Citation: Tj. Saunders, HOLLYWOOD IN EUROPE - EXPERIENCES OF A CULTURAL HEGEMONY - ELLWOOD,DW, KROES,R, Historical journal of film radio and television, 15(3), 1995, pp. 439-440
Citation: J. Woll, RUSSIAN CRITICS ON THE CINEMA OF GLASNOST - BRASHINSKY,M, HORTON,A, Historical journal of film radio and television, 15(3), 1995, pp. 440-441
Citation: Rd. Espana, THE SPANISH-CIVIL-WAR IN LITERATURE, FILM, AND ART - AN INTERNATIONALBIBLIOGRAPHY OF SECONDARY LITERATURE - MONTEATH,P, Historical journal of film radio and television, 15(3), 1995, pp. 443-444
Citation: T. Devries, HOLLYWOOD AS MIRROR - CHANGING VIEWS OF OUTSIDERS AND ENEMIES IN AMERICAN MOVIES - TOPLIN,RB, Historical journal of film radio and television, 15(3), 1995, pp. 445-446
Citation: J. Schwoch, HOLLYWOOD TV - THE STUDIO SYSTEM IN THE 50S - ANDERSON,C, Historical journal of film radio and television, 15(3), 1995, pp. 450-451
Citation: Dj. Youngblood, VIEWING POSITIONS - WAYS OF SEEING FILM - WILLIAMS,L, Historical journal of film radio and television, 15(3), 1995, pp. 451-452
Citation: H. Tryster, THE 'LAND OF PROMISE' (1935) - A CASE-STUDY IN ZIONIST FILM PROPAGANDA, Historical journal of film radio and television, 15(2), 1995, pp. 187-217
Citation: S. Tegel, THE POLITICS OF CENSORSHIP - BRITAIN 'JEW SUSS' (1934) IN LONDON, NEW-YORK AND VIENNA, Historical journal of film radio and television, 15(2), 1995, pp. 219-244
Citation: Uj. Bjork, THE-BACKBONE-OF-OUR-BUSINESS - AMERICAN FILMS IN SWEDEN, 1910-50, Historical journal of film radio and television, 15(2), 1995, pp. 245-263
Citation: Md. Kandiah, TELEVISION ENTERS BRITISH POLITICS - THE CONSERVATIVE-PARTY CENTRAL OFFICE AND POLITICAL BROADCASTING, 1945-55, Historical journal of film radio and television, 15(2), 1995, pp. 265-284
Citation: M. Vipond, FINANCING CANADIAN PUBLIC BROADCASTING - LICENSE FEES AND THE CULTURE-OF-CAUTION, Historical journal of film radio and television, 15(2), 1995, pp. 285-300
Citation: I. Jarvie, POPPER,KARL (1902-94) - ESSENTIALISM AND HISTORICISM IN FILM METHODOLOGY, Historical journal of film radio and television, 15(2), 1995, pp. 301-305
Citation: S. Bottomore, EARLY CINEMA STUDIES IN THE CENTENARY YEAR + FILM HISTORY, Historical journal of film radio and television, 15(2), 1995, pp. 307-318
Citation: N. Dakovic, RECENT BOOKS FROM YUGOSLAVIA (SERBIA AND MONTENEGRO) -HISTORY( FILM AND FILM), Historical journal of film radio and television, 15(2), 1995, pp. 319-321
Citation: D. Koanovic, MELODRAMA IS NOT A GENRE - HOLLYWOOD MELODRAMA, 1940-1960 - DAKOVIC,N, Historical journal of film radio and television, 15(2), 1995, pp. 321-321
Citation: P. Sorlin, A HISTORY OF THE ITALIAN CINEMA, VOL 1, SILENT-FILMS, 1895-1929, VOL 2, FILM OF THE FASCIST REGIME, 1929-1945, VOL 3, FROM NEOREALISM TO THE ECONOMIC-MIRACLE, 1945-1959, VOL 4, FROM THE ECONOMIC-MIRACLE TO THE1990S, 1960-1993 - ITALIAN - BRUNETTA,GP, Historical journal of film radio and television, 15(2), 1995, pp. 322-323
Citation: B. Schulze, LIGHT OF ASIA - INDIAN SILENT CINEMA, 1912-1934 - CHABRIA,S, Historical journal of film radio and television, 15(2), 1995, pp. 323-324
Citation: S. Vaughn, THE CROSS AND THE CINEMA - THE LEGION-OF-DECENCY AND THE NATIONAL-CATHOLIC-OFFICE-FOR-MOTION-PICTURES, 1933-1970 - SKINNER,JM, Historical journal of film radio and television, 15(2), 1995, pp. 325-326