AAAAAA
Results: 1-25/142
Authors:
HORNER B
Citation: B. Horner, ON THE STUDY OF MUSIC AS MATERIAL SOCIAL PRACTICE, The Journal of musicology, 16(2), 1998, pp. 159-199
Authors:
MATTHEWS L
MERKLEY P
Citation: L. Matthews et P. Merkley, IUDOCHUS-DE-PICARDIA AND DESPREZ,JOSSEQUIN,LEBLOITTE,DIT - THE NAMES OF THE SINGER(S), The Journal of musicology, 16(2), 1998, pp. 200-226
Authors:
CHURGIN B
Citation: B. Churgin, THE ANDANTE CON MOTO IN BEETHOVEN STRING-QUARTET OP.130 - THE FINAL VERSION AND CHANGES ON THE AUTOGRAPH, The Journal of musicology, 16(2), 1998, pp. 227-253
Authors:
MAIANI B
Citation: B. Maiani, READINGS AND RESPONSORIES - THE 8TH-CENTURY NIGHT OFFICE LECTIONARY AND THE RESPONSORIA-PROLIXA, The Journal of musicology, 16(2), 1998, pp. 254-282
Authors:
CARRUTHERS G
Citation: G. Carruthers, STRANGENESS AND BEAUTY - THE OPENING MEASURE OF MOZART SYMPHONY IN G-MINOR, K.550, The Journal of musicology, 16(2), 1998, pp. 283-299
Authors:
MEYER LB
Citation: Lb. Meyer, A UNIVERSE OF UNIVERSALS (AESTHETICS OF NATURE AND MUSICOLOGY), The Journal of musicology, 16(1), 1998, pp. 3-25
Authors:
BROBECK JT
Citation: Jt. Brobeck, STYLE AND AUTHENTICITY IN THE MOTETS OF SERMISY,CLAUDIN,DE (EARLY 16TH-CENTURY FRENCH COMPOSER OF SACRED MUSIC), The Journal of musicology, 16(1), 1998, pp. 26-90
Authors:
CORNEILSON P
Citation: P. Corneilson, VOGLER METHOD OF SINGING (LATE 18TH-CENTURY MUSICOLOGIST AND COMPOSER), The Journal of musicology, 16(1), 1998, pp. 91-109
Authors:
MONTAGNIER JPC
Citation: Jpc. Montagnier, PLAINCHANT AND ITS USE IN FRENCH GRANDS-MOTETS, The Journal of musicology, 16(1), 1998, pp. 110-135
Authors:
GODT I
Citation: I. Godt, MARIANNA IN VIENNA - A MARTINES CHRONOLOGY (MARTINES,MARIANNA 1744-1812), The Journal of musicology, 16(1), 1998, pp. 136-158
Authors:
METZER D
Citation: D. Metzer, 'SPURNED LOVE' - EROTICISM AND ABSTRACTION THE EARLY WORKS OF COPLAND,AARON, The Journal of musicology, 15(4), 1997, pp. 417-443
Authors:
WINEMILLER JT
Citation: Jt. Winemiller, RECONTEXTUALIZING HANDEL BORROWING, The Journal of musicology, 15(4), 1997, pp. 444-470
Authors:
VANBOER B
Citation: B. Vanboer, TOWARD A STYLISTIC CHRONOLOGY OF ROMAN,JOHAN,HELMICH SYMPHONIES, The Journal of musicology, 15(4), 1997, pp. 471-500
Authors:
BROTHERS T
Citation: T. Brothers, MUSICA FICTA AND HARMONY IN MACHAUT SONGS, The Journal of musicology, 15(4), 1997, pp. 501-528
Authors:
BURROWS D
Citation: D. Burrows, A DYNAMICAL-SYSTEMS PERSPECTIVE ON MUSIC, The Journal of musicology, 15(4), 1997, pp. 529-545
Authors:
MCCRELESS P
Citation: P. Mccreless, CONTEMPORARY-MUSIC THEORY AND THE NEW MUSICOLOGY - AN INTRODUCTION, The Journal of musicology, 15(3), 1997, pp. 291-296
Authors:
AGAWU K
Citation: K. Agawu, ANALYZING MUSIC UNDER THE NEW MUSICOLOGICAL REGIME, The Journal of musicology, 15(3), 1997, pp. 297-307
Authors:
DUBIEL J
Citation: J. Dubiel, ON GETTING DECONSTRUCTED (CONTEMPORARY-MUSIC THEORY AND THE NEW MUSICOLOGY), The Journal of musicology, 15(3), 1997, pp. 308-315
Authors:
BURNHAM S
Citation: S. Burnham, THEORISTS AND THE MUSIC ITSELF, The Journal of musicology, 15(3), 1997, pp. 316-329
Authors:
BROWN M
Citation: M. Brown, ADRIFT ON NEURATH BOAT - THE CASE FOR A NATURALIZED MUSIC THEORY, The Journal of musicology, 15(3), 1997, pp. 330-342
Authors:
GUCK MA
Citation: Ma. Guck, MUSIC LOVING, OR THE RELATIONSHIP WITH THE PIECE, The Journal of musicology, 15(3), 1997, pp. 343-352
Authors:
PARMER D
Citation: D. Parmer, BRAHMS AND THE POETIC MOTTO - A HERMENEUTIC AID, The Journal of musicology, 15(3), 1997, pp. 353-389
Authors:
SUTTON RA
Citation: Ra. Sutton, HUMOR, MISCHIEF, AND AESTHETICS IN JAVANESE GAMELAN MUSIC, The Journal of musicology, 15(3), 1997, pp. 390-415
Authors:
WILSON BM
Citation: Bm. Wilson, MADRIGAL, LAUDA, AND LOCAL STYLE IN TRECENTO FLORENCE -CENTURY ITALIAN MUSIC( VERNACULAR TRADITIONS IN 14TH), The Journal of musicology, 15(2), 1997, pp. 137-177
Authors:
CANNATA DB
Citation: Db. Cannata, PERCEPTION AND APPERCEPTION IN LISZT LATE PIANO MUSIC, The Journal of musicology, 15(2), 1997, pp. 178-207