Citation: N. Cull, PROPAGANDA IN 20TH-CENTURY WAR AND POLITICS - AN ANNOTATED-BIBLIOGRAPHY - COLE,R, Historical journal of film radio and television, 17(2), 1997, pp. 274-275
Citation: V. Or, THE BIRTH OF WHITENESS - RACE AND THE EMERGENCE OF US CINEMA - BERNARDI,D, Historical journal of film radio and television, 17(2), 1997, pp. 275-276
Citation: Dj. Leab, HOLLYWOOD OTHER BLACKLIST - UNION STRUGGLES IN THE STUDIO SYSTEM - NIELSEN,M, MAILES,G, Historical journal of film radio and television, 17(2), 1997, pp. 276-278
Citation: Dj. Leab, THE HIDDEN FOUNDATION - CINEMA AND THE QUESTION OF CLASS - JAMES,DE, BERG,R, Historical journal of film radio and television, 17(2), 1997, pp. 278-279
Citation: R. Howells, HOLLYWOOD AMERICA - SOCIAL AND POLITICAL THEMES IN MOTION-PICTURES - POWERS,S, ROTHMAN,DJ, ROTHMAN,S, Historical journal of film radio and television, 17(2), 1997, pp. 279-280
Citation: Am. Parker, SIN AND CENSORSHIP - THE CATHOLIC-CHURCH AND THE MOTION-PICTURE INDUSTRY - WALSH,F, Historical journal of film radio and television, 17(2), 1997, pp. 280-282
Citation: D. Fredericksen, LOVERS OF CINEMA - THE FIRST AMERICAN AVANT-GARDE, 1919-1945 - HORAK,JC, Historical journal of film radio and television, 17(2), 1997, pp. 283-284
Citation: J. Leach, THE BEST BUTLER IN THE BUSINESS - DALY,TOM AND THE NATIONAL-FILM-BOARD-OF-CANADA - JONES,DB, Historical journal of film radio and television, 17(2), 1997, pp. 288-289
Citation: D. Iordanova, SOVIET HIEROGLYPHICS - VISUAL CULTURE IN LATE 20TH-CENTURY RUSSIA - CONDEE,N, Historical journal of film radio and television, 17(2), 1997, pp. 289-291
Citation: Sl. Carruthers, IRISH TELEVISION - THE POLITICAL AND SOCIAL ORIGINS - SAVAGE,RJ, Historical journal of film radio and television, 17(2), 1997, pp. 291-292
Citation: L. Gorman, NEW PATTERNS IN GLOBAL TELEVISION - PERIPHERAL-VISION - SINCLAIR,J, JACKA,E, CUNNINGHAM,S, Historical journal of film radio and television, 17(2), 1997, pp. 292-293
Citation: N. Reeves, CINEMA, SPECTATORSHIP AND PROPAGANDA - 'BATTLE OF THE SOMME' (1916) AND ITS CONTEMPORARY AUDIENCE, Historical journal of film radio and television, 17(1), 1997, pp. 5-28
Citation: R. Johnston, THE EMERGENCE OF BROADCAST ADVERTISING IN CANADA, 1919-1932, Historical journal of film radio and television, 17(1), 1997, pp. 29-47
Citation: J. Sedgwick, THE BRITISH-FILM-INDUSTRYS PRODUCTION SECTOR DIFFICULTIES IN THE LATE1930S, Historical journal of film radio and television, 17(1), 1997, pp. 49-66
Citation: Mb. Salwen, BROADCASTING TO LATIN-AMERICA - RECONCILING INDUSTRY-GOVERNMENT FUNCTIONS IN THE PRE-VOICE-OF-AMERICA ERA, Historical journal of film radio and television, 17(1), 1997, pp. 67-89
Citation: Hc. Shulman, THE VOICE-OF-AMERICA, US PROPAGANDA AND THE HOLOCAUST - I WOULD HAVE REMEMBERED, Historical journal of film radio and television, 17(1), 1997, pp. 91-103
Citation: D. Culbert, TELEVISIONS 1996 DEMOCRATIC-CONVENTION, CHICAGO -LEVEL ONE-SEMESTER UNDERGRADUATE COURSE, AMERICA-SINCE-1945 AT LOUISIANA-STATE-UNIVERSITY,BATON-ROUGE, DISCUSSING THE CONVENTIONS STAGED SPECTACLE - SPECTATORSHIP AND FAMILY VALUES( PAPERS FROM 21 STUDENTS TAKING THE UPPER), Historical journal of film radio and television, 17(1), 1997, pp. 105-127
Citation: Df. Donnelly et K. Ross, THE INTERNET - HISTORICAL MEDIA RESEARCH ON THE VIRTUAL ARCHIVES, Historical journal of film radio and television, 17(1), 1997, pp. 129-136
Citation: F. Manchel, BLACKFACE, WHITE-NOISE - JEWISH IMMIGRANTS IN THE HOLLYWOOD MELTING-POT - ROGIN,M, Historical journal of film radio and television, 17(1), 1997, pp. 137-143