Citation: Mn. Depillars, BLACK ART AND CULTURE IN THE 20TH-CENTURY - POWELL,RJ, The International review of African American art, 14(1), 1997, pp. 56-57
Citation: Ad. Barnwell, THE FACT OF BLACKNESS - FANON,FRANTZ AND VISUAL REPRESENTATION - READ,A, The International review of African American art, 14(1), 1997, pp. 58-59
Citation: Ls. Mitchell, FRESH-PAINT - NATIONAL SCENE( A COLLECTION OF PAINTINGS WHICH GIVES ANEW SLANT ON OLD THEMES ), The International review of African American art, 13(4), 1996, pp. 5
Citation: J. Jaime, FRESH-PAINT - NEW-YORK SCENE( A COLLECTION OF PAINTINGS WHICH GIVES ANEW SLANT ON OLD THEMES ), The International review of African American art, 13(4), 1996, pp. 19-28
Citation: JAZZ IS THE MUSE -ARTISTS AND THEIR CONNECTION TO THE MUSIC( VISUAL), The International review of African American art, 13(4), 1996, pp. 29-29
Citation: M. Monceaux, JAZZ IS THE MUSE -ARTISTS AND THEIR CONNECTION TO MUSIC - SLAVE TO THE RHYTHM( VISUAL), The International review of African American art, 13(4), 1996, pp. 30-33
Citation: T. Jeffries, JAZZ IS THE MUSE - BAILEY,RADCLIFFE LIVES THE LAW OF LAYERING( THE ART OF COLLAGE ), The International review of African American art, 13(4), 1996, pp. 34-36
Citation: A. Colon, JAZZ IS THE MUSE - IN THE TRADITION OF JAZZ IMPROVISATION COLON,ALAN PRESENTS VANDYKE,SHERARD, The International review of African American art, 13(4), 1996, pp. 37-40
Citation: L. Wilson, JARRELL,WADSWORTH - THE ARTIST AS REVOLUTIONARY - DOUGLAS,RL, JARRELL,W, The International review of African American art, 13(4), 1996, pp. 60-61
Citation: E. Stone, ONE VOICE FOR TANNER -HOUSE( THE PRESENTATION OF 'SAND DUNES AT SUNSET' BY TANNER,HENRY,O. AT THE WHITE), The International review of African American art, 13(4), 1996, pp. 62-62
Citation: A. Gibson, STRANGE FRUIT - TEXTURE AND TEXT IN THE WORK OF OVERSTREET,JOE, The International review of African American art, 13(3), 1996, pp. 24
Citation: Ad. Barnwell, BEEN TO AFRICA AND BACK - CONTEXTUALIZING PINDELL,HOWARDENA ABSTRACT-ART, The International review of African American art, 13(3), 1996, pp. 42