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Results: 1-25/111
Authors:
KEHRES JM
Citation: Jm. Kehres, SADE 'JUSTINE' OR THE IMPOSSIBLE ASSOMPTION (FRENCH FICTION), Genre, 29(4), 1996, pp. 393-406
Authors:
ROSDEITCHER E
Citation: E. Rosdeitcher, EMPIRES AT STAKE - GAMBLING AND THE ECONOMIC UNCONSCIOUSNESS IN THACKERAY, Genre, 29(4), 1996, pp. 407-426
Authors:
SHAMIR M
Citation: M. Shamir, DIVIDED PLOTS - INTERIOR SPACE AND GENDER DIFFERENCE IN DOMESTIC FICTION, Genre, 29(4), 1996, pp. 429-472
Authors:
MEISSNER C
Citation: C. Meissner, RECOVERY AND REVELATION - THE EXPERIENCE OF SELF-EXPOSURE IN JAMES AUTOBIOGRAPHY, Genre, 29(4), 1996, pp. 473-494
Authors:
SCHILDGEN BD
Citation: Bd. Schildgen, THE 'GOSPEL OF MARK' AS PICARESQUE NOVELLA, Genre, 29(3), 1996, pp. 297-323
Authors:
CRAIG MJ
Citation: Mj. Craig, THE PROTOCOL OF SUBMISSION - RALEGH AS TIMIAS, Genre, 29(3), 1996, pp. 325-339
Authors:
ESTEVE M
Citation: M. Esteve, JAMES,WILLIAM ONTO-PHYSIOLOGY OF LIMITS, Genre, 29(3), 1996, pp. 341-357
Authors:
COHN D
Citation: D. Cohn, PROUST GENERIC AMBIGUITY, Genre, 29(3), 1996, pp. 359-381
Authors:
WEST NM
Citation: Nm. West, HIDING IN PLAIN SIGHT - PHOTOGRAPHY AND APOCALYPSE, Genre, 29(1-2), 1996, pp. 1-15
Authors:
SEMANSKY C
HOCHMAN J
Citation: C. Semansky et J. Hochman, ECOTASTROPHES, PHOTOGRAPHY, AND MILLENNIAL DOOM - SNAPSHOTS TO THE END, Genre, 29(1-2), 1996, pp. 17-31
Authors:
GREENLEWIS J
Citation: J. Greenlewis, PICTURING ENGLAND - ON PHOTOGRAPHY, LANDSCAPE, AND THE END(S) OF IMPERIAL CULTURE, Genre, 29(1-2), 1996, pp. 33-61
Authors:
WEST NM
Citation: Nm. West, HER FINGER ON THE BUTTON - KODAK GIRLS, SNAPSHOT NOSTALGIA, AND THE AGE OF UNRIPENING, Genre, 29(1-2), 1996, pp. 63-92
Authors:
MAVOR C
Citation: C. Mavor, BECOMING - THE PHOTOGRAPHS OF HAWARDEN,CLEMENTINA, 1859-1864, Genre, 29(1-2), 1996, pp. 93-134
Authors:
TANNER LE
Citation: Le. Tanner, HAUNTED IMAGES - PHOTOGRAPHIC REPRESENTATIONS OF PEOPLE WITH AIDS, Genre, 29(1-2), 1996, pp. 135-159
Authors:
CLYMER JA
Citation: Ja. Clymer, MR NOBODY FROM NOWHERE - VALENTINO,RUDOLPH, JAY-GATSBY, AND THE END OF THE AMERICAN RACE, Genre, 29(1-2), 1996, pp. 161-191
Authors:
STEWART G
Citation: G. Stewart, NEGATIVE IMPRINT - FILM, PHOTOGRAPHY, AND THE APOCALYPTIC MOMENT, Genre, 29(1-2), 1996, pp. 193-242
Authors:
MARTIN C
Citation: C. Martin, CURIOUS GLANCE - APOCALYPSE AND PHOTOGRAPHY, Genre, 29(1-2), 1996, pp. 243-260
Authors:
CADAVA E
Citation: E. Cadava, THE WHISPER OF GAZES - BENJAMIN,WALTER IN THE IMAGE OF KAFKA,FRANZ, Genre, 29(1-2), 1996, pp. 261-286
Authors:
CADZOW H
Citation: H. Cadzow, WRITING HISTORY AFTER THE NEW-HISTORICISM, Genre, 28(4), 1995, pp. 373-384
Authors:
DIONNE C
Citation: C. Dionne, SHAKESPEARE IN POPULAR-CULTURE - GENDER AND HIGH-BROW CULTURE IN AMERICA, Genre, 28(4), 1995, pp. 385-412
Authors:
MIRABELLA MB
Citation: Mb. Mirabella, MUTE RHETORICS - WOMEN, THE GAZE, AND DANCE IN RENAISSANCE ENGLAND, Genre, 28(4), 1995, pp. 413-443
Authors:
EGAN J
Citation: J. Egan, HEE THAT HATH EXPERIENCE ... TO SUBJECT THE SALVAGES - BRITISH COLONIALISM AND MODERN EXPERIENTIAL AUTHORITY, Genre, 28(4), 1995, pp. 445-464
Authors:
HENKE R
Citation: R. Henke, THEORY AND GENERIC EXPERIMENTATION IN 16TH-CENTURY ITALIAN DRAMA, Genre, 28(4), 1995, pp. 465-482
Authors:
BARNABY A
Citation: A. Barnaby, AFFECTING THE METAPHYSICS - MARVELL DEFINITION OF LOVE AND THE 17TH-CENTURY TRIAL OF EXPERIENCE, Genre, 28(4), 1995, pp. 483-512
Authors:
GALLAGHER L
Citation: L. Gallagher, MISE EN ABYME, NARRATIVE SUBJECTIVITY, AND THE ETHICS OF MIMESIS IN 'HAMLET' - GERTRUDE TALKS, Genre, 28(4), 1995, pp. 513-541