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Results: 26-50/215
Authors:
LANGLEY J
BOWLES J
Citation: J. Langley et J. Bowles, AFRICAN-AMERICAN ART 1998 TO 2001, The International review of African American art, 14(4), 1998, pp. 30-30
Authors:
LANGLEY J
Citation: J. Langley, COLLECTORS RESOURCES TO AFRICAN-AMERICAN ART, The International review of African American art, 14(4), 1998, pp. 31
Authors:
JACKSON PJ
Citation: Pj. Jackson, HTTP- /WWW.GETTING.ONLINE.WITH.BLACKARTISTS.COM/, The International review of African American art, 14(4), 1998, pp. 32-33
Authors:
CHANDLER R
Citation: R. Chandler, AFRICAN-AMERICAN ART 1998-2001 - MILLENNIAL SPIRIT AMONG AFRICAN-AMERICAN ARTISTS, The International review of African American art, 14(4), 1998, pp. 35-35
Authors:
DESIRDAVIS D
Citation: D. Desirdavis, AFRICAN-AMERICAN ART 1998-2001 - SIGNIFICANT ASPECTS OF THE CURRENT PRODUCTION, The International review of African American art, 14(4), 1998, pp. 36-36
Authors:
WILSON J
Citation: J. Wilson, AFRICAN-AMERICAN ART 1998-2001 - WILL THE MONOLITHIC CONCEPTION OF AFRICAN-AMERICAN ART BE LOSING CURRENCY IN THE EARLY 21ST-CENTURY, The International review of African American art, 14(4), 1998, pp. 43-43
Authors:
DOUGLAS RL
Citation: Rl. Douglas, AFRICAN-AMERICAN ART 1998-2001 - DIRECTIONS OF THE ART IN THE NEAR FUTURE, The International review of African American art, 14(4), 1998, pp. 45-45
Authors:
JAMES LH
Citation: Lh. James, AFRICAN-AMERICAN ART - WHAT ARE THE GREATEST CONCERNS, The International review of African American art, 14(4), 1998, pp. 51-51
Authors:
ADAMS D
MYERS BE
Citation: D. Adams et Be. Myers, AFRICAN-AMERICAN ART 1998-2001 - DOES CONCENTRATION ON THE BLACK SUBJECT LIMIT OUR EXPLORATION OF OTHER AREAS OF THE UNIVERSE, The International review of African American art, 14(4), 1998, pp. 54-54
Authors:
DESIRDAVIS D
Citation: D. Desirdavis, AFRICAN-AMERICAN ART 1998-2001 - A MILLENNIAL SPIRIT AMONG AFRICAN-AMERICAN ARTISTS, The International review of African American art, 14(4), 1998, pp. 55-55
Citation: EXTREME TIMES CALL FOR EXTREME HEROES (PORTFOLIO), The International review of African American art, 14(3), 1997, pp. 2
Authors:
DALTON KCC
HARRIS MD
SIMS L
Citation: Kcc. Dalton et al., THE PAST IS PROLOGUE BUT IS PARODY AND PASTICHE PROGRESS - A CONVERSATION (BLACK MEMORABILIA AND THE REUSE OF OTHER CENTURIES RACIST IMAGERY BY CURRENT AFRICAN-AMERICAN ARTISTS), The International review of African American art, 14(3), 1997, pp. 17
Authors:
JACKSON PJ
Citation: Pj. Jackson, (IN)FORMING THE VISUAL - (RE)PRESENTING WOMEN OF AFRICAN DESCENT, The International review of African American art, 14(3), 1997, pp. 31
Authors:
OMEALLY RG
Citation: Rg. Omeally, JAZZ ALBUMS AS ART - SOME REFLECTIONS (ILLUSTRATED), The International review of African American art, 14(3), 1997, pp. 39
Authors:
NERLINO J
Citation: J. Nerlino, THE VISUAL ART OF DAVIS,MILES, The International review of African American art, 14(3), 1997, pp. 48-52
Authors:
BAKER O
Citation: O. Baker, BIGGERS RETROSPECTIVE - 2 VENUES 2 VIEWS, The International review of African American art, 14(3), 1997, pp. 53-53
Authors:
GAITHER EB
Citation: Eb. Gaither, BIGGERS,JOHN - GASTONIA AND BOSTON, The International review of African American art, 14(3), 1997, pp. 54-55
Authors:
WOODSPOWELL CT
POWELL R
HARRIS MD
Citation: Ct. Woodspowell et al., HARLEM RENAISSANCE COMES TO LONDON, The International review of African American art, 14(3), 1997, pp. 56-57
Authors:
BULLARD C
Citation: C. Bullard, AFRODISIAC - A TASTE OF BLACK EROTIC ART, The International review of African American art, 14(3), 1997, pp. 58-59
Citation: TOUGALOO ART COLONY, The International review of African American art, 14(3), 1997, pp. 60-60
Citation: SHOULD 'DARKTOWN COMICS' BE EXHIBITED, The International review of African American art, 14(3), 1997, pp. 60-60
Citation: TAKING CARE OF BUSINESS - THE SEPIA BOARD OF WASHINGTON, DC, The International review of African American art, 14(3), 1997, pp. 61-61
Authors:
GOODEN T
Citation: T. Gooden, AN EVENING WITH CHARLES,MICHAEL,RAY, The International review of African American art, 14(3), 1997, pp. 62-62
Citation: A MAKER OF THINGS SPIRITUAL (EXHIBIT REVIEWS), The International review of African American art, 14(3), 1997, pp. 63-63
Citation: BEDIA,JOSE - SPIRIT GUIDE (EXHIBIT REVIEWS), The International review of African American art, 14(3), 1997, pp. 63-63