Citation: THE PACIFIC-FILM-ARCHIVE -ART-MUSEUM, UNIVERSITY-OF-CALIFORNIA-AT-BERKELEY( A CURATORIAL DEPARTMENT OF THE UNIVERSITY), Historical journal of film radio and television, 16(1), 1996, pp. 39-42
Citation: C. Graham, THE -PICTURE-BROADCASTING-AND-RECORDED-SOUND-DIVISION, LIBRARY-OF-CONGRESS, Historical journal of film radio and television, 16(1), 1996, pp. 43-53
Citation: Fh. Serene, MOTION-PICTURES, VIDEOTAPES AND SOUND RECORDINGS AT THE NATIONAL-ARCHIVES -PARK, MARYLAND( COLLEGE), Historical journal of film radio and television, 16(1), 1996, pp. 55-67
Citation: Sl. Richards et Lj. Klein, NATIONAL-LIBRARY-OF-MEDICINE AUDIOVISUAL-COLLECTIONS + BETHESDA, MARYLAND, Historical journal of film radio and television, 16(1), 1996, pp. 69-71
Citation: W. Shay, THE ARCHIVES-CENTER OF THE NATIONAL-MUSEUM-OF-AMERICAN-HISTORY + WASHINGTON, DC, Historical journal of film radio and television, 16(1), 1996, pp. 73-75
Citation: P. Wintle, HUMAN-STUDIES-FILM-ARCHIVES, NATIONAL-MUSEUM-OF-NATURAL-HISTORY + WASHINGTON, DC, Historical journal of film radio and television, 16(1), 1996, pp. 77-79
Citation: E. Gottfried, THE TAMIMENT-WAGNER-MOVING-IMAGES-COLLECTION -YORK-UNIVERSITY( HOUSEDAT NEW), Historical journal of film radio and television, 16(1), 1996, pp. 85-88
Citation: R. Haller, ANTHOLOGY-FILM-ARCHIVES -GARDE( FOUNDED IN 1970 TO PRESERVE AND EXHIBIT AVANT)INDEPENDENT FILM AND VIDEO/, Historical journal of film radio and television, 16(1), 1996, pp. 89-91
Citation: K. Sheldon, NORTHEAST-HISTORIC-FILM -IMAGE ARCHIVES IN MAINE( NONPROFIT INDEPENDENT MOVING), Historical journal of film radio and television, 16(1), 1996, pp. 93-98
Citation: Jw. Rudolf, THE FORTUNOFF-VIDEO-ARCHIVE-FOR-HOLOCAUST-TESTIMONIES -UNIVERSITY( COLLECTION HOUSED AT YALE), Historical journal of film radio and television, 16(1), 1996, pp. 99-102
Citation: L. Jacobs, HOLLYWOOD CENSORED - MORALITY CODES, CATHOLICS AND THE MOVIES - BLACK,GD, Historical journal of film radio and television, 16(1), 1996, pp. 103-107
Citation: K. Kalinak, THE ART OF FILM-MUSIC - SPECIAL EMPHASIS ON FRIEDHOFER,HUGO, NORTH,ALEX, RASKIN,DAVID AND ROSENMAN,LEONARD - BURT,G, Historical journal of film radio and television, 16(1), 1996, pp. 109-110
Citation: K. Kalinak, OVERTONES AND UNDERTONES - READING FILM-MUSIC - BROWN,RS, Historical journal of film radio and television, 16(1), 1996, pp. 109-110
Citation: Ah. Karriker, THE FILMS OF TARKOVSKY,ANDREI - A VISUAL FUGUE - JOHNSON,VT, PETRIE,G, Historical journal of film radio and television, 16(1), 1996, pp. 111-112
Citation: P. Sorlin, IMAGES OF THE ALGERIAN-WAR - FRENCH FICTION AND FILM, 1954-1992 - DINE,P, Historical journal of film radio and television, 16(1), 1996, pp. 112-112
Citation: M. Brashinsky, RADICAL VISIONS - AMERICAN FILM RENAISSANCE, 1967-1976 - MAN,G, Historical journal of film radio and television, 16(1), 1996, pp. 114-115
Citation: Hc. Shulman, CRACKED COVERAGE - TELEVISION-NEWS, THE ANTI-COCAINE CRUSADE AND THE REAGAN LEGACY - REEVES,JL, CAMPBELL,R, Historical journal of film radio and television, 16(1), 1996, pp. 116-117
Citation: J. Cohen, THE WATCHFUL EYE - AMERICAN JUSTICE IN THE AGE OF THE TELEVISION TRIAL - THALER,P, Historical journal of film radio and television, 16(1), 1996, pp. 117-118
Citation: Ls. Becker, STILL-LIFE IN REAL-TIME - THEORY AFTER TELEVISION - DIENST,R, Historical journal of film radio and television, 16(1), 1996, pp. 118-119
Citation: Dr. Browne, SIGNALS IN THE AIR - NATIVE BROADCASTING IN AMERICA - KEITH,MC, Historical journal of film radio and television, 16(1), 1996, pp. 119-120
Citation: J. Mraz, THE NEW LATIN-AMERICAN CINEMA - A CONTINENTAL PROJECT - PICK,Z, Historical journal of film radio and television, 16(1), 1996, pp. 120-121