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Results: 51-75/215

Citation: SPIRIT - PORTRAIT, The International review of African American art, 14(3), 1997, pp. 64-64

Authors: PAYNE R
Citation: R. Payne, THE BUILDING OF A DREAM -UNIVERSITY-MUSEUM( THE HAMPTON), The International review of African American art, 14(2), 1997, pp. 3-6

Authors: BRUCE J
Citation: J. Bruce, COUNTDOWN TO OPENING -UNIVERSITY-MUSEUM( THE HAMPTON), The International review of African American art, 14(2), 1997, pp. 8-13

Citation: THE SOLO ARTISTS -UNIVERSITY-MUSEUM( LEWIS,SAMELLA AND BURWELL,LILIAN, 2 ARTISTS ON EXHIBIT AT THE HAMPTON), The International review of African American art, 14(2), 1997, pp. 15

Authors: HEWITT MJ
Citation: Mj. Hewitt, VITAL RESOURCES + FIRST IN A SERIES OF ARTICLES ON INDEPENDENT GALLERIES, The International review of African American art, 14(2), 1997, pp. 19

Authors: MILLS C
Citation: C. Mills, JAZZ IS THE MUSE + ECHOES OF HARLEM, The International review of African American art, 14(2), 1997, pp. 47-49

Authors: JACKSON PJ
Citation: Pj. Jackson, IRREVERENT SEDUCTIONS - B(L)ACK AT THE WHITNEY( THE 1997 WHITNEY BIENNIAL ), The International review of African American art, 14(2), 1997, pp. 50-53

Authors: SANDLER E
Citation: E. Sandler, 'HAIR TO THERE', The International review of African American art, 14(2), 1997, pp. 54-54

Authors: TAYLOR PL
Citation: Pl. Taylor, AFRICAN ARCHITECTURE EMERGES IN AMERICA -CULTURAL-CENTER AT THE UNIVERSITY-OF-MARYLAND IN COLLEGE-PARK( THE NYUMBURU), The International review of African American art, 14(2), 1997, pp. 55-55

Authors: JEFFRIES T
Citation: T. Jeffries, A COMMUNION OF THE SPIRITS - AFRICAN-AMERICAN QUILTERS, PRESERVERS AND THEIR STORIES - FREEMAN,RL, The International review of African American art, 14(2), 1997, pp. 56-57

Authors: BULLARD C
Citation: C. Bullard, FIGURATION IN AFRICAN-AMERICAN ART - AN ALTERNATIVE MODERNISM, The International review of African American art, 14(2), 1997, pp. 58-58

Authors: AMOS E
Citation: E. Amos, A NEW PARK IN ATLANTA -DAVID-ABERNATHY-MEMORIAL-PARK( THE RALPH), The International review of African American art, 14(2), 1997, pp. 60-61

Authors: JAMES C
Citation: C. James, THE HEART OF THE QUESTION - THE WRITINGS AND PAINTINGS OF PINDELL,HOWARDENA - PINDELL,H, The International review of African American art, 14(2), 1997, pp. 63-63

Authors: MITCHELL LS
Citation: Ls. Mitchell, INTERPRETING THE CANVAS, 'FISHERS OF MEN' BY THOMAS,BARBARA,E, The International review of African American art, 14(2), 1997, pp. 64-64

Authors: ZEIDLER J
Citation: J. Zeidler, THE APPOINTMENT OF BOWLES,JULIETTE,HARRIS AS EDITOR, The International review of African American art, 14(1), 1997, pp. 3-3

Authors: KINGHAMMOND L
Citation: L. Kinghammond, DRISKELL,DAVID - MEMOIR OF A PAINTER CUM SCHOLAR, The International review of African American art, 14(1), 1997, pp. 4-9

Authors: THOMPSONDODD J
Citation: J. Thompsondodd, LAWRENCE,JACOB - RECENT WORK, The International review of African American art, 14(1), 1997, pp. 11

Authors: MITCHELL LS
Citation: Ls. Mitchell, FRESH-PAINT - NATIONAL SCENE, The International review of African American art, 14(1), 1997, pp. 15

Authors: MELLINGER WM
Citation: Wm. Mellinger, ANCESTORS - ADAMS,JOHN,HENRY AND THE IMAGE OF THE NEW NEGRO, The International review of African American art, 14(1), 1997, pp. 29-33

Authors: MCNEILL L
Citation: L. Mcneill, WHERE MORE THAN BEAUTY TRACES LOGIC - THE COMMON GROUND( JAZZ IS THE MUSE ), The International review of African American art, 14(1), 1997, pp. 35

Authors: MCNEILL L
Citation: L. Mcneill, 'AFTER THE RAIN, AN ODE TO JAZZ', The International review of African American art, 14(1), 1997, pp. 38-38

Citation: JAZZ GALLERY - JAZZ IS THE MUSE, The International review of African American art, 14(1), 1997, pp. 39-42

Citation: KC IN SWINGTIME AND NOW - JAZZ IS THE MUSE, The International review of African American art, 14(1), 1997, pp. 43-50

Authors: COLEMAN F
Citation: F. Coleman, JAZZ AND AFRICAN-AMERICAN ARTISTS OF THE 1960S - JAZZ IS THE MUSE, The International review of African American art, 14(1), 1997, pp. 51-53

Authors: THAXTON V
Citation: V. Thaxton, HAMPTON-UNIVERSITY HEAD HEART AND HAND TRADITION, The International review of African American art, 14(1), 1997, pp. 55-55
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