Citation: Sk. Stanley, ETHNICITY AND ETHNOGRAPHY, THE ARTISTS FICTION AS CULTURAL ARTIFACT IN THE WORKS OF KINGSTON,MAXINE,HONG, CEA critic, 58(1), 1995, pp. 17-24
Citation: K. Howlett, THE ENTANGLED HISTORY OF LEGAL AND FICTIONAL DISCOURSE IN THE 'TRIAL OF FORD LORD GREY OF WERK' AND BEHN,APHRA 'LOVE LETTERS BETWEEN A NOBLEMAN AND HIS SISTER', CEA critic, 58(1), 1995, pp. 25-35
Citation: Lm. Messina, FREEDOM OR ANARCHY, THE CAPITAL-LABOR STRUGGLE IN HOWELLS,WILLIAM,DEAN A 'HAZARD OF NEW FORTUNES', CEA critic, 58(1), 1995, pp. 60-65
Citation: Rg. Shafer et J. Updike, UPDIKE,JOHN TALKS ABOUT WRITING, HIS LIFE, AND HIS WORKS -ENGLISH-ASSOCIATION CONFERENCE IN PITTSBURGH, PENNSYLVANIA ON MARCH-29,1992 .1.( INTERVIEW AT THE COLLEGE), CEA critic, 57(3), 1995, pp. 1
Citation: Rg. Shafer et J. Updike, UPDIKE,JOHN TALKS ABOUT WRITING, HIS LIFE, AND HIS WORKS -UNIVERSITY-OF-PENNSYLVANIA ON MARCH-30,1992 .2.( DISCUSSIONS FROM THE WRITING WORKSHOP HELD AT INDIANA), CEA critic, 57(3), 1995, pp. 9-27
Citation: Th. Getz, THE AUTHORITY OF UNCERTAIN ACTS - THE LESSON OF POETIC PRAGMA( THE METAPHORICAL ACT OF MAKING AND KNOWING POETRY ), CEA critic, 57(3), 1995, pp. 28-38
Citation: M. Vanderweele et D. Powell, FRUYT AND CHAF REVISITED, OR WHATS COOKING IN CHAUCER KITCHEN + A STUDY OF THE INFLUENCE OF PLATO 'GORGIAS' ON THE 'NUNS PRIESTS TALE', CEA critic, 57(3), 1995, pp. 39-50
Citation: B. Raffel, METRICAL DRAMATURGY IN SHAKESPEARE EARLIER PLAYS + PROSODY AS AN EFFECTIVE TOOL IN 'JULIUS CAESAR', 'ROMEO AND JULIET', A 'MIDSUMMER NIGHTSDREAM' AND 'I HENRY IV', CEA critic, 57(3), 1995, pp. 51-65
Citation: K. Ludacer, THE HEAVEN AND HELL OF MORE 'UTOPIA' + MORE,THOMAS SIMULTANEOUS DISCOVERY OF AND LOSS OF HIS SENSE OF SELF, CEA critic, 57(3), 1995, pp. 66-73