Citation: THE SOLO ARTISTS -UNIVERSITY-MUSEUM( LEWIS,SAMELLA AND BURWELL,LILIAN, 2 ARTISTS ON EXHIBIT AT THE HAMPTON), The International review of African American art, 14(2), 1997, pp. 15
Citation: Mj. Hewitt, VITAL RESOURCES + FIRST IN A SERIES OF ARTICLES ON INDEPENDENT GALLERIES, The International review of African American art, 14(2), 1997, pp. 19
Citation: Pj. Jackson, IRREVERENT SEDUCTIONS - B(L)ACK AT THE WHITNEY( THE 1997 WHITNEY BIENNIAL ), The International review of African American art, 14(2), 1997, pp. 50-53
Citation: Pl. Taylor, AFRICAN ARCHITECTURE EMERGES IN AMERICA -CULTURAL-CENTER AT THE UNIVERSITY-OF-MARYLAND IN COLLEGE-PARK( THE NYUMBURU), The International review of African American art, 14(2), 1997, pp. 55-55
Citation: T. Jeffries, A COMMUNION OF THE SPIRITS - AFRICAN-AMERICAN QUILTERS, PRESERVERS AND THEIR STORIES - FREEMAN,RL, The International review of African American art, 14(2), 1997, pp. 56-57
Citation: C. Bullard, FIGURATION IN AFRICAN-AMERICAN ART - AN ALTERNATIVE MODERNISM, The International review of African American art, 14(2), 1997, pp. 58-58
Citation: E. Amos, A NEW PARK IN ATLANTA -DAVID-ABERNATHY-MEMORIAL-PARK( THE RALPH), The International review of African American art, 14(2), 1997, pp. 60-61
Citation: C. James, THE HEART OF THE QUESTION - THE WRITINGS AND PAINTINGS OF PINDELL,HOWARDENA - PINDELL,H, The International review of African American art, 14(2), 1997, pp. 63-63
Citation: Ls. Mitchell, INTERPRETING THE CANVAS, 'FISHERS OF MEN' BY THOMAS,BARBARA,E, The International review of African American art, 14(2), 1997, pp. 64-64
Citation: Wm. Mellinger, ANCESTORS - ADAMS,JOHN,HENRY AND THE IMAGE OF THE NEW NEGRO, The International review of African American art, 14(1), 1997, pp. 29-33
Citation: L. Mcneill, WHERE MORE THAN BEAUTY TRACES LOGIC - THE COMMON GROUND( JAZZ IS THE MUSE ), The International review of African American art, 14(1), 1997, pp. 35
Citation: F. Coleman, JAZZ AND AFRICAN-AMERICAN ARTISTS OF THE 1960S - JAZZ IS THE MUSE, The International review of African American art, 14(1), 1997, pp. 51-53