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Results: 1-25/119
Authors:
JOHNSON S
Citation: S. Johnson, A HISTORY OF CANADIAN THEATER - INTRODUCTION, Theatre research in Canada, 18(2), 1997, pp. 123-126
Authors:
DUCHESNE S
Citation: S. Duchesne, A GOLF CLUB FOR THE GOLDEN-AGE - ENGLISH-CANADIAN THEATER HISTORIOGRAPHY AND THE STRANGE CASE OF MITCHELL,ROY, Theatre research in Canada, 18(2), 1997, pp. 131-147
Authors:
RITTENHOUSE J
Citation: J. Rittenhouse, OUR GRANADA - THE GRANADA THEATER, WELLINGTON STREET, SHERBROOKE, QUEBEC, CANADA, AMERICA, THE WORLD AND ME, Theatre research in Canada, 18(2), 1997, pp. 148-166
Authors:
SMITH ME
Citation: Me. Smith, ONE MUST PLEASE TO LIVE - THE SURVIVAL OF LINDLEY,HARRY IN ATLANTIC CANADA, Theatre research in Canada, 18(2), 1997, pp. 167-190
Authors:
SCOTT S
Citation: S. Scott, COLLECTIVE CREATION AND THE CHANGING MANDATE OF NIGHTWOOD THEATER (TORONTO, CANADA), Theatre research in Canada, 18(2), 1997, pp. 191-207
Authors:
BARTON B
Citation: B. Barton, THE OXFORD COMPANION TO CANADIAN THEATER - BENSON,E, CONOLLY,LW, Theatre research in Canada, 18(2), 1997, pp. 208-210
Authors:
GRAHAM C
Citation: C. Graham, THE OXFORD COMPANION TO CANADIAN THEATER - BENSON,E, CONOLLY,LW, Theatre research in Canada, 18(2), 1997, pp. 210-211
Authors:
HARVIE J
Citation: J. Harvie, THE OXFORD COMPANION TO CANADIAN THEATER - BENSON,E, CONOLLY,LW, Theatre research in Canada, 18(2), 1997, pp. 212-213
Authors:
HUFFMAN S
Citation: S. Huffman, THE OXFORD COMPANION TO CANADIAN THEATER - BENSON,E, CONOLLY,LW, Theatre research in Canada, 18(2), 1997, pp. 214-215
Authors:
KESHVANI S
Citation: S. Keshvani, THE OXFORD COMPANION TO CANADIAN THEATER - BENSON,E, CONOLLY,LW, Theatre research in Canada, 18(2), 1997, pp. 216-218
Authors:
MOSER M
Citation: M. Moser, THE OXFORD COMPANION TO CANADIAN THEATER - BENSON,E, CONOLLY,LW, Theatre research in Canada, 18(2), 1997, pp. 218-219
Authors:
MERRETT KC
Citation: Kc. Merrett, THEATER HISTORY AND THE 'CANADIAN ENCYCLOPEDIA' (1986-1996) (IN BOOK AND ELECTRONIC FORMAT), Theatre research in Canada, 18(2), 1997, pp. 220-224
Authors:
MULLALY E
Citation: E. Mullaly, DIRECTORY OF CANADIAN THEATER ARCHIVES - MCCALLUM,H, PINCOE,R, Theatre research in Canada, 18(2), 1997, pp. 225-227
Authors:
ONEILL D
ONEILL P
Citation: D. Oneill et P. Oneill, CANADIAN SCENE-PAINTER GILL,WILLIAM AND THE SURVIVAL OF AN 1892 GARDEN SCENE, Theatre research in Canada, 18(2), 1997, pp. 225-227
Authors:
GROSS RF
Citation: Rf. Gross, OFFSTAGE SOUNDS - THE PERMEABLE PLAYHOUSE OF CHARLES,CHARLES, Theatre research in Canada, 18(1), 1997, pp. 3-17
Authors:
BONDAR AF
Citation: Af. Bondar, LIFE DOESNT SEEM NATURAL - ECOFEMINISM AND THE RECLAIMING OF THE FEMININE SPIRIT IN COWAN,CINDY A 'WOMAN FROM THE SEA', Theatre research in Canada, 18(1), 1997, pp. 18-26
Authors:
DOLBEC N
Citation: N. Dolbec, A DESCRIPTIVE STRATEGY IN MAILLET,ANTONINE LA 'SAGOUINE' - ENUMERATION, Theatre research in Canada, 18(1), 1997, pp. 27-41
Authors:
CHAINE F
Citation: F. Chaine, COLLAGE, ASSEMBLAGE, BRICOLAGE, OR STAGING IN VIDEO INSTALLATION, Theatre research in Canada, 18(1), 1997, pp. 42-58
Authors:
PARTINGTON R
Citation: R. Partington, THE JUPITER THEATERS CANADIAN CONTENT AND THE CRITICS, 1951-1954, Theatre research in Canada, 18(1), 1997, pp. 59-88
Authors:
LEVASSEUR J
Citation: J. Levasseur, HISTORY AND HISTORICITY, INTERTEXTUALITY AND RECEPTION IN 'LOUIS MAILLOUX' (1975) BY DUGUAY,CALIXTE AND BOUDREAU,JULES, Theatre research in Canada, 18(1), 1997, pp. 89-106
Authors:
CHUNG K
Citation: K. Chung, PLAYWRITING WOMEN - FEMALE VOICES IN ENGLISH CANADA - ZIMMERMAN,C, Theatre research in Canada, 18(1), 1997, pp. 107-110
Authors:
JOHNSON C
Citation: C. Johnson, SHARED ANXIETY - SELECTED PLAYS WALKER,GEORGE,F. - WALKER,GF, Theatre research in Canada, 18(1), 1997, pp. 111-115
Authors:
COLBORNE RG
Citation: Rg. Colborne, 'BONEMAN' - AN ANTHOLOGY OF CANADIAN PLAYS - RALPH,G, Theatre research in Canada, 18(1), 1997, pp. 115-117
Authors:
GILBERT R
Citation: R. Gilbert, FOREWORD (THEORETICAL METHODOLOGIES OF THEATRICAL PERFORMATIVITY AND PERFORMANCE), Theatre research in Canada, 17(2), 1996, pp. 141-143
Authors:
NUNN R
Citation: R. Nunn, FLICKERING LIGHTS AND DECLAIMING BODIES - SEMIOSIS IN FILM AND THEATER (THE ELEMENT OF PRESENCE AND THE ACTOR, A STUDY OF THE DIFFERENCES BETWEEN ACTING ON STAGE AND IN FILM), Theatre research in Canada, 17(2), 1996, pp. 147-159