Citation: A. Lutz, GOLDSMITH ON BURKE AND GRAY (HIS POETRY AND POETICS IN THE CONTEXT OFMID-18TH-CENTURY CULTURAL AND ECONOMIC-TRENDS), Papers on language & literature, 34(3), 1998, pp. 225-249
Citation: W. Fordyce, WILLIAMS,TENNESSEE TOM-WINGFIELD AND KAISER,GEORG CASHIER - A CONTEXTUAL COMPARISON (THE 'GLASS MENAGERIE' AND 'VON MORGENS BIS MITTERNACHTS'), Papers on language & literature, 34(3), 1998, pp. 250-272
Citation: Hl. Gable, 'WIELAND', 'OTHELLO', GENESIS, AND THE FLOATING CITY - THE SOURCES OFBROWN,CHARLES,BROCKDEN 'WIELAND', Papers on language & literature, 34(3), 1998, pp. 301-318
Citation: Fw. Robbins, MELVILLE AND THE VISUAL-ARTS - IONIAN FORM, VENETIAN TINT - ROBILLARD,D, Papers on language & literature, 34(3), 1998, pp. 327-332
Citation: Kj. Gardner, THE AESTHETICS OF INTIMACY - LADY MONTAGU,MARY,WORLEY AND HER READERS, Papers on language & literature, 34(2), 1998, pp. 113-133
Citation: Ma. Miller, UNVEILING THE DIALECTIC OF CULTURE AND BARBARISM IN BRITISH PAGEANTRY- WOOLF,VIRGINIA 'BETWEEN THE ACTS', Papers on language & literature, 34(2), 1998, pp. 134-161
Citation: P. Sheneman, GRACE ABOUNDING - JUSTIFICATION IN PASSUS-16 OF 'PIERS PLOWMAN' (LANGLAND,WILLIAM), Papers on language & literature, 34(2), 1998, pp. 162-178
Citation: L. Amtower, THIS-IDOL-THOU-ADORST - THE ICONOGRAPHY OF 'TIS PITY SHES A WHORE' (FORD,JOHN), Papers on language & literature, 34(2), 1998, pp. 179-206
Citation: Md. Cyr, THOMAS,DYLAN 'DO NOT GO GENTLE INTO THAT GOOD NIGHT' - THROUGH 'LAPISLAZULI' TO 'KING LEAR', Papers on language & literature, 34(2), 1998, pp. 207-217
Citation: B. Boeckel, LANDSCAPING THE FIELD OF DISCOURSE - POLITICAL SLANT AND POETIC SLOPEIN SIR DENHAM,JOHN 'COOPERS HILL', Papers on language & literature, 34(1), 1998, pp. 57-93
Citation: K. Payne, THIS DARK THING, THIS OTHER SELF - CHARACTER AND SELF-DISTANTIATION IN WOOLRICH,CORNELL 'I MARRIED A DEAD MAN' (1948), Papers on language & literature, 34(1), 1998, pp. 94-105
Citation: Mm. Davis, THE MOST FATAL OF ALL FAULTS - JOHNSON,SAMUEL ON PRIOR 'SOLOMON' AND THE NEED FOR VARIETY, Papers on language & literature, 33(4), 1997, pp. 422-437
Citation: Ra. Levin, THAT I MIGHT HEAR THEE CALL GREAT CAESAR ASS UNPOLICED + SHAKESPEARE 'ANTONY AND CLEOPATRA', Papers on language & literature, 33(3), 1997, pp. 244-264
Citation: Pj. Egan, UNRAVELING MISOGYNY AND FORGING THE NEW SELF - MOTHER, LOVER, AND STORYTELLER IN THE 'CHANEYSVILLE INCIDENT', Papers on language & literature, 33(3), 1997, pp. 265-287