Citation: N. Jausovec, DIFFERENCES IN EEG ACTIVITY DURING THE SOLUTION OF CLOSED AND OPEN PROBLEMS, Creativity research journal, 10(4), 1997, pp. 317-324
Citation: Gj. Feist, QUANTITY, QUALITY, AND DEPTH OF RESEARCH AS INFLUENCES ON SCIENTIFIC EMINENCE - IS QUANTITY MOST IMPORTANT, Creativity research journal, 10(4), 1997, pp. 325-335
Citation: Ce. Shalley et Gr. Oldham, COMPETITION AND CREATIVE PERFORMANCE - EFFECTS OF COMPETITOR PRESENCEAND VISIBILITY, Creativity research journal, 10(4), 1997, pp. 337-345
Citation: Ja. Seitz, THE DEVELOPMENT OF METAPHORIC UNDERSTANDING - IMPLICATIONS FOR A THEORY OF CREATIVITY, Creativity research journal, 10(4), 1997, pp. 347-353
Citation: T. Norlander et R. Gustafson, EFFECTS OF ALCOHOL ON PICTURE DRAWING DURING THE VERIFICATION PHASE OF THE CREATIVE PROCESS, Creativity research journal, 10(4), 1997, pp. 355-362
Citation: Mk. Raina, MOST DEAR TO ALL THE MUSES - MAPPING TAGOREAN NETWORKS OF ENTERPRISE - A STUDY IN CREATIVE COMPLEXITY, Creativity research journal, 10(2-3), 1997, pp. 153-173
Citation: Sm. Rostan, A STUDY OF YOUNG ARTISTS - THE DEVELOPMENT OF ARTISTIC TALENT AND CREATIVITY, Creativity research journal, 10(2-3), 1997, pp. 175-192
Citation: G. Domino et I. Giuliani, CREATIVITY IN 3 SAMPLES OF PHOTOGRAPHERS - A VALIDATION OF THE ADJECTIVE CHECK LIST CREATIVITY SCALE, Creativity research journal, 10(2-3), 1997, pp. 193-200
Citation: Rp. Falk et al., DEVELOPMENTAL POTENTIAL IN VENEZUELAN AND AMERICAN ARTISTS - A CROSS-CULTURAL VALIDITY STUDY, Creativity research journal, 10(2-3), 1997, pp. 201-206
Citation: J. Nemiro, INTERPRETIVE ARTISTS - A QUALITATIVE EXPLORATION OF THE CREATIVE PROCESS OF ACTORS, Creativity research journal, 10(2-3), 1997, pp. 229-239
Citation: Ma. Mace, TOWARD AN UNDERSTANDING OF CREATIVITY THROUGH A QUALITATIVE APPRAISALOF CONTEMPORARY-ART MAKING, Creativity research journal, 10(2-3), 1997, pp. 265-278