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Results: 101-125/136
Authors:
ALLIK KA
MULDER RCF
Citation: Ka. Allik et Rcf. Mulder, SKYHARP, AN INTERACTIVE ELECTROACOUSTIC INSTRUMENT, Leonardo music journal, 3, 1993, pp. 3
Authors:
CHABOT X
Citation: X. Chabot, TO LISTEN AND TO SEE, MAKING AND USING ELECTRONIC-INSTRUMENTS, Leonardo music journal, 3, 1993, pp. 11-16
Authors:
HALL H
Citation: H. Hall, BOTH SIDES OF THE MIRROR, INTEGRATING PHYSICS AND ACOUSTICS WITH PERSONAL-EXPERIENCE + MUSIC AS ORGANIZED SOUND, Leonardo music journal, 3, 1993, pp. 17
Authors:
POVALL RM
Citation: Rm. Povall, THE 'LAST GARDEN', EXPLORATIONS IN INTERACTIVE PERFORMANCE METHODS, Leonardo music journal, 3, 1993, pp. 25
Authors:
CATALANO J
Citation: J. Catalano, ELECTRONIC MIDWIFERY, A VIDEOPHONE CELEBRATION OF OLIVEROS,PAULINE 'FOUR DECADES OF COMPOSING AND COMMUNITY', Leonardo music journal, 3, 1993, pp. 29-34
Authors:
OLIVEROS P
Citation: P. Oliveros, THE 'EARTH WORM ALSO SINGS', Leonardo music journal, 3, 1993, pp. 35-38
Authors:
YOUNG G
BANCROFT J
SANDERSON M
Citation: G. Young et al., MUSI-TECTURE, SEEKING USEFUL CORRELATIONS BETWEEN MUSIC AND ARCHITECTURE, Leonardo music journal, 3, 1993, pp. 39-43
Authors:
AMES C
Citation: C. Ames, HOW TO LEVEL A DRIVER SEQUENCE -GENERATED MUSIC( LEVELING, A METHOD IN COMPUTER), Leonardo music journal, 3, 1993, pp. 45-52
Authors:
ENGLERT GG
Citation: Gg. Englert, OUR SCORE, A DESCRIPTION OF 'METRO 3', A COMPOSITIONAL AND PERFORMANCE SOFTWARE PROGRAM, Leonardo music journal, 3, 1993, pp. 53-58
Authors:
OX J
Citation: J. Ox, CREATING A VISUAL TRANSLATION OF SCHWITTER,KURT 'URSONATE', Leonardo music journal, 3, 1993, pp. 59
Authors:
WENDT L
Citation: L. Wendt, VOCAL NEIGHBORHOODS, A WALK THROUGH THE POST-SOUND POETRY LANDSCAPE, Leonardo music journal, 3, 1993, pp. 65-68
Authors:
WENDT L
Citation: L. Wendt, A BIBLIOGRAPHY OF SOUND POETRY, Leonardo music journal, 3, 1993, pp. 69-71
Authors:
WENDT L
Citation: L. Wendt, 'METALOGOS SUITE IN 2 PARTS' - MUSIC-GALLERY-TORONTO( DUTTON,P ), Leonardo music journal, 3, 1993, pp. 73-74
Authors:
WENDT L
Citation: L. Wendt, 'LONG TUBE TRIO' - HARVESTWORKS-STUDIO-PASS-NEW-YORK( HUTCHINSON,B ), Leonardo music journal, 3, 1993, pp. 73-73
Authors:
WENDT L
Citation: L. Wendt, 'SENSE-NON-SENSE', A PHONETIC-SEMANTIC OPERA FOR 2 VOICES - RAUSCH-UND-ZERRSOUNDSTUDIOS( SCHERSTJANOI,V ), Leonardo music journal, 3, 1993, pp. 74-75
Authors:
WENDT L
Citation: L. Wendt, 'NOT EQUAL TO' - AIRMOTION-STUDIOS( STEWART,A ), Leonardo music journal, 3, 1993, pp. 75-76
Authors:
WENDT L
Citation: L. Wendt, 'VOCALISE' - SWEDISH-BROADCASTING-CORPORATION( WISHART,T ), Leonardo music journal, 3, 1993, pp. 76-77
Authors:
WENDT L
Citation: L. Wendt, LE 'SOUFFLE ET LA LANGUE' + CHOPIN,H, Leonardo music journal, 3, 1993, pp. 77-78
Authors:
WENDT L
Citation: L. Wendt, 'CONJURE' + MOSS,D, Leonardo music journal, 3, 1993, pp. 78-79
Authors:
HORNER A
ASSAD A
PACKARD N
Citation: A. Horner et al., ARTIFICIAL MUSIC, THE EVOLUTION OF MUSICAL STRATA, Leonardo music journal, 3, 1993, pp. 81-81
Authors:
SYKES D
Citation: D. Sykes, THE TUNING OF THE WORLD, THE 1ST INTERNATIONAL-CONFERENCE ON ACOUSTICECOLOGY HELD IN BANFF, ALBERTA, CANADA, ON AUGUST 8-13, 1993, Leonardo music journal, 3, 1993, pp. 82-83
Authors:
HAUS G
Citation: G. Haus, THE COMPUTER SOCIETY OF THE INSTITUTE-OF-ELECTRICAL-AND-ELECTRONIC-ENGINEERS (IEEE), TASK-FORCE ON COMPUTER-GENERATED MUSIC, Leonardo music journal, 3, 1993, pp. 83-84
Authors:
MAZZOLA G
Citation: G. Mazzola, COMPUTER AND MUSIC - AN INTRODUCTION TO DIGITAL SOUND AND DIGITAL INTERPRETATION OF MUSIC - GERMAN - ACKERMANN,P, Leonardo music journal, 3, 1993, pp. 85-85
Authors:
BATTIER M
Citation: M. Battier, WORKS - REFERENCE-GRAMMONT-PORTRAIT-CTS-P-492( ENGLERT,GG ), Leonardo music journal, 3, 1993, pp. 85-86
Authors:
BATTIER M
Citation: M. Battier, 'COSMOS I' + UEHARA,K - AIR-RECORDS-INC-322, Leonardo music journal, 3, 1993, pp. 86-87