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Results: 1-25/215
Authors:
DONALDSON JR
Citation: Jr. Donaldson, THE BLACK-ARTS-MOVEMENT (BAM) OF THE 1960S AND 70S, The International review of African American art, 15(1), 1998, pp. 4
Authors:
DRISKELL D
Citation: D. Driskell, AN ARTIST RECOUNTS THE CREATIVE LEAD AND MOVE INTO THE 1960S, The International review of African American art, 15(1), 1998, pp. 5-7
Authors:
THOMAS F
Citation: F. Thomas, COLLECTING THE ART OF THE BLACK PROTEST AND BLACK NATIONALIST MOVEMENTS, The International review of African American art, 15(1), 1998, pp. 8-13
Authors:
REID E
Citation: E. Reid, LAST OF THE BEBOPPERS (COLLECTING ART WITH BLACK VISIONARY MUSIC AS AGUIDEPOST), The International review of African American art, 15(1), 1998, pp. 14-21
Authors:
DONALDSON J
Citation: J. Donaldson, THE RISE, FALL AND LEGACY OF THE WALL OF RESPECT MOVEMENT (ORGANIZATION OF BLACK-AMERICAN CULTURE WORKSHOP IN CHICAGO, 1967), The International review of African American art, 15(1), 1998, pp. 22-26
Authors:
EARLY J
Citation: J. Early, MEMORIES OF BLACK ARTS SPIRITS - BAILEY,KOFI AND ATLANTA IN THE 1960S, The International review of African American art, 15(1), 1998, pp. 27-30
Authors:
PHILLIPS BD
Citation: Bd. Phillips, NATURAL GROWTH (PERSONAL EXPERIENCES OF AN ARTIST), The International review of African American art, 15(1), 1998, pp. 31-36
Authors:
WRIGHT CC
Citation: Cc. Wright, REFLECTIONS ON CONFABA - 1970 (CONFERENCE ON THE FUNCTIONAL-ASPECTS OF BLACK ART), The International review of African American art, 15(1), 1998, pp. 36-44
Authors:
BROWN K
Citation: K. Brown, THE EMERGENCE OF BLACK-WOMEN ARTISTS - THE 1970S, NEW-YORK, The International review of African American art, 15(1), 1998, pp. 45
Authors:
SPELLMAN AB
Citation: Ab. Spellman, BIG BUSHY AFROS, The International review of African American art, 15(1), 1998, pp. 52-53
Authors:
GAITHER EB
Citation: Eb. Gaither, SOCIAL ART (BLACK AS A POLITICAL IDENTIFIER), The International review of African American art, 15(1), 1998, pp. 58-64
Authors:
LANGLEY J
Citation: J. Langley, A GUIDE WHOSE TIME HAS COME (COMPREHENSIVE GUIDE TO AFRICAN-AMERICAN ART), The International review of African American art, 14(4), 1998, pp. 2-2
Authors:
TAHA H
Citation: H. Taha, GETTING STARTED - COLLECTING MEMORIES AND AFRICAN-AMERICAN ART, The International review of African American art, 14(4), 1998, pp. 3-5
Authors:
REED VM
Citation: Vm. Reed, COLLECTING ART ON A LIMITED BUDGET, The International review of African American art, 14(4), 1998, pp. 6-8
Authors:
DUPLESSIS L
Citation: L. Duplessis, ART ON LAY-AWAY, The International review of African American art, 14(4), 1998, pp. 8-8
Authors:
BONNER E
Citation: E. Bonner, COLLECTING LIMITED EDITION PRINTS (AFRICAN-AMERICAN ART), The International review of African American art, 14(4), 1998, pp. 9-12
Authors:
HULTGREN ML
Citation: Ml. Hultgren, SOME THOUGHTS ON PROVENANCE (DEVELOPING CONNOISSEURSHIP OF AFRICAN-AMERICAN ART), The International review of African American art, 14(4), 1998, pp. 13-13
Authors:
BRUCE J
Citation: J. Bruce, DO WHAT YA LIKE (THE BEGINNING COLLECTOR OF AFRICAN-AMERICAN ART), The International review of African American art, 14(4), 1998, pp. 14-15
Authors:
BEARD DJ
Citation: Dj. Beard, WHAT IS VALUE (AFRICAN-AMERICAN ART), The International review of African American art, 14(4), 1998, pp. 16-18
Authors:
THAXTON V
Citation: V. Thaxton, MUSEUM MEMBERSHIP - BENEFITS TO COLLECTORS, The International review of African American art, 14(4), 1998, pp. 19-21
Authors:
LANGLEY JL
Citation: Jl. Langley, STARTING A COLLECTORS CLUB - TAKING THE ART OF COLLECTING TO ANOTHER LEVEL (AFRICAN-AMERICAN ART), The International review of African American art, 14(4), 1998, pp. 22-22
Authors:
STONE E
Citation: E. Stone, REGISTRY OF AFRICAN-AMERICAN ART IN PRIVATE COLLECTIONS (AT HAMPTON-UNIVERSITY), The International review of African American art, 14(4), 1998, pp. 23-25
Authors:
HOMES B
Citation: B. Homes, COLLECTING TIPS (AFRICAN-AMERICAN ART), The International review of African American art, 14(4), 1998, pp. 26-26
Authors:
RAGLAND B
Citation: B. Ragland, HOW TO BECOME AN ART-COLLECTOR, The International review of African American art, 14(4), 1998, pp. 26-26
Authors:
PAYNE L
Citation: L. Payne, TRACKING HIS QUARRY WITH AN UNWAVERING WILL (EVANS,WALTER,O. COLLECTION OF AFRICAN-AMERICAN ART), The International review of African American art, 14(4), 1998, pp. 27-29