAL METHODS, Leonardo music journal, 7, 1997, pp. 35-39
Authors:
CUBITT S
Citation: S. Cubitt, ONLINE SOUND AND VIRTUAL ARCHITECTURE (CONTRIBUTION TO THE GEOGRAPHY OF CULTURAL TRANSLATION), Leonardo music journal, 7, 1997, pp. 43-48
Authors:
MIRANDA ER
Citation: Er. Miranda, MACHINE LEARNING AND SOUND DESIGN - A CASE-STUDY, Leonardo music journal, 7, 1997, pp. 49-55
Authors:
POLANSKY L
Citation: L. Polansky, 'COCKS CROW, DOGS BARK, NEW COMPOSITIONAL INTENTIONS' (AN INTRODUCTION TO THE CD, COMPOSITION CREDITS AND PAGES FROM SELECTED SCORES), Leonardo music journal, 7, 1997, pp. 57
Authors:
DIDKOVSKY N
Citation: N. Didkovsky, 'METAMUSIC METATEXT' - THE BLURRY BOUNDARIES AROUND DISTRIBUTED COMPOSITIONAL SYSTMES (A SOFT-WARE-ASSISTED MUSIC COMPOSITION FOR SMALL ENSEMBLE)/, Leonardo music journal, 7, 1997, pp. 73-76
Authors:
MONRO G
Citation: G. Monro, THIS IS ART, NOT SCIENCE ('DRY RIVERS' AND THE 'VOICE OF THE PHOENIX', COMPOSITIONS CREATED BY A COMPUTER PROGRAM BASED ON A MATHEMATICAL IDEA), Leonardo music journal, 7, 1997, pp. 77-80
Authors:
BURT W
Citation: W. Burt, MICROTONAL AND STRUCTURAL ASPECTS OF 'MY MONODIES I AND II', Leonardo music journal, 7, 1997, pp. 81-83
Authors:
AMES C
Citation: C. Ames, MY COMPUTER-COMPOSED INSTRUMENTAL WORKS OF THE 1980S, Leonardo music journal, 7, 1997, pp. 81-81
Authors:
FELDMAN D
Citation: D. Feldman, NOTES ON '...STILL PLENTY OF GOOD MUSIC...', Leonardo music journal, 7, 1997, pp. 83-84
Authors:
GOODE D
Citation: D. Goode, JUICY SPEECH MAKES MELODIES WITH COMPUTER VOICES (THE SPEECH-TO-MIDI COMPOSITION PROCESS), Leonardo music journal, 7, 1997, pp. 84-88
Authors:
SIMONI M
Citation: M. Simoni, 'EULOGY' (THE INTEGRATION OF PROCESSED SPEECH AND ALGORITHMICALLY GENERATED STANDARD MIDI FILES USING A SEQUENCER), Leonardo music journal, 7, 1997, pp. 88-89
Authors:
SPIEGEL L
Citation: L. Spiegel, AN INFORMATION-THEORY-BASED COMPOSITIONAL MODEL (COMPOSING THE 'UNQUESTIONED ANSWER'), Leonardo music journal, 7, 1997, pp. 89-90
Authors:
WOLFF C
Citation: C. Wolff, 'FOR MAGNETIC TAPE I' AND 'EXERCISE 10' (COMPOSING AND RECORDING THE PIECES), Leonardo music journal, 7, 1997, pp. 90-91
Authors:
DIAMOND J
Citation: J. Diamond, YOGYAKARTA-GAMELAN-FESTIVAL 1997 (HIGHLIGHTS OF THIS YEARS CONCERT PROGRAM), Leonardo music journal, 7, 1997, pp. 92-94
Authors:
SUTANTO
Citation: Sutanto, A COMMUNITY OF CONTEMPORARY TOURISTS - EPILOGUE (THE 1997 YOGYAKARTA-GAMELAN-FESTIVAL), Leonardo music journal, 7, 1997, pp. 95-95
Authors:
DURINGER J
Citation: J. Duringer, THE EVOLUTION OF THE MUSICAL KEYBOARD, Leonardo music journal, 7, 1997, pp. 96-97
Authors:
BATTIER M
Citation: M. Battier, HYPERPRISM-PPC VERSION-1.2.1, Leonardo music journal, 7, 1997, pp. 98-99
Authors:
LAMBELET P
Citation: P. Lambelet, 'SUSPENDED IN AMBER' - INNOVA-RECORDINGS (PEEBLES,SARAH, HARADA,TAKAHASHI, MIZUSHIMA,KAZUE, ISHIKAWA,KO, YOSHIDA,HIROMI, KAKEHASHI,IKUO), Leonardo music journal, 7, 1997, pp. 99-100
Authors:
LAMBELET P
Citation: P. Lambelet, GRAVIKORDS, WHIRLIES AND PYROPHONES - EXPERIMENTAL MUSICAL-INSTRUMENTS - HOPKIN,B, Leonardo music journal, 7, 1997, pp. 99-99
Authors:
BATTIER M
Citation: M. Battier, ELECTRIC SOUND - THE PAST AND PROMISE OF ELECTRONIC MUSIC - CHADABE,J, Leonardo music journal, 7, 1997, pp. 100-101