Citation: D. Driskell, AN ARTIST RECOUNTS THE CREATIVE LEAD AND MOVE INTO THE 1960S, The International review of African American art, 15(1), 1998, pp. 5-7
Citation: F. Thomas, COLLECTING THE ART OF THE BLACK PROTEST AND BLACK NATIONALIST MOVEMENTS, The International review of African American art, 15(1), 1998, pp. 8-13
Citation: E. Reid, LAST OF THE BEBOPPERS (COLLECTING ART WITH BLACK VISIONARY MUSIC AS AGUIDEPOST), The International review of African American art, 15(1), 1998, pp. 14-21
Citation: J. Donaldson, THE RISE, FALL AND LEGACY OF THE WALL OF RESPECT MOVEMENT (ORGANIZATION OF BLACK-AMERICAN CULTURE WORKSHOP IN CHICAGO, 1967), The International review of African American art, 15(1), 1998, pp. 22-26
Citation: J. Early, MEMORIES OF BLACK ARTS SPIRITS - BAILEY,KOFI AND ATLANTA IN THE 1960S, The International review of African American art, 15(1), 1998, pp. 27-30
Citation: Cc. Wright, REFLECTIONS ON CONFABA - 1970 (CONFERENCE ON THE FUNCTIONAL-ASPECTS OF BLACK ART), The International review of African American art, 15(1), 1998, pp. 36-44
Citation: J. Langley, A GUIDE WHOSE TIME HAS COME (COMPREHENSIVE GUIDE TO AFRICAN-AMERICAN ART), The International review of African American art, 14(4), 1998, pp. 2-2
Citation: H. Taha, GETTING STARTED - COLLECTING MEMORIES AND AFRICAN-AMERICAN ART, The International review of African American art, 14(4), 1998, pp. 3-5
Citation: Ml. Hultgren, SOME THOUGHTS ON PROVENANCE (DEVELOPING CONNOISSEURSHIP OF AFRICAN-AMERICAN ART), The International review of African American art, 14(4), 1998, pp. 13-13
Citation: J. Bruce, DO WHAT YA LIKE (THE BEGINNING COLLECTOR OF AFRICAN-AMERICAN ART), The International review of African American art, 14(4), 1998, pp. 14-15
Citation: Jl. Langley, STARTING A COLLECTORS CLUB - TAKING THE ART OF COLLECTING TO ANOTHER LEVEL (AFRICAN-AMERICAN ART), The International review of African American art, 14(4), 1998, pp. 22-22
Citation: E. Stone, REGISTRY OF AFRICAN-AMERICAN ART IN PRIVATE COLLECTIONS (AT HAMPTON-UNIVERSITY), The International review of African American art, 14(4), 1998, pp. 23-25
Citation: L. Payne, TRACKING HIS QUARRY WITH AN UNWAVERING WILL (EVANS,WALTER,O. COLLECTION OF AFRICAN-AMERICAN ART), The International review of African American art, 14(4), 1998, pp. 27-29