Citation: H. Regitz, THAT CERTAIN SOMETHING - THE ACADEMIE-DE-DANSE-CLASSIQUE-PRINCESSE-GRACE, BESOBRASOVA,MARIA AND HER BALLET SCHOOL IN MONTE-CARLO, Ballett international, Tanz aktuell, (7), 1998, pp. 58-59
Citation: H. Regitz, THE GREAT BLAST-BOOM-BANG - 10 YEARS ON (MOTTE WORLDWIDE THE LARGEST YOUTH CULTURE EVENT, BERLIN), Ballett international, Tanz aktuell, (7), 1998, pp. 76-76
Citation: H. Scheier, 25 YEARS OF THE HAMBURG-BALLET (WHY NEUMEIER,JOHN, THE SLAVE TO TRADITION, CONSTANTLY STRIVES TO DEVELOP BALLETS THEATRICAL EFFECTIVENESS), Ballett international, Tanz aktuell, (6), 1998, pp. 8-9
Citation: J. Percival, A CENTURY OF PERSONIFIED BRITISH BALLET HISTORY - DAME DEVALOIS,NINETTE TURNS 100, Ballett international, Tanz aktuell, (6), 1998, pp. 11-11
Citation: G. Manor, THE BATSHEVA SCANDAL (A SCENE FROM NAHARIN,OHAD 'ANAPHASE' FOR THE BATSHEVA DANCE-COMPANY CAUSED AN UPROAR AT ISRAELS GALA SOW), Ballett international, Tanz aktuell, (6), 1998, pp. 12-12
Citation: T. Hahn, ITS OVER FOR TNDI IN CHATEAUVALLON (THE SUPPORT ORGANIZATION OF THEATER-NATIONAL-DE-LA-DANSE-ET-DE-LIMAGE HAS BEEN JUDICALLY DISBANDED), Ballett international, Tanz aktuell, (6), 1998, pp. 14-14
Citation: H. Koegler, WALLPAPERING WITH SOUND (HOW EXCHANGEABLE IS BALLET MUSIC FOR TODAYS CHOREOGRAPHERS), Ballett international, Tanz aktuell, (6), 1998, pp. 19-19
Citation: A. Wesemann, KEEPING THE WORLD AT ARMS LENGTH (THE DRAMATURG BETWEEN DREAM JOB ANDPR-ADVISER), Ballett international, Tanz aktuell, (6), 1998, pp. 24-25
Citation: H. Regitz, WERE ON THE MOVE - ANDERSEN,FRANK, DIRECTOR OF THE ROYAL-SWEDISH-BALLET - A PORTRAIT, Ballett international, Tanz aktuell, (6), 1998, pp. 36-37
Citation: R. Burt, RECONSTRUCTION OF THE BALLETS-SUEDOIS (THE ROYAL-SWEDISH-BALLET WILL PRESENT 4 BALLETS BY BORLIN,JEAN DURING ITS ANNIVERSARY SEASON), Ballett international, Tanz aktuell, (6), 1998, pp. 38-39
Citation: M. Sorenson, BIRGIT AND BIRGIT - THE CULLBERG-BALLET (CELEBRATING THE DANCE OF CULLBERG,BIRGIT AND AKESSON,BIRGIT), Ballett international, Tanz aktuell, (6), 1998, pp. 40-41
Citation: H. Regitz et U. Gadd, BETWEEN BALI AND BALLET - GADD,ULF, BALLET DIRECTOR OF THE GOTEBORGSOPERAN, IN CONVERSATION, Ballett international, Tanz aktuell, (6), 1998, pp. 42-45
Citation: H. Regitz, NORDIC DANCE QUARTET - SKANDINAVIAN CHOREOGRAPHERS IN STOCKHOLM (ANDERSEN,FRANK PROGRAM AT THE DANSENS-HUIS PRESENTS WORKS BY CHOREOGRAPHERS FROM DENMARK, FINLAND, NORWAY AND SWEDEN), Ballett international, Tanz aktuell, (6), 1998, pp. 48-48